Connect with us

News

Late to the Party: Fright Night (1985)

Published

on

fright night

Welcome back, spooky darlings, to another edition of Late to the Party! This week I watched Tom Holland’s 1985 classic, Fright Night.

Fright Night, I’ve realized, is essentially a modern-day suburban retelling of Bram Stoker’s Dracula. You’ve got Charley Brewster (William Ragsdale) as a stand-in for Johnathan Harker. He realizes that his new neighbor, Jerry Dandrige (who has moved in to an aging mansion with enviable stained glass windows and antique architectural fixtures that seem oddly out of place in this 80s suburb, but, okay) has some rather frightening secrets.

via Scare Me on Fridays

Charley seeks the assistance of a renowned occult expert and supposed vampire slayer, Peter Vincent (Roddy McDowall). But Vincent is a much more reluctant and dishonest double for Van Helsing. Though he eventually rises to the occasion, he begins his journey as a floundering entertainer and steadfast cynic.

Like Dracula, Jerry Dandrige (Chris Sarandon) has a Renfield-like “familiar” in his roommate, Billy Cole (Jonathan Stark). Billy takes out the trash, drives their jeep, and generally helps Jerry with the acquisition and disposal of victims. They’re best buds!

Charlie’s girlfriend, Amy (Amanda Bearse), plays the role of a surrogate Mina. She is seduced by Jerry and soon is transformed. Charley’s only hope is to kill Jerry, releasing Amy from his spell and saving them all in a grand heroic gesture.

via Scare Me on Fridays

One scene that stuck out to me was the dance floor seduction of Amy. The subtle primal awakening is communicated perfectly.

This poor girl has had a bit of an on-again, off-again relationship with Charley, and our first introduction to them as a couple is Carley’s low-key attempt to pressure her into having sex. When she bundles up the resolve to give it an honest try, Charley is too distracted by Jerry’s in-a-coffin arrival to realize that this is kind of a big deal for Amy. She storms off in a huff.

In subsequent scenes, Amy tries to open up to Charley to address the challenges in their relationship. She is continually frustrated as Charley becomes more obsessed with his new “my neighbor is a vampire” theory.

Enter Jerry. Seductive, sexy Jerry (or, at least he was 80s sexy). He is taken by her resemblance to an old lover and his raw vampire magnetism draws Amy in like a moth to a flame. She’s finally granted sensual attention, and damn, this girl is so ready.

via Amino

As always, I went head-over-heels for Fright Night‘s practical effects. There are some fantastic transformations punctuated by melting flesh and cracking bones. I was practically giddy, you guys.

I don’t care what anyone says, the real way to a woman’s heart is through gruesome practical effects.

via Twitter

Another scene worth highlighting is the wolf death. It’s actually heartbreaking (completely sold by Roddy McDowall’s reactions) and – again – the visuals are solid. I felt actual emotions because of this scene, which is no easy feat (trust me on this).

I’m going warn you about spoilers for the next paragraph, so if you – like past me – haven’t seen Fright Night, perhaps skip ahead?

The scene between the dying wolf and Vincent is skillfully presented. Vincent – who had run off to seek help – finally lives up to the strength of his as-seen-on-TV character. He gains confidence that he can be the knowledgeable vampire slayer that he pretends to be. But it’s a tragic discovery, since it comes on the heels of killing young “Evil” Ed. Ed, the awkward outcast, who was lured to the vampire life by Jerry’s promise: “they won’t pick on you anymore”. As Ed dies, he reaches out for comfort, foiled by the monster he has become.

via Movies Films and Flix

Overall, Fright Night really grew on me, and I’m glad I finally gave in and watched it.

For more Late to the Party, check out the full catalogue of recent discoveries!

I’ll leave you with this song because if I’m going to have it stuck in my head all day, dammit, you should too.

Featured image by Chris Fischer

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Click to comment

You must be logged in to post a comment Login

Leave a Reply

News

Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

Published

on

The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading

Movies

PG-13 Rated ‘Tarot’ Underperforms at the Box Office

Published

on

Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading

Movies

‘Abigail’ Dances Her Way To Digital This Week

Published

on

Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

Listen to the 'Eye On Horror Podcast'

Listen to the 'Eye On Horror Podcast'

Continue Reading