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Review: ‘Ghosted’ Pilot Episode Gets it Right the First Time

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Recently, at the annual Canadian Fan Expo in Toronto, I had the chance to catch a special preview screening of Adam Scott and Craig Robinson’s upcoming supernatural comedy series, Ghosted.

The show follows a cynical former missing persons detective, Leroy Wright (Craig Robinson), and a genius disgraced scientist, Max Jennifer (Adam Scott), as they are enlisted by a secret underground agency – aptly titled The Bureau Underground – to investigate a series of unexplained activities in the Los Angeles area.

They each come with a certain set of skills that Capt. Ava Lafrey (Ally Walker, Sons of Anarchy) – head of The Bureau Underground – and her support team (Adeel Akhtar and Amber Stevens West) hope to enlist in the search for a missing operative. Strange things are afoot and it’s up to Leroy and Max to save the day – and, perhaps, all of mankind.

via Daily Dead

Now, we all know pilot episodes can be a challenge; you have to find a way to lay down all the groundwork for the rest of the season, but you also have to engage the audience in a way that will make them want to tune in on a weekly basis. It has to communicate the general vibe of the series in a very brief period of time. Basically, it’s really hard to do well. Have you ever looked back at the pilot episode of your favorite series? It’s like finding your grade school photos from that time you cut your own bangs.

That being said, Ghosted succeeds at the pilot formula in a really enjoyable way. Do we get a sense of what the show is about? Yes. Do they provide enough intrigue to keep us coming back? Sure thing. And for a comedic show, is it actually funny? You betcha.

via Tech Crunch

It’s a pleasure to see Craig Robinson back on the small screen, and his chemistry with Adam Scott is perfect. Characteristically they’re polar opposites, and for the sake of the plot they each serve a very specific purpose. Leroy is the skeptic ex-cop with a heavy burden that makes him push people away (three guesses why), and Max is the believer with a personal connection to the supernatural. Is that a tad formulaic? Perhaps. Does it diminish the show in any way? I think not.

Scott and Robinson act as executive producers on the show, which means there’s a lot of room for them to play. Their humor shines through, but Ghosted knows when to put the jokes aside to focus on the plot. It’s a buddy comedy with a supernatural tone. There are scary moments, but like any sitcom, it has a lot of heart.

via TV Series Finale

Overall, the pilot has my interest piqued. Like I said, pilot episodes are a real challenge to do effectively, but for me, this one checks off all the boxes. Sign me up, boys.

Ghosted premieres Sunday October 1st on Fox at 8:30/7:30c. Check out the trailer and the poster below!

via IMDb

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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