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[Video Interview] Daemon Hillin Talks Producing ‘The Flood,’ Movies, & More

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The Flood is now available in theatres and digital. We have one final article and interview with producer Daemon Hillin. Hillin’s path was not always clear, and it was bittersweet when he found his true calling, and now he couldn’t imagine doing anything else.

During our interview, we speak about his career paths, the complications of working in a predominantly wet environment, shooting on location in Thailand, and the role of a producer. It was an informative and fun interview; I hope you enjoy it!

Interview – Producer Daemon Hillin

Daemon Hillin is a highly acclaimed producer known for his creative vision and business acumen in the independent film industry. As President of Benetone Films U.S., he handles packaging and financing for the multinational company.

He is also the CEO of Hillin Entertainment, his own independent production company. Hillin has produced over 25 feature films with A-list talent and directors, including Killing Winston Jones, By the Rivers of Babylon, and Ghost House. His recent films, such as Apache Junction and Final Kill, have been financially successful and well-received by audiences.

The Thai government has recognized Hillin for his contributions to the international film industry. In addition to his producing capabilities, he specialized in film financing, GAP financing, distribution, and film production, making him the go-to man for film production in Southeast Asia.

The Flood – Official Trailer

Synopsis:

After a massive hurricane floods, Louisiana unleashes a threat even deadlier than the rising water level: a relentless horde of giant hungry alligators. When a group of in-transit prisoners and their security guards seek shelter in a local prison, they become prey for the flesh-eating attackers. To survive, the prisoners and guards must fight together in this action-thriller packed with slithery scares and jaw-clenching suspense. The film is directed by Brandon Slagle and stars Nicky Whelan, Casper Van Dien, and Louis Mandylor.

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Richard Brake Really Wants You to See His New Film ‘The Last Stop In Yuma County’ [Interview]

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Richard Brake

Richard Brake is a name well known to many fans of the horror genre, and for good reason. He’s great in everything he does, and I’m sure that will include his latest film, The Last Stop In Yuma County, a crime thriller both written and directed by Francis Galluppi. Also starring Jim Cummings (“Thunder Road”), Jocelin Donahue (The House of the Devil”), and the legendary Barbara Crampton (“Reanimator”) to name a few, the movie is currently sitting at an impressive 100% on Rotten Tomatoes at the time of writing.

Richard Brake
Richard Brake

We recently had the chance to chat with Richard about the film, and I get the impression that he really wants you to see this one! You can check out the trailer, official synopsis, and our exclusive conversation below!

“While stranded at a rural Arizona rest stop, a traveling salesman is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

The Last Stop In Yuma County Official Trailer

iHorror: Hi, Richard! What can you tell us about ‘The Last Stop In Yuma County’, without giving too much away?

Richard Brake: I’m very proud of my instincts on this one. The same with “Barbarian,” Zach Cregger is an incredible director, I just felt it. It was the same vibe with Francis (Galluppi). I’m really blessed. I’ve worked with Rob Zombie four times, it’s just heaven working with him, he’s a brilliant film maker. I don’t want to push my luck, but I’m very blessed. 

The film has a great cast, too. I see Barbara Crampton is in it. 

I love Barbara, I’ve known her for a while. That was the thing. Every single person was his first choice. I literally lost money doing the film, nobody made money, nobody did it for money. We did it because we loved the film, and we really dug Francis. By the end, he had cast most of it, and he thought he’d love to get Barbara Crampton on, and they were telling him that there’s no way he’s going to get her, and then she signed onto it. Everybody did it for the same reason as me, the script. 

When I heard Jim (Cummings) was doing it, I was really excited because I love Jim. He’s an incredible artist. Very important figure in independent film in this country. It’s a pleasure working with him, and knowing him. His enthusiasm for film and independent film is crucial, I think, and he was a big part of this film as well, in terms of producing it, and obviously in terms of his performance. It was great. 

It was just really lovely to get there with a bunch of character actors, incredibly talented people, making movies because we love making movies. Not because we’re going to make money, or become famous, none of those reasons. Just doing it for the love of indie films, and it’s not easy! There’s no nice trailers, the foods like, you have two choices, one veggie. Nothing fancy. Living in a Motel 6. It’s not what people think.

Faizon Love, known to many as Big Worm from the film “Friday,” is in the cast as well as Vernon?

He’s a character…

He’s a funny guy.

He came in, we had been shooting for a week, or so, when Faizon showed up. It was really brilliant having him. He comes in and just nails it. Then Michael Abbot Jr, who plays the sheriff, came very late in the shoot. His stuff with us in the diner is somewhat limited, at least with my character, but very emotionally packed. 

He came in and I was blown away. Literally, the guy just arrived on set and had a very emotionally charged scene to do. I was like, “this guy is incredible!” It was like watching Gene Jones, and that guy’s just a legend. Sierra McCormick (who plays Sybil), I loved. My agent was really excited, he was like, “I’ve seen her, she’s an incredible young actor.”

If you could say one thing about the film, to give people a reason to watch it, what would it be?

Without saying anything clichéd, or giving anything away, it really is a great film. If you like 70’s films, and that kind of gritty stuff, then it’s worth seeing it. Honestly, one of the biggest reasons to see it, is to be in the know. Because it’s an indie film, it’s not going to get a huge push. It’s not a big studio film. Be that person who has seen that film and can say to people, man you have to see this. 

I don’t think I have heard one person who has seen it, including my 21 year old who is an incredibly tough critic of his dad’s work, who didn’t love it. My son sent me a text the next day saying how much he loved it, and I promise you, that does not happen. 

So, that’s saying something!

It really is. It’s one of those films that you stumble upon, or somebody tells you about, and you want to be the one to tell everybody to see it. It’s not going to get loads of press. It has 100% on Rotten Tomatoes and it won the Sitges “Best Film” award, it won a lot of other festival awards, but it’s a small film and a lot of people will miss it. So go see it, and tell people about it. 

It’s always a pleasure, Richard, we appreciate your time! 

You can see Richard in THE LAST STOP IN YUMA COUNTY May 10th, in theatres or digital release! Courtesy of Well Go USA.

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Tara Lee Talks About New VR Horror “The Faceless Lady” [Interview]

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The first ever scripted VR series is finally upon us. The Faceless Lady is the newest horror series brought to us by Crypt TV, ShinAwiL, and the master of gore himself, Eli Roth (Cabin Fever). The Faceless Lady aims to revolutionize the world of entertainment as we know it.

The Faceless Lady is a modern take on a piece of classic Irish folklore. The series is a brutal and bloody ride centered on the power of love. Or rather, the curse of love may be a more appropriate depiction of this psychological thriller. You can read the synopsis below.

The Faceless Lady

Step inside Kilolc castle, a magnificent stone fortress deep in the Irish countryside and home to the infamous ’Faceless Lady’, a tragic spirit doomed to walk the crumbling manor for eternity. But her story is far from over, as three young couples are about to discover. Drawn to the castle by its mysterious owner, they have come to compete in historic Games. The winner shall inherit Kilolc Castle, and all that lies within it… both the living, and the dead.

The Faceless Lady

The Faceless Lady premiered on April 4th and will consist of six terrifying 3d episodes. Horror fans can head over to Meta Quest TV to watch the episodes in VR or Crypt TV’s Facebook page to view the first two episodes in standard format. We were lucky enough to sit down with the up and coming scream queen Tara Lee (The Cellar) to discuss the show.

Tara Lee

iHorror: What’s it like creating the first ever scripted VR show?

Tara: It’s an honor. The cast and crew, the whole time, just felt like we were part of something really special. It was such a bonding experience to get to do that and to know that you were the first people doing it.

The team behind it has so much history and so much fantastic work to back them up, so you know you can rely on them. But it’s like going into uncharted territory with them. That felt really exciting.

It was really ambitious. We didn’t have a ton of time… you really have to roll with the punches.

Do you think this is going to become the new version of entertainment?

I think it’s definitely going to become a new version [of entertainment]. If we can have as many different ways of watching or experiencing a Television series as possible, then fantastic. Do I think it’s going to take over and eradicate watching things in 2d, probably not. But I think it’s giving people the option to experience something and be immersed in something.

It really works, in particular, for genres like horror… where you want thing to be coming at you. But I think this definitely is the future and I can see more things like this being made.

Was bringing a piece of Irish folklore to the screen Important to you? Were you familiar with the story already?

I had heard this story as a kid. There is something about when you leave the place that you are from, you suddenly become so proud of it. I think the opportunity to do an American series in Ireland … to get to tell a story I heard as a child growing up there, I just felt really proud.

Irish folklore is famous all over the world because Ireland is such a fairytale country. To get to tell that in genre, with such a cool creative team, it makes me proud.

Is horror a favorite genre of yours? Could we expect to see you in more of these roles?

I have an interesting history with horror. When I was a kid [my dad] forced me to watch Stephen Kings IT at the age of seven and it traumatized me. I was like that’s it, I don’t watch horror movies, I don’t do horror, that’s just not me.

Through shooting horror movies, I was forced to watch them … When I choose to watch these [films], these are such an incredible genre. I would say these are, hand on heart, one of my favorite genres. And one of my favorite genres to shoot as well because they are so much fun.

You did an interview with Red Carpet where you stated there is “No heart in Hollywood.”

You’ve done your research, I love it.

You have also stated that you prefer indie films because that is where you find the heart. Is that still the case?

I would say 98% of the time, yes. I do love indie movies; my heart is in indie movies. Now does that mean if I was offered a superhero role that I would turn it down? Absolutely not, please cast me as a superhero.

There are some Hollywood movies that I absolutely adore, but there is something so romantic to me about getting an indie film made. Because it is so hard… it is normally a labor of love for the directors and the writers. Knowing all that goes into it makes me feel a little bit different about them.

Audiences can catch Tara Lee in The Faceless Lady now on Meta Quest and Crypt TV’s Facebook page. Make sure to check out the trailer below.

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[Interview] Director & Writer Bo Mirhosseni and Star Jackie Cruz Discuss – ‘History of Evil.’

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Shudder’s History of Evil unfolds as a supernatural horror thriller filled with eerie atmospheres and a chilling vibe. Set in the not-so-distant future, the film features Paul Wesley and Jackie Cruz in leading roles.

Mirhosseni is a seasoned director with a portfolio brimming with music videos he’s helmed for notable artists such as Mac Miller, Disclosure, and Kehlani. Given his impressive debut with History of Evil, I anticipate that his subsequent films, particularly if they delve into the horror genre, will be equally, if not more compelling. Explore History of Evil on Shudder and consider adding it to your watchlist for a bone-chilling thriller experience.

Synopsis: War and corruption plague America and turn it into a police state. A resistance member, Alegre Dyer, breaks out of political prison and reunites with her husband and daughter. The family, on the run, takes refuge in a safe house with an evil past.

Interview – Director / Writer Bo Mirhosseni and Star Jackie Cruz
History of Evil – No Available on Shudder

Writer & Director: Bo Mirhosseni

Cast: Paul Wesley, Jackie Cruz, Murphee Bloom, Rhonda Johnsson Dents

Genre: Horror

Language: English

Runtime: 98 min

About Shudder

AMC Networks’ Shudder is a premium streaming video service, super-serving members with the best selection in genre entertainment, covering horror, thrillers and the supernatural. Shudder’s expanding library of film, TV series, and Original Content is available on most streaming devices in the US, Canada, the UK, Ireland, Australia and New Zealand. Over the last few years, Shudder has introduced audiences to groundbreaking and critically acclaimed films including Rob Savage’s HOST, Jayro Bustamante’s LA LLORONA, Phil Tippett’s MAD GOD, Coralie Fargeat’s REVENGE, Joko Anwar’s SATAN’S SLAVES, Josh Ruben’s SCARE ME, Kyle Edward Ball’s SKINAMARINK, Christian Tafdrup’s SPEAK NO EVIL, Chloe Okuno’s WATCHER, Demián Rugna‘s WHEN EVIL LURKS, and the latest in the V/H/S film anthology franchise, as well as the fan favorite TV series THE BOULET BROTHERS’ DRAGULA, Greg Nicotero’s CREEPSHOW, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS

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