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‘Riot Girls’ is a Punk Rock Call to Arms [REVIEW]

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Riot Girls

In an alternate version of 1995, a mysterious plague has wiped out all the adults and left one town’s teens in a violent gang war. This is the premise for Jovanka Vuckovic’s Riot Girls, a punk-infused teen-focused flick with surprisingly dark undertones. 

In the film, the town of Potter’s Bluff is divided into the poor East side and the rich West side — punks vs preps, essentially — with each group rallying behind an alpha male. When the Westside Titans (clad in letter jackets and doused with school spirit) capture an Eastsider, it’s up to two punk rock riot girls — Scratch (Paloma Kwiatkowski; Bates Motel) and Nat (Madison Iseman; Annabelle Comes Home) — to swoop in, bash some skulls, and save the day. 

Directed, written, edited, designed, and produced by women, the film puts a solid focus on its strong female characters. They’re all presented in a realistic and relatable light that the audience can really connect with. These girls have genuine friendships, fears, vulnerabilities, and strengths, and they can be heroic without the mystical skills of sci-fi kung fu.

via Route 504

Riot Girls is washed with a light, youthful energy that polishes over the film’s dark nature. For a film that focuses on a bunch of teenagers, there’s a fair amount of bloodshed. It’s a bit surprising to see kids straight up murdering each other, but there are no real consequences to deter them — no authorities to keep them in line. With the right “us vs them” attitude, you can see why these kids would believe that it’s the best solution to their current problem. 

The issue with the “no real consequences” part is that death carries very little weight — these kids play pretty fast and loose with murder. When someone is killed, we move on almost immediately. Death has been normalized — though perhaps seeing all of your parents die from gut rot will do that to you. It takes away some dramatic edge, but it speaks to the true dystopian nature of the film. 

That said, tonally, Riot Girls is a bit of a mess. It skips back and forth between heavy stakes and lighthearted adventure, and ends up feeling rather uneven. Because we’re picking up in the middle of the story with an already established set of warring societies, it can be difficult to connect to the reasons why this all matters. 

But as flippant as the film can be with its treatment of death, Riot Girls handles the topic of sexual assault with the appropriate gravity. Scratch clearly has some trauma in her past that keeps her on edge. Her anxieties betray her carefree attitude when things start to get heavy.  

via Route 504

On the West side, the Titans are led by Jeremy (Munro Chambers; Turbo Kid, Harpoon). Jeremy is coiled like a snake, ready to strike. His volatile nature gives Chambers a lot to play with, and he appears to relish in the stoic intensity. That said, the character of Jeremy perhaps isn’t the best fit for him. Chambers is extraordinarily talented, but the character is a bit too restrained when you really want to see him go off the rails. 

Kwiatkowski really leans in to Scratch’s punk rock attitude, and it seems to come naturally for her. Perhaps it’s the script, but there are times that her performance doesn’t tonally match with the action. It forces a specific reaction from her that doesn’t quite gel with the overall tone, so the performance comes off as stilted — at no fault to the actor.

via Route 504

When Riot Girls isn’t rebel yelling or not giving a damn about reputations, it has a very sweet and queer-positive love story. Nat and Scratch show their close connection throughout the film, building up to a heartwarming confession that embraces the spirit of young love. 

Riot Girls is a spunky and energetic film, infused with early-90s sensibilities. It focuses on teens who must survive with no parental help (the era of latchkey kids) and has a distinct comic book aesthetic that sprinkles a youthful unreality into the film. 

Though there are some hiccups with pacing and tone, Riot Girls is a punk rock feminist call to arms. With a cast of strong female characters — including Caine (Jenny Raven) and wise-beyond-her-years Lucy (Jordana Blake) —  it rallies rebel girls and shows us that we can kick ass in the face of male entitlement and classism, and emerge victorious. We are the heroes of our own stories, and we don’t need to be rescued.

Even in a post-apocalypse, we can claim the world as our own.

 

Riot Girls will receive a limited theatrical release starting September 13, 2019.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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