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Resident Evil 7: Biohazard Has All Of Your Phobia’s Covered

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Some of you guys grew up in the same decadeĀ as I did. Some of you saw the first Playstation’s release that was shortly followed up with the first Resident Evil. If you fit into this gap of time, you, like myself, had the crap scared out of you, when a overzealous-zombie doberman jumped through a window during a particularly quiet walk through a hallway. Over the years, I think between horror movies and horror games, I have become sort of jaded toward those scares and creep-outs. Things havenā€™t quite been the same. Titles like Outlast, Amnesia and Alien Isolation have kept the torch of true horror burning and it seems like the latest Resident Evil used that light as a beacon to sail its terrifying self upon our shores in order to make us afraid of gaming in the dark once again.

Resident Evil 7: Biohazard, reinvents itself in the same way Resident Evil 4 did. It changes perspective on literally everything, including well, your perspective. This game takes you from the classic third-person to a visceral first-person experience.

The new gameplay that that was revealed at E3 had fans in a tissy. Everyone was pissed that the game didnā€™t look like a typical RE game. Everyone was pissed there were no zombies. Well, this is a case in point that in some instances, we are in capable, fan friendly hands. Every change that was made is a welcome one, that helps to reinvent the evil wheel while also adding a shit load of scares along the way.

When Ethan receives a distress call for help from his wife Mia, he heads out to the swamps of Louisiana to find her. Ethan is lead to a dilapidated house in the bayou that houses a ton of secrets and things that are real horror-show. The house belongs to The Baker family and between them they have created a utopia for deranged psychotics and complete dark chaos.

My reviews usually come out a lot sooner, but I felt that I owed it to RE to go a full week. I managed to finish the game on normal and on ā€œmadhouseā€ difficulties and played a bit of it on VR. Right out of the gate, I have to say if you are able to play this game on VR, that is exactly how you should play it. If you can stand the motion sickness, VR is an entirely terrifying experience. The emersion level is through the roof, and at times is barely tolerable due to paralyzing fear. I enjoyed VR the most when I was exploring the house, once you enter combat the VR experience becomes cumbersome and the controls can become a little goofy. Overall, for the most scares go with the VR approach and god help ya.

Each ā€œstageā€ in the game uniquely belongs to that member of the Baker family. Jack, Lucas and Marguerite each have their own horror movie inspired areas of terror. Jackā€™s plays out in the main house and has a Texas Chainsaw Massacre vibe, Marguerite largely plays out in the green house and is heavy on insects and Cronenbergian body horror. Lucas likes playing deadly games and has a level very much inspired by Saw. By doing this the game never feels old, it is constantly keeping things fresh by changing the way you play the game and almost entirely changing up the setting.

Ā “It is like a Baskin Robinā€™s of scary shit”

On your journey you will also find old videocassettes. Once placed in a VCR, these allow you to play through as another character in order to give you some expositional bits. I know, exposition is usually the enemy of great storytelling. But here the it works. When these tapes are played you play as an unfortunate character who has already become all to familiar with the Bakers and their savagery.

Evil

The entirety of the story is satisfying on all cylinders. Even though at most points the game is an entirely new experience, it does have moments and tools that are undoubtably call backs to classic Resident Evil. This entry also gives a fantastic ending that feels more cinematically in tune than previous titles.

For those worried about this game not being connected to the others, you can rest easy. The game arrives atĀ that connection with subtly and something that will give you a big ā€œah-haā€ moment. I know it was a worry for a while that this game would entirely be its own reboot and ignore previous RE games. Well, Iā€™m telling you hardcore RE fans, you can relax and enjoy.

“The emersion level is through the roof, and

at times is barely tolerable due to paralyzing fear”

On top of picking from different film inspirations, the game also hits you hard in the gut with a plethora of phobias. It is like a Baskin Robinā€™s of scary shit. Clowns, crazed hillbillies, isolation, creepy old ladies, creepy kids and more are all in place and waiting around each corner to scare the piss from you.

Itā€™s hard to say negative things about this game but if I had to, it would be how once you acquire a weapon the game seems to change entirely. One minute, you are hiding scared to move due to being defenseless and then you are armed and taking headshots. Some of the fear and tension is removed. Sustaining the weaponless approach for a little longer would have done wonders for the slow driven horror.

I was able to play through multiple times on different difficulty levels with and without VR and Iā€™m happy to say that each time not all enemies and scares were in the same place. Trying to finish the game under 4 hours to get a trophy was an totally different horror experience compared to my first time around.

Without a doubt this is my favorite Resident Evil game. It is hard to say that, considering the other titles are nostalgia fueled and also great. But this one achieves its terrifying greatness by almost completely scrapping a safe model and doing something balsy, horrifying and new. Everything from the level design to the characters are all fantastic and the fact that I was able to play through multiple times without getting bored is proof of that.

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Mike Flanagan In Talks to Direct New Exorcist Movie for Blumhouse

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Mike Flanagan (The Haunting of Hill House) is a national treasure that must be protected at all costs. Not only has he created some of the best horror series to ever exist, but he also managed to make a Ouija Board movie genuinely terrifying.

A report from Deadline yesterday indicates that we may be seeing even more from this legendary storysmith. According to Deadline sources, Flanagan is in talks with Blumhouse and Universal Pictures to direct the next Exorcist film. However, Universal Pictures and Blumhouse have declined to comment on this collaboration at this time.

Mike Flanagan
Mike Flanagan

This change comes after The Exorcist: Believer failed to meet Blumhouse’s expectations. Initially, David Gordon Green (Halloween)was hired to create three Exorcist films for the production company, but he has left the project to focus on his production of The Nutcrackers.

If the deal goes through, Flanagan will take over the franchise. Looking at his track record, this could be the right move for the Exorcist franchise. Flanagan consistently delivers amazing horror media that leave audiences clamoring for more.

It would also be perfect timing for Flanagan, as he just wrapped up filming the Stephen King adaptation, The Life of Chuck. This isn’t the first time he has worked on a King product. Flanagan also adapted Doctor Strange and Gerald’s Game.

He has also created some amazing Netflix originals. These include The Haunting of Hill House, The Haunting of Bly Manor, The Midnight Club, and most recently, The Fall of the House of Usher.

If Flanagan does take over, I think the Exorcist franchise will be in good hands.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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A24 Creating New Action Thriller “Onslaught” From ā€˜The Guestā€™ & ā€˜Youā€™re Nextā€™ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrettā€™s cult classics likeĀ The GuestĀ andĀ Youā€™re Next.Ā Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who ā€” or what ā€” is keeping them trappedā€¦”

ā€œDirecting projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,ā€ said Leterrier. ā€œItā€™s what excites me about 11817ā€˜s wholly original concept and the family at the heart of our story. This is an experience that movie audiences wonā€™t forget.ā€

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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