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INGRID GOES WEST While Plaza Gets Scary Good

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That latest Instagram picture you posted of your avocado-enriched soy toast latte might have been a pretty great idea on Sunday funday during brunch hours, but what if it turns out one of your Instagram followers is Ingrid. Or at the very least, Ingrid-esque. In director, Matt Spicer’s latest Ingrid Goes West, we get an all too familiar look at an obsessive behavior that has become an accepted and popular way of getting away with being stalker-lite.

In the beautifully lit and directed, Ingrid Goes West, Ingrid Thorburn (Aubrey Plaza) moves out to California after receiving her recently deceased mother’s inheritance. Ingrid isn’t interested with any sunshine or beaches though, she is moving specifically due to her obsession with social network influencer, Taylor Sloane (Elizabeth Olsen). When she arrives, she finds a way to find a way to burrow her way into Sloane’s social circles using her knowledge of Sloane’s Instagram hangouts, but her obsessive nature quickly takes her from friendly to frightening.

Plaza does some amazing work here. Since playing her engimatic character Lenny Busker in FX’s Legion, she has shown that she is capable of doing severely creepy and threatening surprisingly well. In Ingrid Goes West, she uses that dark side to create a very ominous character, but stays likeable enough to give the character merit in her actions. We are never not on her side, even at the most cringe-worthy moments. Plaza dispalys a nervous volatility that will put you at unease. Doesn’t change the fact that you still want to see her succeed despite knowing her stalker intent. Plaza is ultimately scary good.

The film is told through a no filter, concentrate examination of millennials, and the view a lot of that generation has of and on the world. The films dialogue is spoken through superlative millennial speak that becomes just as much a character as Ingrid. A lot of the central characters are totally unlikeable people, due to their narcissistic routines. Rather it’s Sloane’s delusions of grandeur, her brother Nicky’s trust fund baby issues or her boyfriend Ezra’s dismal hipster art, each brings enough unlike ability to assist in making Ingrid’s stalking nature a high point of character. Arguably, the most likeable character in the film has to be Ingrid’s landlord/boyfriend, Dan Pinto (O’Shea Jackson). Jackson brings on buckets of charm and like ability to his Batman obsessed, drug dealer with a heart of gold. His character is also the most do good of the bunch and ultimately (despite being a drug dealer) is purely good and genuinely cares about people. Warning, Jackson has a got a smile that has the power to make ya melt. After his breakout in Straight Out Of Compton followed by this, I’m hoping to see this dude in a lot more stuff soon.

There is a playful, satirical tone throughout that paves the way with funny and lite intent, only to lead you down a darker path in its final act once the rot sets in. It’s no spoiler to say that this film comes with a sort of pessimistic catharsis for both character and a generation.

Spicer creates a film that is self-aware of its own nature. Its frames are perfectly lit to match the best of your Instagram pictures. It’s an interesting take on stalker culture. The scariest part of which, is society basically mimicking Ingrid’s behavior in more concentrated instances, and how it has become an accepted social more. Next time you or I am obsessively hitting that refresh button on our favorite social media app, just know in a way you and I are all Ingrid… or at the very least have an Ingrid waiting for us to leave so they can kidnap our dog.

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1994’s ‘The Crow’ Coming Back to Theaters for A New Special Engagement

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The Crow

Cinemark recently announced that they will be bringing The Crow back from the dead once again. This announcement comes just in time for the film’s 30th anniversary. Cinemark will be playing The Crow in select theaters on May 29th and 30th.

For those unaware, The Crow is a fantastic film based on the gritty graphic novel by James O’Barr. Widely considered one of the best films of the 90s, The Crow’s lifespan was cut short when Brandon Lee died of an accidental on set shooting.

The official synapsis of the film is as follows. “The modern-gothic original that entranced audiences and critics alike, The Crow tells the tale of a young musician brutally murdered alongside his beloved fiancée, only to be risen from the grave by a mysterious crow. Seeking revenge, he battles a criminal underground that must answer for its crimes. Adapted from the comic book saga of the same name, this action-packed thriller from director Alex Proyas (Dark City) features hypnotic style, dazzling visuals, and a soulful performance by the late Brandon Lee.”

The Crow

The timing of this release couldn’t be better. As a new generation of fans eagerly awaits the release of The Crow remake, they can now see the classic film in all of its glory. As much as we love Bill Skarsgard (IT), there is something timeless in Brandon Lee’s performance in the film.

This theatrical release is part of the Scream Greats series. This is a collaboration between Paramount Scares and Fangoria to bring audiences some of the best classic horror films. So far, they are doing a fantastic job.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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Hugh Jackman & Jodie Comer Team Up for a New Dark Robin Hood Adaptation

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A report from Deadline details director Michal Sarnoski’s (A Quiet Place: Day One) newest project, The Death of Robin Hood. The film is set to feature Hugh Jackman (Logan) and Jodie Comer (The End We Start From).

Michael Sarnoski will write and direct the new Robin Hood adaptation. Jackman will be reunited with Aaron Ryder (The Prestige), who is producing the film. The Death of Robin Hood is expected to be a hot item at the upcoming Cannes film market.

Hugh Jackman, The Death of Robin Hood
Hugh Jackman

Deadline describes the films as the following. “The film is a darker reimagining of the classic Robin Hood tale. Set of its time, the film will see the title character grappling with his past after a life of crime and murder, a battleworn loner who finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.”

Lyrical Media will be financing the film. Alexander Black will produce the film alongside Ryder and Andrew Sweet. Black gave Deadline the following information about the project. “We are thrilled to be part of this very special project and to be working with a visionary director in Michael, a phenomenal cast in Hugh and Jodie, and producing with our frequent collaborators, Ryder and Swett at RPC.”

“This is not the story of Robin Hood we’ve all come to know,” Ryder and Swett stated to Deadline “Instead, Michael has crafted something far more grounded and visceral. Thanks to Alexander Black and our friends at Lyrical along with Rama and Michael, the world is going to love seeing Hugh and Jodie together in this epic.”

Jodie Comer

Sarnoski seems to be excited by the project as well. He offered Deadline the following information about the film.

“It has been an incredible opportunity to reinvent and freshly innovate the story we all know of Robin Hood. Securing the perfect cast to transform the script to screen was essential. I could not be more thrilled and trusting in Hugh and Jodie to bring this story to life in a powerful and meaningful way.”

We are still a long way away from seeing this Robin Hood tale. Production is expected to begin in February of 2025. However, it does sound like it will be a fun entry into the Robin Hood canon.

That’s all the information we have at this time.

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Mike Flanagan In Talks to Direct New Exorcist Movie for Blumhouse

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Mike Flanagan (The Haunting of Hill House) is a national treasure that must be protected at all costs. Not only has he created some of the best horror series to ever exist, but he also managed to make a Ouija Board movie genuinely terrifying.

A report from Deadline yesterday indicates that we may be seeing even more from this legendary storysmith. According to Deadline sources, Flanagan is in talks with Blumhouse and Universal Pictures to direct the next Exorcist film. However, Universal Pictures and Blumhouse have declined to comment on this collaboration at this time.

Mike Flanagan
Mike Flanagan

This change comes after The Exorcist: Believer failed to meet Blumhouse’s expectations. Initially, David Gordon Green (Halloween)was hired to create three Exorcist films for the production company, but he has left the project to focus on his production of The Nutcrackers.

If the deal goes through, Flanagan will take over the franchise. Looking at his track record, this could be the right move for the Exorcist franchise. Flanagan consistently delivers amazing horror media that leave audiences clamoring for more.

It would also be perfect timing for Flanagan, as he just wrapped up filming the Stephen King adaptation, The Life of Chuck. This isn’t the first time he has worked on a King product. Flanagan also adapted Doctor Strange and Gerald’s Game.

He has also created some amazing Netflix originals. These include The Haunting of Hill House, The Haunting of Bly Manor, The Midnight Club, and most recently, The Fall of the House of Usher.

If Flanagan does take over, I think the Exorcist franchise will be in good hands.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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