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Killer Mindset: Mockumentaries That Give Homicide a Human Side

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Let’s admit it, we’re fascinated by serial killers. The constant reminder of our own mortality shown through the deeply disturbing acts of a human monster is, honestly, pretty damn bleak.

Slashers have sliced, diced, and secured their place as a staple of pop culture. We constantly see new Ghostface killers, small-town sadists, and unstoppable juggernauts hacking through a hoard of wayward youths.

Mockumentaries like Man Bites Dog, Charm (Random Acts of Violence), Behind the Mask: The Rise of Leslie Vernon and The Poughkeepsie Tapes give a more realistic glimpse (albeit a fabricated one) into the hyper-productivity and psychological maneuvering of a killer.

Each mockumentary has its own distinct style, so the films I’ve covered have some noticeable differences. That being said, they each demonstrate the human side of a serial killer, but in dramatically different ways.

Man Bites Dog

Man Bites Dog takes the direct approach of following an urban psychopath as he stabs and shoots his way through the city. Ben is a confident, clever, friendly serial killer. We see him through his daily life; visits with his parents, discussions of architecture, and chaotic murder.

The unnerving connection that Ben develops with his film crew demonstrates how manipulative and mesmerizing these madmen can be. The filmmakers witness firsthand the full extent of what he is capable of, and yet, they are drawn further into the action.

Shot entirely in black and white, this Belgian film goes to some really dark places.

Behind the Mask: The Rise of Leslie Vernon

Behind the Mask: The Rise of Leslie Vernon is a cheeky re-imagining of the creation of a Big Name Killer like Jason, Michael or Freddy.

A documentary crew follows Leslie Mancuso, a charismatic and likable nightmare-in-training as he stalks his chosen Survivor Girl. He prepares various traps and predicts her reactions, methodically choreographing their encounters.

The whole film is chock-full of typical horror tropes. More importantly, it humanizes the enthusiastic murderer by showing him as an Average Joe. He has goals. He has turtles. He has to do a lot of cardio (it’s not easy to catch up to running, screaming teenagers at a menacing walking pace).

Watching Leslie, you can understand how so many killers are able to hide in plain sight. He is devoted to his career in “the business of fear”, yet you can’t help but root for him.

Part mockumentary, part feature, the film jumps between documentary footage and polished multi-camera action sequences. We end up with a film that shows the dedication of a young man who yearns for purpose. It just happens that his purpose is murder.

The Poughkeepsie Tapes

Truthfully, I can’t stop thinking about The Poughkeepsie Tapes. In an abandoned house, investigators discover over 800 videotapes, numbered for the police to watch in order. Filmed by the perpetrator, the films act as a visual record of the horrific, sadistic torture and murder of several victims.

Writer/Director John Erick Dowdle (As Above, So Below) has created a spot-on “true crime” documentary. A sense of realism is created by using interviews with criminology and psychology “experts” inter-cut with graphic scenes from the videotapes. There’s a keen attention to detail with deep roots in reality.

The psychological affect that these tragedies have on the victims and their families is visibly painful. The Poughkeepsie Tapes is an emotionally charged psychological horror and a chilling reminder that yes, stuff like this actually happens. These psychopathic killers truly do exist.

Want more ultra-violence? Click Here to check out the trailer for an actual real-life documentary about attempted murder.

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The Tall Man Funko Pop! Is a Reminder of the Late Angus Scrimm

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Phantasm tall man Funko pop

The Funko Pop! brand of figurines is finally paying homage to one of the scariest horror movie villains of all time, The Tall Man from Phantasm. According to Bloody Disgusting the toy was previewed by Funko this week.

The creepy otherworldly protagonist was played by the late Angus Scrimm who passed away in 2016. He was a journalist and B-movie actor who became a horror movie icon in 1979 for his role as the mysterious funeral home owner known as The Tall Man. The Pop! also includes the bloodsucking flying silver orb The Tall Man used as a weapon against trespassers.

Phantasm

He also spoke one of the most iconic lines in independent horror, “Boooy! You play a good game, boy, but the game is finished. Now you die!”

There is no word on when this figurine will be released or when preorders will go on sale, but it’s nice to see this horror icon remembered in vinyl.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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