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Harrison Smith Interview, Director of ‘Death House’

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Director Harrison Smith is no stranger to the horror genre.  While he is relatively new to the director’s chair he knows how to deliver high quality genre films on a surprisingly modest budget.  Smith’s titles include; 2011’s The Fields as writer, 2012’s Six Degrees of Hell as writer, 2014’s Camp Dread as writer and director, and 2015’s ZK: Elephant’s Graveyard (aka Zombie Killers: Elephant’s Graveyard) as writer and director.  In fact, it was at Zombie Killers where Harrison Smith was approached to do the film Death House.

At the screening of ZK, Entertainment Factory producers Rick Finklestein and Steven Chase pitched Harrison the idea originally conceived the late and great Gunnar Hansen, star of 1974’s The Texas Chainsaw Massacre.  While another writer had initially tried to flesh out the idea into a workable movie script, Entertainment Factory wanted Harrison Smith to re-write the project and direct it.  After hearing their idea Smith took on the project, scrapped the re-write, and used Hansen’s bare bones of a great concept to go to work.

Two years later we finally have a trailer for a movie that looks like it will be one hell of a good time!

I had the honor of interviewing Harrison Smith, so please read bellow and learn all about the making of Death House!

iHorror: In your own words, what is Death House about?

Harrison Smith: The film is about good and evil and its place in the world and universe. We are living in dangerous times, and the line between what is good and bad is blurred beyond recognition. We have groups on all sides of the spectrum dictating to us what is good, what is pure, what is bad, what is evil and what is politically correct and incorrect. The grey area between good and evil is perhaps the deadliest.

Take this answer and apply it to a facility that churns out death as its product, packaged as good, and you have real horror. Why? Because it’s happening all around us now.

iH: Originally Death House is the brainchild of Gunnar Hansen.  How, and when, did you join the project?

HS: My Cynema Series found here: https://horrorfuel.com/author/harrison/

This has several “Road to Death House” pieces which answer this in detail. It’s a question I get all the time, but this should give you plenty to answer.

https://horrorfuel.com/horror/creature-feature/road-death-house-part-1/

https://horrorfuel.com/horror/movies/zombie-movies/road-death-house-part-2/

https://horrorfuel.com/crypt-tv/road-death-house-pt-3/

iHorror note:  This story is a MUST read if you want to know how Harrison became involved with the movie.  I read it and attempted to condense it, but you’ll be doing yourself a disservice if you don’t go read it in its entirety.

iH: Why has it taken so long to bring Death House to the fans?

HS: There are a number of issues and I think you will see that in those articles I listed. However the big thing was finding the right story. Gunnar was not happy with his original script, which he feared was too art house. He did let someone take a second pass and it turned into torture porn. He wasn’t happy about that, and then it came to me. On top of, add actor availability, finding the money and getting all of that together, and you see why it took over five years to get it done.

iH: What was it like bringing this ensemble of actors together?

HS: This can also be found in those articles. However it was a dream come true to be surrounded by so many of these folks. They are actors, not just horror icons, and their work is so varied and diverse. From stage to film to TV and in between you have writers, musicians…they are just such fun and eclectic people.

iH: The trailer shows one beautiful practical effect in particular, can we expect more gore?

HS: There is plenty of blood and gore. The recent CENFLO film festival had audiences groaning, hiding eyes, clapping, laughing at the blood and gore. No one is going to accuse Death House of not having enough blood. Roy Knyrim and SOTA FX outdid themselves in this department.

iH: Can horror fans expect any small nods to the movies that made these men and women famous, either in the script or the set design?

HS: This film is LOADED with Easter eggs and references to other horror. However it never trips over itself in that regard. I was once given a script which had all the characters named after major horror characters and it’s so ham fisted and dumb it takes you out of the movie before it even starts. Naming characters “Regan” or having last names like “Strode” or “Voorhees” are signs of bad writing. However, if you know your horror, you’re gonna see and hear a lot of subtle things, and if you stay for the ending credits we have the ultimate and ACTUAL best Easter Egg in the film for viewers.

iH: Did any pissing competitions take place on set for who’s the biggest, bad ass horror villain?

HS: Absolutely not. Only if you count them ragging and teasing each other. It was a pleasant and fun shoot with each one knowing they were there for Gunnar. The only issues came from a few actors who were not in the film who thought it might be all about them.

iH: Kane Hodder is a notorious on set prankster.  Did you witness any such pranks amongst the cast on set?

HS: Yes. A few I can’t say because it might piss off some people who were victims to them. However he regularly quoted Blazing Saddles, always had a funny insight, and when you got him, Moseley and Berryman together it was a class clown convention.

iH: What was your favorite scene to direct?

HS: Wow. Wasn’t asked that one before. I guess I would have to say, without offense to everyone else, that I really enjoyed the scene with Dee, Cody and Cortney making their way through the dark hallway which was this fun house tour of terror. I never let them know the things they were gonna see. They knew they were gonna see SOMETHING, but I never told them exactly what. That way their reactions would be real. And we got that. It’s terrific.

iH: Who was your favorite on screen combination of horror veterans?

HS: All of them. There were so many scenes, one does not stand out. Each one was individual in its own way.

iH: When and where can we see Death House?

HS: The film is getting a large theatrical release starting January 2017. Cities and markets to be announced but opening in 44 states.

iH: What do you hope fans take away from Death House?

HS: An open mind, lots of questions and the need to see it again to catch all that they missed. Also I hope they take away a new appreciation for the actors and the work they have given us and to the genre. It’s not all about superheroes, Marvel and Star Wars, and franchises.

iH: If Gunnar Hansen was able to see the finished movie, what do you think he would say?

HS: Being that he read the shooting script and said personally he approved of it and it had his blessing, I believe he would be happy with the finished film. I stuck to his hope to keep art in the film and not just make a splatter movie. He wanted something smart as well as entertaining, and frankly, why can’t something be both? Horror can be smart. Expect more from your entertainment and you will see better product come forth.

iHorror would like to thank Harrison Smith for taking the time out of his busy schedule for this interview!

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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News

Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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