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Corey Feldman’s Top Horror Performances

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Corey Feldman is a name that any fan of 80’s and 90’s horror should recognize. Feldman starred in several horror movies during the golden age of the genre, some of his more notable appearances of course being The Lost BoysGremlins, and of course Friday The 13th: The Final Chapter. So today let’s look at Feldman in some of his more memorable roles as well as a few of my own personal favorite appearances.

Friday The 13th: The Final Chapter

Friday The 13th: The Final Chapter was always a personal favorite of mine, as well as other fans of the series. It was the first film to introduce everyone’s favorite hero Tommy Jarvis, and allowed Tommy to earn his reputation as the only person who was ever able to stop Jason once and for all. Even though in later sequels he soils it, and through the power of coincidence resurrects Camp Crystal Lake’s most notorious serial killer. But hey another topic for another day.

Corey Feldman nailed his role as a young Tommy Jarvis, bringing his charisma to the role and making Tommy’s character feel like a real, relatable person and not just a number to pad out the body count. Adding depth to a character really shouldn’t be something to praise, but dammit this is a Friday The 13th movie. Most characters are present to give Jason something interesting to do while he works his way through the cast.

Friday The 13th: The Final Chapter

One of Tommy’s most interesting traits was his obsession with making masks. It was only present in The Final Chapter and was dropped entirely as his character would return for two more sequels, but the addition of making masks as a hobby added to the character. It’s just a shame that the idea wasn’t explored further as the franchise continued onward. It would have been great to see Tommy construct a mask like Jason’s own face, and use that as a means of self-defense, similar to his mother’s sweater from Part II.

Gremlins

Feldman did not play a major role in Gremlins, instead this go around playing as a side character who is really only present to kick start the movies events. Feldman played Pete in the movie, and his only notable action in the movie was showcasing just what happens when a mogwai gets wet. Unfortunately for Pete and the rest of the cast, the newly born mogwai aren’t as passive as good old Gizmo.

Gremlins

Corey Feldman may not have been the star of the film, but just seeing him on screen was a treat. Gremlins is a film that still holds up today, and a must watch every Holiday season.

The Lost Boys

The Lost Boys is a personal favorite vampire flick of mine, and one of the best vampire movies out there, let’s get that out of the way now. As expected the Corey Feldman steals the show when he’s onscreen. This time, young Feldman is portraying Edgar Frog, who alongside his brother Alan, study and hunt down vampires. Corey Feldman: Vampire Hunter damn near sells itself, that premise alone sounds awesome.

While no one believes the Frog brothers until the vampires really begin to crawl out of the woodwork, it’s still endlessly entertaining watching the rest of the town push away the Frog brothers until, the truth is revealed to a small group of people. The Lost Boys is truly a work of art, every actor brings their A-game to the table and even the weaker performances are still memorable.

The Lost Boys

 

Everyone owes it to themselves to track down The Lost Boys and watch it at least once in their lifetime. Even years later the film still holds up, and is worth the time to watch it.

Puppet Master VS Demonic Toys

I did say that I would be including some of my personal favorites to this list as well okay? Puppet Master has been a personal favorite series of mine for years. The idea of a man stumbling onto the secrets of life, and using it on his puppets was always a fun one for me. Now throw in some Nazis and a plot so convoluted you need a spread sheet to understand just what the hell is going on, and all the B-movie glory a single series can handle.

All of that together makes up one of my personal favorite B-movie experiences. Needless to say, Puppet Master VS Demonic Toys absolutely embraces the weird nature of both Puppet Master and Demonic Toys. This time around we see Corey Feldman as the lead who is none other than Robert Toulon, who cracks the secret of life originally discovered by his family.

Puppet Master Vs The Demonic Toys

While it was a made for TV movie, it’s just as ridiculous and insane as the rest of the series and seeing Corey Feldman as this entries Toulon just adds to the ridiculousness of the whole thing. Puppet Master VS The Demonic Toys is easily the worst movie to ever star Corey Feldman, but even past all of the B-Movie tropes I still love it to pieces and will always consider it one of my personal favorite Feldman appearances.

Hopefully there were a few of your own personal favorite Feldman roles present here as well, and if not drop that in the comments. Let’s see what everyone’s personal favorite Corey Feldman role is. And not to end things on a low note but there is the elephant in the room that needs addressing.

With the recent passing of George Romero there has been a void that can never be filled. You can read our thoughts on his passing here, as well as just what he meant to his fans and his tragic passing here. Rest In Peace George Romero, you will be forever missed and can never be replaced.

 

 

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Editorial

Why You May NOT Want To Go In Blind Before Watching ‘The Coffee Table’

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You might want to prepare yourself for some things if you plan to watch The Coffee Table now rentable on Prime. We aren’t going to go into any spoilers, but research is your best friend if you are sensitive to intense subject matter.

If you don’t believe us, maybe horror writer Stephen King might convince you. In a tweet he published on May 10, the author says, “There’s a Spanish movie called THE COFFEE TABLE on Amazon Prime and Apple+. My guess is you have never, not once in your whole life, seen a movie as black as this one. It’s horrible and also horribly funny. Think the Coen Brothers’ darkest dream.”

It is hard to talk about the film without giving anything away. Let’s just say there are certain things in horror movies that are generally off the, ahem, table and this film crosses that line in a big way.

The Coffee Table

The very ambiguous synopsis says:

“Jesus (David Pareja) and Maria (Estefanía de los Santos) are a couple going through a difficult time in their relationship. Nevertheless, they have just become parents. To shape their new life, they decide to buy a new coffee table. A decision that will change their existence.”

But there is more to it than that, and the fact that this might be the darkest of all comedies is also a little unsettling. Although it is heavy on the dramatic side too, the core issue is very taboo and might leave certain people sick and disturbed.

What’s worse is that it is an excellent movie. The acting is phenomenal and the suspense, masterclass. Compounding that it’s a Spanish film with subtitles so you have to look at your screen; it’s just evil.

The good news is The Coffee Table isn’t really that gory. Yes, there is blood, but it’s used more as just a reference than a gratuitous opportunity. Still, the mere thought of what this family has to go through is unnerving and I can guess many people will turn it off within the first half-hour.

Director Caye Casas has made a great film that might go down in history as one of the most disturbing ever made. You have been warned.

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Movies

Trailer For Shudder’s Latest ‘The Demon Disorder’ Showcases SFX

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It’s always interesting when award-winning special effects artists become directors of horror films. That is the case with The Demon Disorder coming from Steven Boyle who has done work on The Matrix movies, The Hobbit trilogy, and King Kong (2005).

The Demon Disorder is the latest Shudder acquisition as it continues adding high-quality and interesting content to its catalog. The film is the directorial debut of Boyle and he says he is happy that it will become a part of the horror streamer’s library coming fall 2024.

“We are thrilled that The Demon Disorder has reached its final resting place with our friends at Shudder,” said Boyle.  “It’s a community and fanbase that we hold in the highest esteem and we couldn’t be happier to be on this journey with them!”

Shudder echoes Boyle’s thoughts about the film, emphasizing his skill.

“After years of a creating a range of elaborate visual experiences through his work as a special effects designer on iconic films, we’re thrilled to give Steven Boyle a platform for his feature length directorial debut with The Demon Disorder,” said Samuel Zimmerman, Head of Programming for Shudder.  “Full of impressive body horror that fans have come to expect from this master of effects, Boyle’s film is an engrossing story about breaking generational curses that viewers will find both unsettling and amusing.”

The movie is being described as an “Australian family drama” that centers on, “Graham, a man haunted by his past since the death of his father and the estrangement from his two brothers. Jake, the middle brother, contacts Graham claiming that something is horribly wrong: their youngest brother Phillip is possessed by their deceased father. Graham reluctantly agrees to go and see for himself. With the three brothers back together, they soon realize they are unprepared for the forces against them and learn that the sins of their past will not stay hidden. But how do you defeat a presence that knows you inside and out? An anger so powerful it refuses to stay dead?”

The movie stars, John Noble (The Lord of the Rings), Charles CottierChristian Willis, and Dirk Hunter.

Take a look at the trailer below and let us know what you think. The Demon Disorder will begin streaming on Shudder this fall.

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Editorial

Remembering Roger Corman the Independent B-Movie Impresario

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Producer and director Roger Corman has a movie for every generation going back about 70 years. That means horror fans aged 21 and older have probably seen one of his films. Mr. Corman passed away on May 9 at the age of 98.

“He was generous, open-hearted, and kind to all those who knew him. A devoted and selfless father, he was deeply loved by his daughters,” his family said on Instagram. “His films were revolutionary and iconoclastic, and captured the spirit of an age.”

The prolific filmmaker was born in Detroit Michigan in 1926. The art of making films swayed his interest in engineering. So, in the mid-1950s he turned his attention to the silver screen by co-producing the film Highway Dragnet in 1954.

A year later he would get behind the lens to direct Five Guns West. The plot of that film sounds like something Spielberg or Tarantino would make today but on a multi-million dollar budget: “During the Civil War, the Confederacy pardons five criminals and sends them into Comanche-territory to recover Union-seized Confederate gold and capture a Confederate turncoat.”

From there Corman made a few pulpy Westerns, but then his interest in monster movies emerged starting with The Beast With a Million Eyes (1955) and It Conquered the World (1956). In 1957 he directed nine movies that ranged from creature features (Attack of the Crab Monsters) to exploitative teenage dramas (Teenage Doll).

By the 60s his focus turned mainly to horror movies. Some of his most famous of that period were based on Edgar Allan Poe’s works, The Pit and the Pendulum (1961), The Raven (1961), and The Masque of the Red Death (1963).

During the 70s he did more producing than directing. He backed a wide array of films, everything from horror to what would be called grindhouse today. One of his most famous films from that decade was Death Race 2000 (1975) and Ron Howard’s first feature Eat My Dust (1976).

In the following decades, he offered many titles. If you rented a B-movie from your local video rental place, he likely produced it.

Even today, after his passing, IMDb reports that he has two upcoming movies in post: Little Shop of Halloween Horrors and Crime City. Like a true Hollywood legend, he is still working from the other side.

“His films were revolutionary and iconoclastic, and captured the spirit of an age,” his family said. “When asked how he would like to be remembered, he said, ‘I was a filmmaker, just that.'”

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