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Horror Short ‘Out of My Mind’ Creates A Nightmarish Reality!

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Out of My Mind is a short film beginning with Carter (Rusty James) an author sitting at his computer writing a story. Carter is playing out a story in his mind about seeing a woman, a blonde woman dressed in blue (Mina Fedora) who is across the room. Carter is watching as he is having drinks with his friend (Michael Diton-Edwards) A hesitant Carter finally stoops up from his chair and makes his way over to this beautiful gem. As Carter anxiously approaches he is immediately shut down when her date returns to the table. Swiftly Carter turns back and heads toward his friend. As the evening progresses, we receive glimpses of heated tension between the woman in blue and her once friendly date. The tables will suddenly turn as Carter receives a visit at his residence in the middle of the night.

Quick Thoughts

In the tradition of Tales From The Crypt, Out of My Mind truthfully lingered on my mind days after viewing it. A good mystery leaves leftovers for viewers to ponder with, and not everything is truly answered. Our imagination, left alone to create our own answers and sometimes fill our own void and Out of My Mind does just that! Blurring the lines between reality and fantasy, Maples pulls off the perfect story, placing her characters on the brink of insanity and does a fine job of building up a bulk of anticipation. Audiences will have the challenge of determining the difference between what is real and what is pure fantasy, having Maples at the helm truly is exciting, and I cannot wait to see what is next. It’s a sensational and suspenseful film that’s sure to give you goosebumps, definitely worth checking out.

Watch the trailer below and be sure to read our interview with Director Cindy Maples!

 

Actress Mina Fedora (Photo Credit: IMDb.com)

 

Storyline: 

Carter is a successful mystery writer on the rise. Fueled by alcohol, and a chance meeting with a beautiful woman in blue, his latest book is flowing out of him. If only he could find the source of dripping water that’s driving him insane. As the novel progresses and the bourbon flows, what Carter’s written about the woman takes a hauntingly dark turn. Slipping into madness might be a great way to write, but are the horrors of the night real or only something out of his mind?

 

Interview With Director – Cindy Maples

Director Cindy Maples (Photo Credit: IMDb.com)

iHorror: Out of My Mind seems to be the perfect title for this short, was this the first choice?

Cindy Maples: That is a great question and no, it was not the first title. I knew from the beginning that the original title of the short story written by John Cosper, Drip Drip, was not going to work. It just didn’t give off the right feel for what I wanted to show visually on screen. My co-writer, Neil Kellen and myself batted around a few ideas before we finally landed on Out of my Mind. The original title we used for the screenplay was Intertwined, and although we both really loved it, it still wasn’t exactly right. When we finally landed on “Out of my Mind”, we just knew it was perfect. But we never let go of our original title Intertwined, and it still makes its way into the film, you just have to look for it.

iH: Out of My Mind had originality and innovation, what was the most challenging part that you endured during the process of putting this film together?

CM: Time and money are always the biggest challenges for an indie filmmaker, but time seemed to be my biggest enemy for this project. Trying to schedule the time for the production almost drove me out of my mind. When we were finally able to coordinate all the schedules, the only time available was 4th of July weekend. Most of OOMM takes place at night, and I don’t know if you know this or not, but they shoot off fireworks at night during the 4th of July. This brilliant piece of decision-making lead to very little sound being recorded on set, which meant we would have to add it in later. Luckily, Neil Kellen, also my editor, did an amazing job with the sound design. We spent many hours searching for and recording little things like water hitting the floor, gurgling, bed sheets rustling and so many other things. It actually became a really exciting part of the editing process, and I’ve found a new love for Foley work.

iH: How many days did you shoot for? Where did you shoot the film?

CM: The main production days totaled 4, with a couple of evenings during editing to get some shots that we felt were needed to better tell the story. Our main location, Carter’s apartment, is actually an old apartment above the carriage house behind our house that we converted into a studio. This is also where we got our company name, Carriage House Productions. This location was also part of our time issue. We had sold the house and were in the process of moving during the production. We HAD to get those scenes shot before the end of July when we moved. The best place we filmed was Bokeh Lounge in Evansville, IN. I approached the owner, Mike about using Bokeh for our Mystery Writer’s after party, and he literally opened the doors and gave me whatever I needed. I was blown away by the amount of cooperation I received from Mike, Josh and his entire staff. We also created an event on Facebook to request locals to come out and be extras for that scene, and the response was humbling. When it came time to do the premiere last October, they were the only place I even talked to about hosting it and again, they threw open the doors and we had a great night. They even created an “Out of my Mind” cocktail for the evening!

iH: I understand that you wore many “hats” for this production, including casting. What was that process like? Did you know exactly who you wanted immediately when casting for the “Woman In Blue?”

CM: There was never a moment when I didn’t want Mina Fedora for my “Woman in Blue”. When I read the short story for the first time she was the one I saw in that part. I’ve known Mina for about 5 years now and I love working with her. We met on the set of her music video Nightwatch back in 2012 and became fast friends. She scored my first short film Random, and I knew that I wanted her to work on the score for this project, so I was a little afraid that I was pushing my friendship bounds to the limit. Luckily for me, she read the script and couldn’t wait to tackle this character. Rusty James, my husband in real life, was also a no brainer for Carter. I knew Mina would need a little more direction on set because she is still really new to acting, so by using a seasoned professional like Rusty, it freed up my time to concentrate more on Mina. The “Mysterious Man”, played by Clint Calvert, took me a little longer, because I had to find someone around the same size as Rusty but who fit the description of the boyfriend. And then there was Michael Diton-Edwards, who is one of my dearest friends, who I had to almost force into doing the part of Louis, and he was wonderful! He kept asking what I wanted for the character of Louis, and would say, “I want you, that’s why I cast you”. It’s funny how hard it is to just be yourself when someone points a camera at you, but he nailed it and gave me exactly what I was looking for.

iH: Was this the original length of the film that you had intended on producing or were you looking something more or less?

CM: This short comes in a little over 15 minutes, which is about where I hoped it would be. When it comes to short films, I’ve learned the shorter, the better, especially when it comes to film festivals. They are more apt to accept a short less than 15 minutes into a festival to help fill up a block, especially if you give them something that the audience can enjoy in that time frame. I won a Spirit Award last year at a festival in Illinois for Random, and I was told that out of all the filmmakers who had submitted, I was the only one who told a concise and entertaining story in 7 minutes. I loved hearing that, and it challenged me to keep trying to make that kind of film. Shorts don’t really have a place yet, outside of YouTube or other online services, but with today’s time-poor society, I think they are the perfect medium. And for a new filmmaker like me, it’s a great way to learn and improve until I’m ready to do a feature.

iH: What is next for you?

CM: I’m currently promoting Out of my Mind and will be traveling with it throughout the year to various festivals. The first of those trips is in February to the Cosmic Film Festival in Orlando. I’m also in pre-production on a feature horror film that will put me back in the role of producer and casting director. I will always be an actress first and filmmaker second, so I’m hoping to do as much acting as I can this year. I’m currently looking at a short and a feature that will probably be filmed in 2017. I also have two short films scheduled to premiere this year, Prisoner of Perdition and Hell’s Half Acre and I can’t wait to see both of those. And of course, I’m looking forward to seeing what else happens with Volumes Blood: Horror Stories, which has received such tremendous reviews and support from the horror community.

Cindy, thank you so much for talking with us. We look forward to speaking again with you about your future projects!

 

Behind The Scenes Photos

 

 

 

 

 

-ABOUT THE AUTHOR-

Ryan T. Cusick is a writer for ihorror.com and very much enjoys conversation and writing about anything within the horror genre. Horror first sparked his interest after watching the original, The Amityville Horror when he was the tender age of three. Ryan lives in California with his wife and Eleven-year-old daughter, who is also expressing interest in the horror genre. Ryan recently received his Master’s Degree in Psychology and has aspirations to write a novel. Ryan can be followed on Twitter @Nytmare112

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Movie Reviews

Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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“Mickey Vs. Winnie”: Iconic Childhood Characters Collide in A Terrifying Versus Slasher

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing boundaries, which horror loves to do. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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