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Late to the Party: ‘Lake Mungo’ (2008)

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This week we’re getting down to some seriously spooky business. We will be examining the Australian horror mystery Lake Mungo by writer/director Joel Anderson, which was part of the After Dark Horrorfest 4 roster. Movies included in the festival were also referred to as “8 Films to Die For.”

Late to the Party features a lot of well-known classics, but I’m going to assume this film has flown under the radar for many of you like it did for me. If you’d like to avoid spoilers, then I highly recommend checking it out first, and coming back to hear my thoughts on it. If you’re into minimalist, slow-paced horror like The Blair Witch Project and The Blackwell Ghost, then Lake Mungo could be your cup of creepy tea.

To my surprise, Lake Mungo turned out to be a faux documentary, complete with interviews, allegedly paranormal raw footage, and hypnotic, unsettling B-roll of the Palmer house. The documentary is about a 15-year-old girl named Alice Palmer who tragically drowns at a dam in Ararat, Australia during a day trip with her mother (June), father (Russell), and brother (Mathew).

Shortly after her death, Alice’s grieving family claims they began to experience strange, supernatural events around their home. Further investigation into Alice’s death begins to unearth many shocking revelations, turning what seemed to be a simple tragic accident into more than meets the eye.

What follows is a paranormal mystery with many twists, turns, and a story that has much more going on beneath the surface. On paper, this film sounds like your typical supernatural horror premise. A family coping with their daughter’s untimely death. Creepy spirit photography. A séance conducted by a sympathetic psychic. A scandalous conspiracy. But don’t let that fool you…

Lake Mungo makes you think it’s telling you a derivative story of a girl’s double life that she’s trying to reveal from beyond the grave. To be fair, even if this is all there was to Lake Mungo, it would have done it exceptionally well.

However, it isn’t until the end (and possibly multiple viewings) that you actually realize this cleverly edited mockumentary has a completely different story hiding beneath the surface. Anderson puts many of the answers right in front of you throughout the entire film, but doesn’t let the audience know it until the final moments.

The documentary starts out as a simple, tragic accident followed by to what appears to be Alice haunting her family. June reaches out to psychic Ray Kemeney to conduct a hypnosis session with her, followed up by a séance with her family. Compelling photographic evidence would suggest Alice’s spirit is with them.

Halfway through the film, Anderson pulls the rug out from under us and we discover all the photographic evidence was a ruse by Alice’s brother Mathew to bring his mother closure. This gut-punch felt much like The Conjuring 2 when (*Spoilers) they discover damning evidence that Janet Hodgson likely fabricated her possession.

It seems to be case closed on Alice’s haunting. However, further plot twists reveal more of Alice’s double life, and reopen the possibility of something paranormal happening.

We eventually find out psychic Ray Kemeney had also conducted hypnosis sessions with Alice months prior to her death, but kept this from her family to respect Alice’s confidentiality. Alice seemed convinced something terrible was going to happen to her. Her old boyfriend then comes forward with a video of Alice and her friends at Lake Mungo, which leads them to find Alice’s lost phone with a terrifying video on it.

In the video, Alice is walking alone in the dark at Lake Mungo. Suddenly the shape of a figure appears in the pitch black coming towards her. It isn’t until the person is only a few feet away that we are met with an image that will send ice through your veins. The figure is the bloated, pallid corpse of Alice. Identical to the one pulled from the dam weeks later. There’s no rational explanation for this, as the video was taken long before Alice died, by, none other than, Alice herself.

After the family sees the video from Lake Mungo, they finally feel a real sense of closure from Alice’s death. June agrees to meet for one last hypnosis session with Ray. It is in this moment that the editors finally drop a giant bomb on you.

Alice and June’s hypnosis sessions with Ray, which were held separately, months apart, without each other knowing…were mirroring one another. Like a conversation taking place between two people standing in different rooms on completely different days.

The film closes with the Palmers making peace with Alice’s death, and moving out of their old house where all the activity occurred. We then see the family take one last picture in front of the house before leaving, with the figure of Alice standing in the window behind them.

The editors spell out the final mirroring hypnosis sessions for us in the end, which occur before and after Alice’s death. If you look back on earlier parts of the film, you’ll realize there were other mirroring events before and after Alice died. These scenes take place too far apart in the movie for audiences to put the pieces together right away. Much like the doctored spirit photography of Alice seen during the credits, the truth has been hiding in plain sight all along.

So, what happened that night at Lake Mungo when Alice saw the dead version of herself? It seems this was the moment when these mirroring events between Alice’s life and death collided. Alice’s voice-over recording spoke of fear that something bad has happened to her, and is going to happen to her.

This was indeed a premonition of her death. And what is a premonition, but the present momentarily meeting with the future. The film examines how death plagues the living from the way it looms imminently on the horizon to how it leaves us with with grief after it occurs. It seems from the hypnosis sessions and the final shot of Alice in the window, death may not come with abrupt finality, for the dead or their loved ones.

Lake Mungo feels like a good ghost story being told to you as a first-hand, personal account from someone you trust. The kind that makes tears well up in your eyes, and the hairs on the back of your neck stand up. The actors convincingly tell the tale with a shakiness in their voice, a pained smile on their lips, and sincerity in their eyes. The type of sincerity that if someone close to you was telling the same extraordinary story, you may, for a moment, actually believe them.

Lake Mungo is a film that will stick with you long after the credits roll, and demand multiple viewings. It’s a poignant, unnerving a hidden gem. If you like slow-moving, creepy, and clever, then I hope you checked this film out before reading this spoiler-riddled review.

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The Tall Man Funko Pop! Is a Reminder of the Late Angus Scrimm

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Phantasm tall man Funko pop

The Funko Pop! brand of figurines is finally paying homage to one of the scariest horror movie villains of all time, The Tall Man from Phantasm. According to Bloody Disgusting the toy was previewed by Funko this week.

The creepy otherworldly protagonist was played by the late Angus Scrimm who passed away in 2016. He was a journalist and B-movie actor who became a horror movie icon in 1979 for his role as the mysterious funeral home owner known as The Tall Man. The Pop! also includes the bloodsucking flying silver orb The Tall Man used as a weapon against trespassers.

Phantasm

He also spoke one of the most iconic lines in independent horror, “Boooy! You play a good game, boy, but the game is finished. Now you die!”

There is no word on when this figurine will be released or when preorders will go on sale, but it’s nice to see this horror icon remembered in vinyl.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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