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Fantasia 2019: ‘Homewrecker’ is a Polite Canadian’s Cautionary Tale

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Homewrecker

Actress Alexandra Essoe (Starry Eyes) makes her move into feature film writer with Zach Gayne’s directorial debut, Homewrecker. It’s a lively and entertaining Canadian horror-thriller that embraces its deep roots in the category of indie film. 

Homewrecker follows Michelle (Essoe), a young interior designer who gets roped into a sudden and highly toxic relationship with eclectic and exuberant Linda (Precious Chong). After the two have a brief interaction at their shared gym, Linda finds Michelle in a local coffee shop and is determined to be fast friends. Linda’s enthusiasm quickly morphs into obsession while Michelle frantically tries to find a polite excuse to leave. Michelle’s discomfort turns to terror as Linda amps up the crazy, trapping Michelle in her home for a twisted tête-à-tête.

Homewrecker explores our inherent tolerance and patience, questioning at what point we listen to those warning bells and see those red flags. When do we just say “fuck politeness” and get the hell out of there? It’s not an easy answer (especially in Canadian society; being polite is our natural state).

Michelle doesn’t quite know when to say no, which spurs Linda on in her motorcade of personality. She opens herself up by sharing intimate details that only cause Michelle to shrink away as she’s hounded by this barrage of positivity. It’s easy to feel Michelle’s discomfort — Linda is sharing a lot, very quickly — and it’s no stretch to empathize with her in this awkward situation. 

via Fantasia Fest

There’s a “Chekhov’s gun” moment as Linda is leading Michelle through her home, which the astute observer will appreciate. This dramatic principle states that if – in the first act – you have a pistol on the wall, it must be fired in the following act. A wall-mounted sledgehammer serves as a representation of Linda’s growth and progress thus far (making you wonder what she was like before the hours of therapy and personal breakthroughs). It’s an object that is so comically out of place that there’s no way it won’t come back to serve some violent purpose. 

For all its earnest efforts, Homewrecker stumbles through stiff blocking and clunky direction. The script is the standout here, and it does a lot of the heavy lifting. It contains a certain honesty and quippy humor that are actually quite endearing. 

Essoe falls naturally into the role of Michelle; it’s easy to empathize with the character as you cringe along with the awkward early stages of her journey. Chong is rather convincing in her role, leaning in to Linda’s off-kilter, manic energy. She pushes herself right to the edge and wavers there, hovering dangerously between harmlessly quirky and full-blown maniac. 

The pacing is a bit wild, with an impromptu third act musical number that’s just so absurd that it actually kind of works. The action feels over-rehearsed, which — while far safer — doesn’t do a ton of favors for realism. 

That said, it’s refreshing to see a thriller that focuses almost entirely on two women and their relationship. It’s notable that Homewrecker focuses on Linda, a character that’s just past her young buxom ingenue years, but whose youthful energy is maintained and exaggerated in a way that is often encouraged by Pinterest boards and cheeky clip art. Fridge magnets reading “Well behaved women often make history” and drink straws adorned with “Liquid therapy” litter her home, painting her in an innocent and “fun” light that’s misleadingly coy.

via Fantasia Fest

Produced on a modest budget, Homewrecker is uniquely Canadian. Torontonians will likely recognize some of the filming locations, but, more than that, the signature Canadian politeness is the catalyst for Michelle’s whole ordeal. There are several opportunities for her to leave (or not even enter in the first place), but she – like Linda’s neighbor – ignores the red flags that are frantically waving in front of her in favor of playing along and not saying no. It’s a cautionary tale in engaging with strangers.

While it lacks the polish of a studio film, Homewrecker is an entertaining and quick story (it clocks in at just under 75 minutes), easily digestible as an afternoon snack. The cinematography, direction, and the performances are just what you’d expect from a small indie film, but there’s something charming about it. If you’re looking to expand your cinematic social circle beyond studio hits and popular indie titles, give it a chance, you might find a new friend. 

 

Homewrecker is playing as part of Fantasia Festival’s 2019 lineup. For more films, check out their website or keep an eye out for our reviews.

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‘Happy Death Day 3’ Only Needs Greenlight From Studio

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Jessica Rothe who is currently starring in the ultra-violent Boy Kills World talked to ScreenGeek at WonderCon and gave them an exclusive update about her franchise Happy Death Day.

The horror time-looper is a popular series that did pretty well at the box office especially the first one which introduced us to the bratty Tree Gelbman (Rothe) who is being stalked by a masked killer. Christopher Landon directed the original and its sequel Happy Death Day 2U.

Happy Death Day 2U

According to Rothe, a third is being proposed, but two major studios need to sign off on the project. Here is what Rothe had to say:

“Well, I can say Chris Landon has the whole thing figured out. We just need to wait for Blumhouse and Universal to get their ducks in a row. But my fingers are so crossed. I think Tree [Gelbman] deserves her third and final chapter to bring that incredible character and franchise to a close or a new beginning.”

The movies delve into sci-fi territory with their repeated wormhole mechanics. The second leans heavily into this by utilizing an experimental quantum reactor as a plot device. Whether this apparatus will play into the third film isn’t clear. We will have to wait for the studio’s thumbs up or thumbs down to find out.

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Will ‘Scream VII’ Focus on The Prescott Family, Kids?

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Since the beginning of the Scream franchise, it seems there have been NDAs handed out to the cast to not reveal any plot details or casting choices. But clever internet sleuths can pretty much find anything these days thanks to the World Wide Web and report what they find as conjecture instead of fact. It’s not the best journalistic practice, but it gets buzz going and if Scream has done anything well over the past 20-plus years it’s creating buzz.

In the latest speculation of what Scream VII will be about, horror movie blogger and deduction king Critical Overlord posted in early April that casting agents for the horror movie are looking to hire actors for children’s roles. This has led to some believing Ghostface will target Sidney’s family bringing the franchise back to its roots where our final girl is once again vulnerable and afraid.

It is common knowledge now that Neve Campbell is returning to the Scream franchise after being low-balled by Spyglass for her part in Scream VI which led to her resignation. It’s also well-known that Melissa Barrera and Jenna Ortega won’t be back any time soon to play their respective roles as sisters Sam and Tara Carpenter. Execs scrambling to find their bearings got broadsided when director Cristopher Landon said he would also not be going forward with Scream VII as originally planned.

Enter Scream creator Kevin Williamson who is now directing the latest installment. But the Carpenter’s arc has been seemingly scrapped so which direction will he take his beloved films? Critical Overlord seems to think it will be a familial thriller.

This also piggy-backs news that Patrick Dempsey might return to the series as Sidney’s husband which was hinted at in Scream V. Additionally, Courteney Cox is also considering reprising her role as the badass journalist-turned-author Gale Weathers.

As the film starts filming in Canada sometime this year, it will be interesting to see how well they can keep the plot under wraps. Hopefully, those who don’t want any spoilers can avoid them through production. As for us, we liked an idea that would bring the franchise into the mega-meta universe.

This will be the third Scream sequel not directed by Wes Craven.

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‘Late Night With the Devil’ Brings The Fire to Streaming

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With as successful as a niche independent horror film can be at the box office, Late Night With the Devil is doing even better on streaming. 

The halfway-to-Halloween drop of Late Night With the Devil in March wasn’t out for even a month before it headed to streaming on April 19 where it remains as hot as Hades itself. It has the best opening ever for a movie on Shudder.

In its theatrical run, it is reported that the film took in $666K at the end of its opening weekend. That makes it the highest-grossing opener ever for a theatrical IFC film

Late Night With the Devil

“Coming off a record-breaking theatrical run, we’re thrilled to give Late Night its streaming debut on Shudder, as we continue to bring our passionate subscribers the very best in horror, with projects that represent the depth and breadth of this genre,” Courtney Thomasma, the EVP of streaming programming at AMC Networks told CBR. “Working alongside our sister company IFC Films to bring this fantastic film to an even broader audience is another example of the great synergy of these two brands and how the horror genre continues to resonate and be embraced by fans.”

Sam Zimmerman, Shudder’s VP of Programming loves that Late Night With the Devil fans are giving the film a second life on streaming. 

Late Night’s success across streaming and theatrical is a win for the kind of inventive, original genre that Shudder and IFC Films aim for,” he said. “A huge congratulations to the Cairnes and the fantastic filmmaking team.”

Since the pandemic theatrical releases have had a shorter shelf life in multiplexes thanks to the saturation of studio-owned streaming services; what took several months to hit streaming a decade ago now only takes several weeks and if you happen to be a niche subscription service like Shudder they can skip the PVOD market altogether and add a film directly to their library. 

Late Night With the Devil is also an exception because it received high praise from critics and therefore word of mouth fueled its popularity. Shudder subscribers can watch Late Night With the Devil right now on the platform.

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