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The Mummy Director Shrugs Off Bashing From Critics

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Hitting theaters just over a week ago, Universal’s The Mummy serves as the kickoff to the studio’s new Dark Universe, featuring modern interpretations of classic monsters.

Unfortunately, those films will be much more focused on providing action and adventure than horror, although that doesn’t mean that they couldn’t still be good. What most people seem to agree on though – at least stateside – is that the Tom Cruise-fronted Mummy ended up being a huge disappointment.

Critics have not been kind, with some unleashing reviews so vicious that they almost count as the written equivalent of a punch to the face followed by a kick to the groin. The Mummy’s performance at the domestic box office has also underwhelmed, earning a mere $56 million stateside as of this writing.

Luckily for Universal – and the future prospects of the Dark Universe – overseas audiences have received The Mummy much more warmly, with the film’s worldwide gross now up to $295 million. That’s more than double its $125 million estimated production budget, although it’s unclear if that equals a profit yet.

In recent days, reports have emerged that attempted to blame The Mummy’s critical and domestic failures on star Cruise, asserting that he took control of the set. Those same reports also claimed that director Alex Kurtzman – helming only his second feature – was in over his head, and happy to let Cruise run the show.

While those reports have yet to garner any kind of official response from either man, Kurtzman was recently asked by Business Insider what he thought of the fact that critics were ripping apart his movie. For the most part, he really doesn’t seem to care all that much:

“Obviously, that’s disappointing to hear. The only gauge that I really use to judge it is having just traveled around the world and hearing the audiences in the theaters. This is a movie that I think is made for audiences and in my experience, critics and audiences don’t always sing the same song. I’m not making movies for [critics]. Would I love them to love it? Of course, everybody would, but that’s not really the endgame. We made a film for audiences and not critics so my great hope is they will find it and they will appreciate it.”

Sure, Kurtzman acknowledges that reading reviews that mean “kills your soul” a bit, but as seen above, that doesn’t mean he’s gonna let it get to him too much. Good for him, really, no matter what one thinks of The Mummy. You can’t please everyone, and nowhere is that truer than in Hollywood.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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