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SNIPER GHOST WARRIOR 3: So, So, So Much Pink Mist

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It took me some time to adjust from Battlefield 1’s look and feel and to downshift into Sniper: Ghost Warrior 3. Let me tell ya, it is a hell of shift. While it does lower the bar quite a bit in the terms of a truly great shooter, it also hits a few high marks along the way that could make the entire thing worth your time.

Sniper: Ghost Warrior 3, puts you in the combat boots of Marine badass, Jon North. As North you are sent to the Georgia to realign rebel forces in the area. North primarily takes the mission as an opportunity to locate his brother Robert, who he believes to be captured and in the area.

While completing missions for the separatist forces, you hear legend of a sniper ghost named Armazi who runs a group of badasses called 23 Society. It is up to you to turn the tide of battle, find your bro and investigate the identity of Armazi and his shadow group.

I won’t go past that cause the story does have a few twists and turns along the way. Not gonna lie, most you will probably see coming but it still has some fun in its gas tank.

Jon North, is a refreshing sort of character. He really doesn’t seem to give a shit about anything or anyone. Like, he is totally out for himself and any opposition is met with bullets and 80’s inspired one-liners. I really dug the shift of genre in the story. What starts as a straight up action shoot em’ up sniper game, quickly becomes something with heavy sci-fi influenced edges. The stories shift in that sense does go a long way to keep your attention, or atlas it did for me.

This game has some major problems, but it wasn’t until a few hours in that I realized most of those problems are also the part of its simultaneous charm. It is undeniably a hardcore piece of 80’s schlock. If this had been a movie in the early 80’s it would have been released by Cannon Group and would have starred either Chuck Norris or Michael Dudikoff as Jon North. The dialogue is cheesy, the delivery is over the top, North is an uncaring and egotistical bastard it is almost perfect. It has an undeniable grindhouse feel to it. I’m not sure if that was intentional but it is one of the things I dug the most.

If you have played a recent Far Cry game then you know exactly what kind of game to expect. You use your jeep to get around the vast map areas, pulling over to collect items, complete side quests or take out enemy outposts. These side quests are more a nuisance than they are any actual fun, but they do offer you the chance to unlock weapons and the like. Instead of having one large open-world map this game breaks it into a few distinctly different environments. For example, one area will be primarily jungle, one is dessert and the other is snow-covered. This does help to break up some of the monotony that you will have if you intend to complete all the side missions but I’m not really sure why all the maps couldn’t be consolidated into one, in order to skip the painful load times.

The crowning achievement is obviously its attention to the sniping part of the game. Honestly folks, this is what makes the entire thing worth playing through. You are given the option to keep the training wheels on while sniping. This allows you the crutch of being able to seeing where the bullet will hit with wind and distance already pre-factored in. I gotta say that isn’t a fun way to play at all. So, go ahead and head to setting and turn that handicap off. Now comes the good stuff. Your scope shows you wind direction as well as equates the distance to your target. With a few adjustments to zero in distance and some tweaks for wind you are free to take your shot. This part of the game is extremely satisfying. Sound design and visuals go a long way to make you feel like you are part of the actual sniping action. This game made me feel like “sniping? Yea, I can do that.” Certain trophy/achievements are unlocked by succeeding at long distant shots with varying degrees of wind.

Another nice addition to the game is the ability to run recon on an area with a remote control, on-the-fly drone. This compact lil dude will deploy on a whim in order to help locate and mark all the baddies on your map. This helps to snipe with the confidence that you are completely eliminating an enemy from a specific area.

You are also able to gain XP by performing silent kills, interrogating enemies, taking long distance shots without holding your breath and long kill streaks. Pretty much anything you do will gain you some points but to get the most XP, you have to go for a more skilled kill. This also opens the door to play whoever you want to. Go in guns blazing, go for stealth or infiltrate and leave without killing anyone.

XP points can be used to unlock skills in three classes. Sniper, Ghost and Warrior. These skills will lead to faster reloads, longer increments of time you are able to hold your breath, hacking abilities, etc. I’m not really sure if these made all that much of a difference for the way I was already playing the game but they did lead to trophy unlocks. Which always counts for something in my OCD ridden gameplay.

I appreciate the flexibility when it comes to the before mentioned gameplay freedom but, a lot of times too much of what makes the game good is taken away when you are going for a straight gunfire approach. Waiting in one spot for enemies to round the corner one by one so you can put a bullet in their heart is painfully bad AI at work and lowers any immersion.

My biggest complaint with the game has to be the load times between maps and booting screen. These loads take up to between 5 and 7 minutes. For a game to take that long to load is pretty unacceptable. There has been a lot of word from the developers that this will issue will be patched but so far, the load time remains painfully slow.

All in all, Sniper: Ghost Warrior 3 lands in the middle of the road. It isn’t something you want to rush out and buy, but it might be something you sniping lovers want to pick up when it goes on sale. The heavy amount of cheesy schlock dialogue and sharp sniper mechanics do make me happy I played through, but outside of those things this game is not something I could full-heartedly recommend.

 

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Movies

PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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Movies

‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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Editorial

Yay or Nay: What’s Good and Bad in Horror This Week

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Horror Movies

Welcome to Yay or Nay a weekly mini post about what I think is good and bad news in the horror community written in bite-sized chunks. 

Yay:

Mike Flanagan talking about directing the next chapter in the Exorcist trilogy. That might mean he saw the last one and realized there were two left and if he does anything well it’s draw out a story. 

Yay:

To the announcement of a new IP-based film Mickey Vs Winnie. It’s fun to read comical hot takes from people who haven’t even seen the movie yet.

Nay:

The new Faces of Death reboot gets an R rating. It’s not really fair — Gen-Z should get an unrated version like past generations so they can question their mortality the same as the rest of us did. 

Yay:

Russell Crowe is doing another possession movie. He’s quickly becoming another Nic Cage by saying yes to every script, bringing the magic back to B-movies, and more money into VOD. 

Nay:

Putting The Crow back in theaters for its 30th anniversary. Re-releasing classic movies at the cinema to celebrate a milestone is perfectly fine, but doing so when the lead actor in that film was killed on set due to neglect is a cash grab of the worst kind. 

The Crow
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