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“3 Dead Trick or Treaters” Must be Seen to be Believed

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As a reviewer in a genre of films that is overrun with sequels and remakes, it starts to feel impossible to be surprised anymore so it’s nice when a film catches you completely off guard.  It’s even better when that film is so engaging that you leave the theater and discuss it with fellow theatergoers for hours.  That was the case when I and a fellow writer from iHorror settled in to watch 3 Dead Trick or Treaters at the Nightmares Film Festival in Columbus, Ohio.

The anthology film revolves around a paper boy who, in the course of his job, stumbles upon three graves marked with crosses and various trinkets.  On each cross is a story, and as he picks up each piece of paper, we’re drawn into the the tale of that particular grave’s resident.  Each tale is beautifully arranged and filmed and the dialogue free nature of the film as a whole really opens you up the emotional experiences of each character and the horrors they are drawn into.

As the credits rolled at the end of this chilling horror film, I knew two things:

  1. I’d just seen something completely original.
  2. I had to talk to the man who made this film!

Within hours, I had tracked down writer/director Torin Langen and we were working to set up a time to chat about his remarkable anthology film and how it came to be.  As luck would have it, Langen was as interesting as his film and it turns out it was quite a journey to bring each segment together.

“We started filming back in 2012,” he began, “and I guess it was four years in the making, beginning with the first segment called Fondue.”

Each year, in October, he and a group of actors and crew he describes as “enthusiastic non-professionals” would gather in the same locations to film for a few days on what one couldn’t even call a shoestring budget.

“We never had a grand scheme for what the finished project would ultimately be,” he said.  “We would plan the next segment and shoot it in the autumn so that everything would have the same appearance and then the rest of the year I’d be working on post-production along with my friend and composer, Stephen Schooley, and other small projects I had going.”

Langen, who credits the DIY/punk scene of southern Ontario for some of his inspiration, also began submitting Fondue to festivals to gauge audience reactions and because he didn’t want to suddenly have a full feature that no one had ever heard of before.  It did just what he needed it to, and kept the creative juices flowing.

As I said before, this film is completely dialogue free.  Not a single word uttered in the entire film.  It’s a bold move in 2017 and though I had my own theories as to why he’d made this choice, it was still enlightening to hear his answer.

“Each segment, to me, is a ritual,” he said.  “You don’t have to speak during a ritual behavior because you know every action and movement by heart.  The audience is being let in on the ritual by the lead character or a reluctant accomplice.  I really wanted it to be mood driven and the lack of dialogue helps with that but it also forces the audience to pay more attention.”

That’s also where the film’s amazing score comes into play.  Schooley, who composed the music for every section of the film except Fondue was a composition student and playing in an ambient band when Langen met him, and because he was a student at the time, he had access to score the film with actual musicians and instruments rather than relying solely on synthesized music.  The overall effect of cellos, violins, guitars,drums and piano gives 3 Dead Trick or Treaters an aural quality one often doesn’t find in micro-budget independent films and adds even more to the intensity of each scene.

“The music did so much of the speaking for the characters,” Langen explained.  “It worked as an extension to their emotions with upswings in tone in moments of surprise and slowly building themes for their dread.”

The two together, with a set of actors that I still can’t believe aren’t trained professionals, were able to create something so unique that it is hard to classify, but I hope we’ll see more of it in the future.

For now, 3 Dead Trick or Treaters is making the rounds on the festival circuit.  Langen has also arranged viewings of the film around the world in various art galleries and underground theaters in places like Singapore, Japan, and Shanghai.  For a complete listing of where the film will be playing, visit Langen’s website!

3 Dead Trick or Treaters (2017) – Official Trailer from Torin Langen on Vimeo.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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