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[REVIEW] ‘The Ice Cream Truck’ – Familiarity Can Be Sweet, But Deadly!

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This summer Writer and Director Megan Freels Johnston tugs at our inner psyche as she takes us on a chilling journey through a real suburban nightmare. Middle town suburbia has posed as a backdrop for many horror films over the years and continues successfully today. Films such as Halloween, A Nightmare On Elm Street, Carrie, Poltergeist, and The Stepfather have painted a blood splattered image of how eerie and desolate suburbia can be. This year’s summer treat, The Ice Cream Truck, reiterates the divine feelings of terror and serves up a reminder that you’re never safe. Familiarity can be sweet, but deadly.

Deanna Russo & Jeff Daniel Phillips in The Ice Cream Truck. Photo Courtesy of Uncork’d Entertainment.

 

Jeff Daniel Phillips in The Ice Cream Truck. Photo Courtesy of Uncork’d Entertainment.

Our story begins as the camera pulls through a tour of a neighborhood. A neighborhood that could be yours or mine; a neighborhood that is quiet and normal…at least for now. Setting the tone is the sinister score resembling beats from our fantastic John Carpenter films. It was love at first sound, thanks to composer Michael Boateng. Suddenly I was tranquil, willingly taken back in time, now methodically transcending through the neighborhood that I once grew up in as this cryptic melody pulsates my eardrums. The score gives life to this motion picture, flooding our heads with instant dread and uncertainty. Johnstons’ tale focuses on Mary (Deanna Russo) moving back to her hometown due to her husband’s job relocation. Allowing her family to stay behind and finish school, unsure of herself and the situation, Mary is all by herself. Lonely and desperate for human interaction, Mary encounters, Jessica (Hilary Barraford), the snoopy neighbor that every street possesses.     

LaTeace Towns-Cuellar, Lisa Ann Walter, and Hilary Barraford in The Ice Cream Truck. Photo Courtesy of Uncork’d Entertainment.

Mary is alone and by herself allowing her family to stay back until school is complete in just a few more days. Soon Mary is met by an odd delivery man (Jeff Daniel Phillips) who appears to have a hidden agenda. Her focus is stolen as a vintage ice cream truck continually parades up and down the street. One of the neighbors invites Mary over to her son Max’s (John Redlinger), a high school graduation party. As time progresses, Mary finds herself spending more and more time with young Max. Mary knows she shouldn’t be spending time alone with this vibrant young man, or let alone have thoughts of attraction. Mary’s yearning for her lost youth is clouding her senses as a deranged ice cream man stalks the streets of her neighborhood. Or does a more elusive fear lurk closer than she can ever imagine? Find out on August 18th when The Ice Cream Truck releases to VOD platforms and theaters. 

Emil Johnsen in The Ice Cream Truck. Photo Courtesy of Uncork’d Entertainment.

Setting an ominous haze over suburbia, The Ice Cream Truck captures the mood and beauty of an era that I adore and yearn after. Johnston and her team pulled it off, successfully re creating a ploy from my childhood. The film does an impeccable job at executing its multi-genre feel allowing the black comedy to spue out as it works around the confinement and the reality of how encompassing suburban life can be. The acting is nothing to ignore, with Deanna Russo & Emil Johnson’s portrayal of Mary and The Ice Cream Man, is nothing short of remarkable. Russo brings a certain life to her character, Mary, something that I am sure will appeal to many women. Mary is the girl that any guy would want to bring home to mom; sweet, sensible, and still has the eye for adventure. Emil Johnsen conveys a vicious character to life with his stylish-retro uniform and creepy vintage truck, patrolling the neighborhood with a crazed and unremorseful look in his eyes.
The design of the film will empower viewers to use their imagination and interpretation throughout, making it a genuinely frightening reality for some causing a downpour of emotion including laughter and fear. A comedy horror film one minute to a psychological thriller the next, The Ice Cream Truck will not disappoint.

Behind The Scenes of Uncork’d Entertainment’s The Ice Cream Truck. Megan Freels Johnston Directing Emil Johnsen. Photo Courtesy of Heather Cusick.

 

Behind The Scenes of Uncork’d Entertainment’s The Ice Cream Truck. The cast and crew prepping for the 1st Death Scene! Photo Courtesy of Heather Cusick.

 

The Ice Cream Truck – Trailer 

 

 

-About The Author-

Ryan T. Cusick is a writer for ihorror.com and very much enjoys conversation and writing about anything within the horror genre. Horror first sparked his interest after watching the original, The Amityville Horror when he was the tender age of three. Ryan lives in California with his wife and twelve-year-old daughter, who is also expressing interest in the horror genre. Ryan recently received his Master’s Degree in Psychology and has aspirations to write a novel. Ryan can be followed on Twitter @Nytmare112

 

 

 

Emil Johnsen in The Ice Cream Truck. Photo Courtesy of Uncork’d Entertainment.

 

 

 

 

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The Tall Man Funko Pop! Is a Reminder of the Late Angus Scrimm

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Phantasm tall man Funko pop

The Funko Pop! brand of figurines is finally paying homage to one of the scariest horror movie villains of all time, The Tall Man from Phantasm. According to Bloody Disgusting the toy was previewed by Funko this week.

The creepy otherworldly protagonist was played by the late Angus Scrimm who passed away in 2016. He was a journalist and B-movie actor who became a horror movie icon in 1979 for his role as the mysterious funeral home owner known as The Tall Man. The Pop! also includes the bloodsucking flying silver orb The Tall Man used as a weapon against trespassers.

Phantasm

He also spoke one of the most iconic lines in independent horror, “Boooy! You play a good game, boy, but the game is finished. Now you die!”

There is no word on when this figurine will be released or when preorders will go on sale, but it’s nice to see this horror icon remembered in vinyl.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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