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Speculation in the Wake of “Ashy Slashy”

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“Ash vs Evil Dead” producer Rob Tapert noted that the goal for “Ashy Slashy” was to morph Ash (Bruce Campbell) into something of an homage to eighties slashers once he embarked on his quest to destroy the Necronomicon and the Ghost Beaters.

And they nailed it. Unicorns and all.

The chainsaw blade pulled against an asylum wall held elements of Freddy Krueger and damned if Jefe didn’t look a bit bulkier as he Voorhees’d through the halls.

But an eye-gouging throwback aside, that’s not what you’re here for, and I know that.

So enough with the foreplay, let’s get down to business. If you have not seen “Ashy Slashy,” I implore you to click out of this post right now because there are monumental spoilers to follow.

As someone who is an avid “Game of Thrones” fan, I have never been more upset with the death of a character than I was when Pablo (Ray Santiago) was halved by a desperate Baal (Joel Tobeck) at the conclusion of “Ashy Slashy.” In fact, that’s exactly what I wanted to do — bawl.

However, I’m not going to focus on Pablo dying a hero because there are just too many factors that lead me to believe we haven’t seen the last of our powerful vagina.

To begin, the foreshadowing was overwhelming. There was nothing subtle about it. And that’s kind of the point of foreshadowing. Let’s face it, “Ash vs Evil Dead” has been hinting at Pablo’s departure since the season began, and that strikes me as not only a bit much, but also too obvious. I’m just going to go ahead and say it, when it comes to Evil Dead, the most beloved character not named Ash is Pablo. For a player of such magnitude to be taken from us, it would simply need to be more shocking and out of left field. Perhaps not a long and agonizing death like Amanda (Jill Marie Jones), but one that would pack a more powerful punch because we weren’t already suspicious that it was going to happen. With all the hinting and near-misses through the season’s first seven episodes, no one could claim that they didn’t see Pablo’s apparent ouster coming.

Splatstick or not, “Ash vs Evil Dead” is a a show that qualifies as well done, so that strikes me out of place.

Secondly, in the episode breakdown for “Ashy Slashy,” Tapert confirmed that Pablo died, but quickly offered that it wasn’t the first time that the franchise had killed off an important character. While that’s true (and the breakdowns are always brief), it was a quick-hitter that offered about as much emotion or nod to importance as when Lee Majors passed earlier in the season. To show Pablo as much love as someone who appeared in a handful of episodes seems fishy to me.

Next, in our Q&A with Dana DeLorenzo in August, she said a few things that are glaring in the wake of “Ashy Slashy.”

I mean, I’m sorry to keep going back to the same conversation, but Ms. Maxwell gave us a lot to digest, and it’s altogether fitting for this argument.

There will be a mistake — in general, I’m not going to say who made it — that cannot be undone. Actually, I shouldn’t say a mistake because it’s not really a mistake. There will be an “action” that cannot be undone.

DeLorenzo said that there would be “an ‘action’ that cannot be undone.” Now, a man being cut in half seems pretty final, but let’s not forget how she began her statement. You’ll note that originally, DeLorenzo said there would be “a mistake” before rephrasing to “an ‘action.’ Pablo’s death at the hand of Baal was certainly an action, but nothing about that struck me as a mistake because none of the Ghost Beaters were involved. That Pablo was the personification of the Necronomicon and would be the one to banish Baal had been the plan all along.

pabloThen there’s DeLorenzo’s response to my question about how the relationship between Pablo and Kelly would progress in Season 2:

When I watch the show I just want to scream at the TV like “Oh my God, just make out already!” You root for them and I think what’s so great about their relationship is the yin and yang aspect. Pablo makes Kelly softer, she makes him harder and I really love how they are just either side of the coin together. They’re just so great. Here’s what I will say about Season 2 with Kelly and Pablo, they definitely get closer but also they know that in their world if they make if official one of them is going to end up dead, it’s inevitable. So this season you will see them get even closer — hint, hint — but you’ll have to wait and see if they can beat the odds or if the house of evil always wins.

Focus on that final sentence.

“So this season you will see them get even closer — hint, hint — but you’ll have to wait to see if they can beat the odds or if the house of evil always wins.”

Let’s start with the “hint, hint.” Unless I missed something, there was no indication that the two had hooked up in any way, shape or form. There were some tender moments to be sure, but nary a kiss or a wink or hand-holding or even the accidental slippage of a “baby” from either one of them.

To my mind, Kelly and Pablo have not yet had their “hint, hint” moment.

Which brings us to the latter part of DeLorenzo’s sentence.

“…you’ll have to wait and see if they can beat the odds or if the house of evil always wins.”

We will need to wait and see. It would certainly appear so. Can the tandem beat the odds? As in finding a way to bring Pablo back with Ruby’s (Lucy Lawless) help or “will the house of evil always” win?

Santiago’s Twitter messages weren’t exactly definitive, either. For instance, in response to one fan’s sadness over Pablo’s passing, Santiago wrote, “Don’t be too sad! Hang in there! In the EVILDEAD world, everything happens 4 a reason!”

An earlier message stated “Playing #Pablo has been a dream come true! An illegal immigrant with a plan 2 stand by a hero n save the world from evil! #ashvsevildead”

Hang in there, everything happens for a reason and “has been” not was a dream come true. Perhaps I’m grasping at straws, but I just don’t we’ve seen the last of Pablito.

All that said, let’s consider a couple of things to bring it home.

The season’s final two episodes are titled “Home Again” and “Second Coming,” so let’s do a little speculating of our own.

Episode 9 will find Ash and the remaining Ghost Beaters returning to the cabin where weird shit happens all the time. However, the only important thing to remember here is that they will once again find themselves in Ash’s old stomping grounds.

Why? Let’s wind the clocks back and remember that for the inaugural season of “Ash vs Evil Dead,” the show wasn’t allowed to touch on any of the events from Army of Darkness. Those reasons were legal in nature, but that changed for Season 2, and the idea of Delta as DeLorean is fair game now.

If I had to guess (which is all I can do at this point), I’d be willing to wager that “Second Coming” has less to do with the group’s return to the cabin or Baal’s resurrection or even Yeats, than another trip through the portal to the land of Sheila and Mr. Fancypants. Said trip will lead to some adjustments that will find Pablo alive and well for Season 3 and not simply appearing as Ash’s Obi-Wan wing-man.

I’m sorry, but Pablo was (and remains) too adored to have left the show in such an unceremonious manner. Then again, maybe I’m wrong and none of us will ever have the pleasure of Honduran fish and chips.

If that’s the case, Pablito died a hero and certainly made Brujo proud, but something tells me nothing is settled.

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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