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Horror Fans, Stop Fighting and Band Together

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It may come as a surprise, perhaps even a shock that there are folks walking around who actually love Halloween 5. I’ve encountered more than one individual who were of the opinion that Jason Takes Manhattan were their favorite Friday the 13th. And it goes both ways. We live in a world where some feel that Stanley Kubrick’s The Shining is not a good piece of cinema and even pockets of people who believe Rob Zombie’s Halloweens are superior to John Carpenter’s.

A single paragraph in, I’m sure there are some of you shaking your head and maybe even a few who are fuming, but that’s what I wanted to talk about.

When it comes to the entertainment industry, particularly film and television, horror remains a genre that is by and large looked down upon. Sure it’s been mainstreamed thanks in no small measure by “The Walking Dead” and even “American Horror Story,” but for the most part, horror is still perceived as second-rate. There is a belief among those who do not appreciate horror that it lacks artistry and that those involved are bereft of the talent necessary to cut it in drama or comedy.

Of course, we know better, don’t we? Though we are legion, you won’t find the same kind of viewership for “Ash vs Evil Dead” as you would for “The Big Bang Theory.” In the grand scheme of things, we are a small school of fish in a very large pond.

All the more reason to stick together.

And yet, we don’t. And I can’t help but wonder why?

We are all nauseated by the division of the current presidential campaign. The mudslinging and finger-pointing and name-calling has virtually everyone on the verge of slamming down the mute button if they haven’t already. There is no discourse, no exchange of ideas followed by intellectual conversation or debate. It’s just a constant churning of “I’m right, you’re wrong” while neither side actually hears or processes a word the other has to say.

Have you noticed the same scenario among horror fans on social media? Not everyone partakes in online arguments, but odds are good that everyone has at least seen it. This isn’t intended to be an indictment on anyone, just an opportunity to stop and think for a moment.

jack-wendyDiffering opinions pit people against one another. It has been that way since the beginning of time, and will never change. However, rather than asking why someone likes or dislikes something, it becomes a pissing match. “How can you possibly?” followed by a snide remark or out and out insult, which opens the floodgates to bickering banter.

Being opinionated is a good thing. It means you have a take. However, that does not mean that you are completely right or completely wrong. Rather than disregarding someone based on their perspectives, perhaps ask them a question. Instead of saying that “Anyone who hates Halloween III is in idiot,” inquire as to what they don’t like about it. Believe it or not, some may just not care for it and it could have absolutely nothing to do with the absence of Michael Myers. There’s a least a glimmer of possibility that what they have to say in response makes sense, or that you offer a point they hadn’t thought about and one or the other of you, or maybe even both, reconsider their stance. If nothing else, both parties have a better understanding of why the other feels as they do.

Horror is supposed to be fun. And small group that we are, we should be in it together. Enjoy those like-minded individuals, sure, but also respect those who loved It Follows or The Evil Dead remake or 31, even if you didn’t.

It doesn’t take long for a thread on Facebook or Twitter to morph into hate-filled spewing, so why engage in it? Offer your thoughts, but leave out judgment of what someone else has said. You can state your case without openly challenging other people. Should someone cross that line, however, just let it go. Ignore it, move on and shut them down before it grows into something bigger. We all know there are trolls out there who are Ledger’s Joker, they just want to watch the world burn.

The genre offers so much to enjoy. Just this year alone we’ve had The Witch, Don’t Breathe, The Conjuring 2, Lights Out, six new episodes of “The X -Files,” the return of “Ash vs Evil Dead,” the emergence of “Stranger Things” and the announcement that Carpenter would be teaming up with Blumhouse to bring the Halloween franchise back to its original roots.

To say nothing of the resurrection of “Twin Peaks” or It just around the corner or the old school glory of the Universal monsters and eighties slasher flicks and the list goes on and on.

You may not enjoy all of it, but then again, you don’t have to. Everyone has an opinion, and those opinions are okay. You can have a take, but it doesn’t mean others should be berated for theirs. Criticism is a good thing. What’s better than constructive criticism? It is not just a statement of distaste, but rather one that offers specific reasons as to why, and gives others the opportunity to consider what you’ve said and respond in kind. Perhaps you can come to an agreement, even if it’s simply to disagree, but ideas were exchanged, points made and it would be a far more positive experience than simply hurling insults from behind a keyboard or smart phone.

Hell, I’m as guilty as anyone. I have to catch myself from over-extending how I feel personally about a film or director or actor because my perception does not mean I’m correct and others not. I think Silver Bullet is better than An American Werewolf in London. Many would disagree, but we should revel in those differing opinions and engage in conversation rather that going after one another’s throats.

We are a small school of fish in a very large pond, but when Jaws wades its way into our neck of the woods, we’d do well to remember that we are all that we have. Each other. Let’s be good to one another.

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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