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‘Lambs of God’ is a Twisting, Turning Gothic Fairy Tale

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Lambs of God

Lambs of God is one of those series that isn’t easy to define. It blends genres so seamlessly that it feels fresh and new by the time the credits roll on the final episode, though the elements used to create the series are all tried and true.

Based on the novel by Marele Day, the series centers on the lives of three nuns living a life of seclusion in a forgotten abbey dedicated to St. Agnes on a remote island. These are no ordinary nuns, however.

For starters, they believe their flock of sheep is made up of the reincarnated souls of the nuns of their order who have died. While they spend their days in prayer and knitting and creating various herbal medications and dyes, the stories they tell around their tables are twisted version of fairy tales many of which relate more closely to the source material of those tales than the versions most of us heard as children.

These three generations of women each have their own role to play, but none of them are prepared when a young priest stumbles into their sequestered lives. When they realize the priest is there with the intent of assessing the abbey to be sold and converted into a luxury hotel, they take the man prisoner and their lives quickly spin out of control.

Directed by Jeffrey Walker (Riot) with  scripts written by Sarah Lambert and Day, Lambs of God grips its audience from the very first moments not only because the series is well-written and directed, but because their four leads are absolutely spectacular.

Emmy-winner Ann Dowd (The Handmaid’s TaleHereditary) is remarkable as Sister Margarita, the oldest of the three nuns. She quickly turns from harsh violence to abject humility and vulnerability without ever falling to caricature. We believe her belief without question, even as we glimpse the events in her past that led her to the abbey.

Likewise Essie Davis (The Babadook) is stunning as Sister Iphegenia. She is without a doubt the leader of their unlikely convent, which she manages with patience and a stern hand when needed. Davis’s performance is raw and hypnotic. She is a woman on a ledge with almost-expert balance.

Jessica Barden (Hanna) rounds out the trio of nuns. Sister Carla is the youngest, and she breathes life and a starry-eyed innocence into the character who, at 24 years old, has managed to hold onto the freshness of youth while locked away from the outside world.

Rounding out the central cast, Sam Reid (Anonymous) takes on the role of Ignatius, the interloper priest, and like his co-stars, the actor brings honesty to his role that makes Ignatius’s journey believable and at times, heart-wrenching.

It’s almost a cliche to refer to the setting of a film as a character all its own, and yet it is undeniable here. The convent of St. Agnes is dramatic with richly textured walls and statuary. There are moments when the very building seems to breathe and to actively take part in the conspiracy to hide the lives of its nuns away from the world.

Sadly, most of the supporting cast isn’t given as much development. With the exception of Kate Mulvany in the role of Ignatius’s sister, Frankie, most are given little to do, and there were moments when I expected the Priests aka The Villains to twirl their non-existent pencil line mustaches.

As I said from the start, Lambs of God is difficult to pin down. It is part psychological thriller, part dark fairy tale, and part family drama. Yet, somehow, those things never seem to get in the way of or detract from the other.

The writers wisely left the supernatural elements of the story up to the viewer to interpret while still using them to advance the story with a light layering of mysticism. Though they are Catholic nuns dedicated to the Convent of St. Agnes their roles and lives become archetypes much larger than the faith of the Church.

Lambs of God is currently available to stream on Topic, a streaming platform with a variety of interesting programming options. Check out the trailer for the series below!

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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