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Review: ‘UNDERWATER’ Is a Surprisingly Effective Terror of The Deep

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Aqua Horror as a sub-genre has always held a special place for me. Perhaps it’s because I grew up near the ocean or I consumed a slew of 1989 deep sea movies when I was younger. Or perhaps it’s because the ocean and its briny depths still fascinate and horrify me to this day. Regardless, when a big budgeted journey into the unknown comes along like William Eubank’s Underwater, I am thoroughly intrigued and happy to say it delivers what it promises!

Image via IMDB

Underwater follows the crew of a deep-sea mining rig and station 7 miles down along the Mariana Trench, one of the deepest known locations on the planet. Norah Price (Kristen Stewart) is a technician just going through her daily routine when the worst-case scenario happens, leaving her and a few other survivors left in their now critically damaged station. Now, they must make a perilous journey through the collapsing machinery of the base, through the barren ocean floor, and to the now derelict rig. However, along with the dangers of broken machinery and water pressure, they must contend with a mysterious aquatic threat stalking them at every turn…

 

The movie jumps right into the action within the first few minutes as everything goes to absolute hell in the station. Kristen Stewart stands front and center as the protagonist, complete with some inner monologues to hint at her background and motivations. She’s already on edge and anxious from past traumas and the world literally falling around her isn’t helping any. Stewart gives a stellar performance in fear to the disasters both manmade and the unknown.

Image via IMDB

The rest of the cast is rounded out by Vincent Cassel as the determined Captain of the vessel. Haunted by tragedies of his own, he will do anything to avoid further loss of life. T.J. Miller plays the typical comic relief/pop culture referencer (Miller currently a toxic presence due to a myriad of reasons in real life, though his casting and the film’s production being around three years prior) Mamoudou Athie is the first survivor that Stewart’s Norah encounters and helps unite with Jessica Henwick and John Gallagher Jr.’s characters to round out a motley crew of survivors. The dynamic between the surviving crew isn’t the most compelling since we don’t have much background on the characters, but it keeps the story moving forward and without any bad performance.

 

What really hooked me was the production design and settings of Underwater. William Eubank (The Signal) does an exemplary job of making almost every scene as claustrophobic and nerve wracking as possible. Be it having to crawl through flooded wreckage, or tip-toe across the ocean floor while horrifying undersea beasts roam about. It truly captures the aspects of ‘survival horror’ that have made horror movies and games like Alien and Resident Evil so popular. And back on the creatures, I don’t want to talk about them too much as they carry some surprises but they scared the hell out of me. Plain and simple. Establishing a loose Lovecraft tone that makes the movie even more otherworldly and its monsters all the more eldritch. Including one particular scene of oceanic fear, my jaw dropped!

 

Though not the most groundbreaking sci-fi horror movie, it is a rare class in it of itself: a big budgeted B-Movie. It’s hard for genre films to have the budgets to back up their scares and scenarios, so to have something like this come along, like a lost entry in the 1989 ‘wave’ of aqua horror movies following James Cameron’s The Abyss is a rare and welcome treat. Underwater is a shocker that deserves to be seen in theaters, on the biggest screen possible for the full intensity of the experience. Despite its standard plot and characters, with such performances, production, and style, it is all but guaranteed to be a cult classic.

Underwater opens in theaters Friday, January 10th

 

Image via IMDB

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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