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A Game Worth Playing: Blumhouse’s Truth or Dare
The best horror films aren’t really about monsters, ghouls, or goblins. They’re about us. On its surface, Truth or Dare is a simple, by-the-books horror film. A small group of lovably rebellious twenty-somethings travels to Mexico for their last spring break (ever!!!) before life “rips them apart”.
The ensemble cast of this film works, for the most part. A handful of the characters they’re portraying tend to be vapid and kind of terrible, but what do you expect from young people in a horror film?
Lucy Hale and Violett Beane take the lead roles as Olivia and Markie, two ‘BFFs’ who will spend the first quarter of this film making your eyes roll as they spout typical best friend cliches.
On the last day of their spring break Mexico vacation, Olivia is propositioned by a random, roguishly handsome guy to join him on a trip to a mysterious location. Olivia’s friends don’t want to do this (of course), but she manages to persuade them.
After a long, creepy trek through the desert, the friends and their guide end up at an old, abandoned church. Once there, Carter (their mysterious tour guide) persuades the group to join him in a rousing game of Truth or Dare.
Naturally, chaos ensues.
Our intrepid protagonists discover, one-by-one, that this game of Truth or Dare is actually being controlled by a powerful demon, who forces them to answer intensely personal questions or, if they so choose, participate in life-threatening dares.
Lie? You die. Refuse to play? You die. Them’s the rules.
It’s a fiendishly simple premise, and the movie would have done better to let its true origins remain shadowed and unknown. Instead, the movie frequently interrupts its narrative to pack in exposition about what the game actually is, who’s controlling it, and how to stop it.
It’s a shame, because the film’s narrative is actually its biggest strength.
As I said in the opening, the best horror films aren’t about monsters, they’re about us. They hold a mirror to us, and force us to see ourselves in a different light. They make us question our morality.
Truth or Dare is essentially about the dangers of keeping secrets. As the game progresses, it forces the friends (those left alive, at least), to tell each other their deepest, darkest secrets. Things they have been hiding from each other for years.
Everyone knows what it’s like to have an unspoken secret. Everyone has watched a group of seemingly tight-knit individuals begin to unravel under the weight of lies and rumors. It’s a real world fear that has pervaded our society since the proverbial dawn of time: the fear of being revealed.
Even though our protagonists know the game is evil, and they know that the person who’s ‘it’ has no choice but to comply, it does not soften the blow one iota. Friendships are destroyed. Trust is obliterated.
Our characters slowly find themselves, each in their turn, ostracized and alone.
I firmly believe that if Truth or Dare had focused more on the effects of the terrible game, and less on the game itself, it would have been a far more successful film. The lore, as we uncover it, is nothing earth shattering. The ‘mythos’, if you will, is nothing we haven’t seen in a hundred other horror films before. So why make that the focus?
Jaws and Alien taught us that the best monster is the one you barely see. Perhaps that works for metaphors too. The less we know about the game, the more we can focus on the characters.
For this reason, the film sort of falls apart in its third act. As the already a little too long movie switches gears into a ‘race against time’ to kill the game before it kills them, we lose the charm the movie may not even have known it had.
What started as a surprisingly effective and even, at times, emotionally involving morality story devolves into a typical beat-the-clock thriller.
Now, that being said, Truth or Dare does live up to its most basic expectation: it is a bloody good time.
The performances are all good enough to keep us more than involved, I cared about the characters, the effects were good enough to be scary, and plot moved along at a quick-enough pace.
Truth or Dare really wants to be more than an average, jump-scare laden horror flick, and in some ways it succeeds. It features solid acting, writing, and effects. But it just doesn’t quite live up to its own potential. Which is a shame, because I truly believe it easily could have.
Despite its shortcomings, I feel like Truth or Dare may very well be a game worth paying for.
See it for yourselves, share this review, and comment your thoughts!
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Movies
‘Evil Dead’ Film Franchise Getting TWO New Installments
It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.
We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.
“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”
That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”
Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:
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Movies
‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening
Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.
Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.
Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.
Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.
Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.
The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.
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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date
Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.
Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.
These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:
According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”
Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.
Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.
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