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[Interview] ScreamFest Film Festival Founder – Rachel Belofsky.

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Interview With Rachel Belofsky

Ryan T. Cusick: I have always been curious, how did you get started and how did you get where you are today?

Rachel Belofsky: So I started back in 2001 after I had finished a documentary called Fast Women, it was a woman in racing documentary. I had sold it to the WE network where it was going to have its national airing and it had been in a festival before that. It was that journey that made me want to start a festival to help filmmakers have their work showcased.

RTC: Has it always been at the Chinese theatre? [6925 Hollywood Boulevard Hollywood, California]

RB: No, our first year we were at the haunted Vogue Theatre in Hollywood which is now called The Supper Club. After that, we were at The Laemmle and Universal City Walk for two years. We ended up at the Chinese in 2006, we’ve been there a long time.

RTC: That’s great. Do you have any plans on leaving?

RB: No we definitely like it at the Chinese, it has a home feel to it and it is centrally located.

“Don’t Kill It” Premiere At The ScreamFest Film Festival – October 2016.

RTC: If you could go back, would you change anything if you could do it all over again?

RB: That’s a hard one. No, I don’t think so. The journey has been great. I have been blessed to work with so many wonderful people and the work I have been able to showcase over the years has been fabulous. I am proud of where it is from its origin to where it is now, so, no I don’t think so.

RTC: Very good. What type of preparation goes into ScreamFest? Like prepping for next year for example. What does that all entail?

RB: We’ll have a wrap-up meeting to go over what worked and what didn’t work and we’ll look at what we can do better for the fans and for the filmmakers. After that, we spend the summer months finding the next crop of films to showcase, it’s time-consuming.

RTC: Oh yeah, it sounds like it. [laughs] Does it get easier?

RB: No.

Both: [Laugh].

RB: I think that each year has its own challenges. For whatever reason things pop up.

RTC: Most definitely, I guess it keeps you on your toes and is interesting.

RB: It does, it does.

“Don’t Kill It” Premiere At The ScreamFest Film Festival – October 2016.

RTC: I know there are many horror festivals around the world, even just in LA I see them pop up, horror festivals in particular. What sets ScreamFest apart from the others?

RB: We believe in champion the independent filmmakers. It is not always about putting the shiniest films out there if that makes sense. It isn’t always about tripping over ourselves to get into the spotlight, it is more of the spotlight that needs to be on the filmmakers.

RTC: What are some of your favorite horror films?

RB: Overall or in the festival?

RTC: Overall, in your personal life.

RB: The Changeling (1980), the George C. Scott film, it is pretty scary. A fun one I’ve seen, A Nightmare On Elm Street. Trick ‘r Treat (2007) the Michael Dougherty film is definitely my all time favorite.

RTC: Yeah that is definitely a good one!

RB: Tucker and Dale Versus Evil.

RTC: Yeah!

Both: [Laugh].

“Paranormal Activity: The Ghost Dimension” Premiere At The ScreamFest Film Festival – October 2015.

RTC: What has been the biggest thrill for you at ScreamFest so far? Over the years?

RB: The biggest thrill is being honored to work with, showcase, and meet so many talented filmmakers. It is such a great space where everyone can have the family experience.

RTC: I hadn’t heard about ScreamFest until just a few years ago when I attended the Paranormal Activity The Ghost Dimension premiere and I was really pleased as to how everything was set up, so definitely a good space. Have you noticed any new trends this year in the horror genre? I know that we were getting the found footage deal, has there been anything different this year?

RB: There is less of the found footage films. Everyone is really just trying to capitalize on whatever the newest stuff is.

RTC: I wonder if it will be the slasher film for next years since the new Halloween is coming out?

RB: That would be fun!

RTC: Is there any particular direction that would like to see ScreamFest go within the next few years?

RB: I really just want to continue to be the platform for filmmakers to showcase their films and to allow them to come back every year with their new films and for them to continue to be the rockstars that they are.

RTC: That is awesome. Do you have a lot of people that submit and that do not get in?

RB: Yes.

RTC: I imagine that there is probably a lot. I know that filmmakers have asked me, “Hey I got this film and I want to put it in a film festival.” I tell em, “hey why not try ScreamFest?”

RB: Thank you

“Paranormal Activity: The Ghost Dimension” Premiere At The ScreamFest Film Festival – October 2015.

RTC: The award. The ScreamFest award, the design of the skull where did that concept come from?

RB: The amazing Stan Winston!

RTC: Oh, that’s awesome!

RB: When he became my partner we had a different award, it was like a glass skull in a black vase. I wanted to have a redesign. The award just didn’t say “Oscar.” It was pretty amazing he didn’t have to bring in any help. Just how you can see the creative mind coming up an idea and working with it.

RTC: It is really awesome, it is very eye-catching.

RB: Yeah, it is like having a little piece of Stan.

The ScreamFest Trophy – Stan Winston Design. Courtest of ScreamFest.com

RTC: Oh, definitely. Very eye-popping, especially with all the detail in it. Are those awards given out at the ending ceremony, closing ceremony?

RB: Yes.

RTC: Is that also at the Chinese Theatre?

RB: No, we will be announcing that venue shortly, we usually do it at a restaurant/bar.

RTC: I know that you are a filmmaker, do you have anything lined up for the future?

RB: Maybe, we have a few things we’re kicking around, it usually just comes down to time. It seems like we have November to early May to actually do anything and then after that, we are back into ScreamFest mode. But yeah, there is something definitely on the list.

RTC: Very good, yeah I know if it’s not time its money but time is a big one. Paranormal Activity was the big discovery for you guys back in 2007, how does it feel to have seen the franchise take off and to exceed everyone’s expectations?

RB: We are really proud! We are really proud of Oren [Peli], he is just a very nice guy. It was awesome to see him blossom from a very unknown filmmaker in San Diego to where he is today.

RTC: It is amazing to see what that series has turned out to be. Was The Ghost Dimension [Paranormal Activity] the only other from the franchise that you had at the Chinese Theaters or did you have others?

RB: Yeah just the first and this last one [The Ghost Dimension].

RTC: Thank you so much for speaking with me!

For more information, visit www.ScreamfestLA.com or email [email protected].

The festival runs from October 9 thru October 18th, 2018.

  • Feature Image Courtesy of iHorror.com/Palumbo Photography
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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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New ‘MaXXXine’ Image is Pure 80s Costume Core

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A24 has unveiled a captivating new image of Mia Goth in her role as the titular character in “MaXXXine”. This release comes approximately a year and a half after the previous installment in Ti West’s expansive horror saga, which covers more than seven decades.

MaXXXine Official Trailer

His latest continues the story arc of freckle-faced aspiring starlet Maxine Minx from the first film X which took place in Texas in 1979. With stars in her eyes and blood on her hands, Maxine moves into a new decade and a new city, Hollywood, in pursuit of an acting career, “But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.”

The photo below is the latest snapshot released from the film and shows Maxine in full Thunderdome drag amid a crowd of teased hair and rebellious 80s fashion.

MaXXXine is set to open in theaters on July 5.

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Netflix Releases First BTS ‘Fear Street: Prom Queen’ Footage

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It’s been three long years since Netflix unleashed the bloody, but enjoyable Fear Street on its platform. Released in a tryptic fashion, the streamer broke up the story into three episodes, each taking place in a different decade which by the finale were all tied together.

Now, the streamer is in production for its sequel Fear Street: Prom Queen which brings the story into the 80s. Netflix gives a synopsis of what to expect from Prom Queen on their blog site Tudum:

“Welcome back to Shadyside. In this next installment of the blood-soaked Fear Street franchise, prom season at Shadyside High is underway and the school’s wolfpack of It Girls is busy with its usual sweet and vicious campaigns for the crown. But when a gutsy outsider is unexpectedly nominated to the court, and the other girls start mysteriously disappearing, the class of ’88 is suddenly in for one hell of a prom night.” 

Based on R.L. Stine’s massive series of Fear Street novels and spin-offs, this chapter is number 15 in the series and was published in 1992.

Fear Street: Prom Queen features a killer ensemble cast, including India Fowler (The Nevers, Insomnia), Suzanna Son (Red Rocket, The Idol), Fina Strazza (Paper Girls, Above the Shadows), David Iacono (The Summer I Turned Pretty, Cinnamon), Ella Rubin (The Idea of You), Chris Klein (Sweet Magnolias, American Pie), Lili Taylor (Outer Range, Manhunt) and Katherine Waterston (The End We Start From, Perry Mason).

No word on when Netflix will drop the series into its catalog.

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