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Late to the Party: Alien (1979)

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This ‘Late to the Party’ is a review of one of the most memorable films of all time,1979’s Alien.  I must say, I’ve never truly been a fan of space based horror films or really any sci-fy to begin with.  Aside from Star Wars not much else interests me when it comes to that genre.  However, with the revival of ‘Late to the Party’ I’ve been able to dive into a series that I never watched before.  I know, I know, Alien is one of those groundbreaking films that almost every horror enthusiast has seen… but me.  Alien has been quoted so many times and  has been referenced multiple times in pop culture making me feel that I have already seen it.  It’s common knowledge that the main character’s name is Ripley and she was played by Sigourney Weaver.  I could tell you that in one of the films Weaver shaves her head to battle the beasts.  I could tell you what the alien looked like and I know about the scene when the creature emerges from one of the crew’s chest, but aside from that I really didn’t have a clue what the rest of the film was about.

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The first two things that struck me as peculiar was Mother and the crew’s initial mission.  The crew is a commercial mining outfit tasked with carrying minerals back to Earth.  I couldn’t help but find it striking that after humans used up all the fossil fuels on Earth, it would only be fitting that as a planet we would start molesting other worlds for theirs.  What I also found interesting was Mother.  The main brain on the ship that monitors the crew and their actions seemed distant and cold.  It’s ironic this cold and emotionless computer would have such a warm and loving word like “Mother” be the name of the system.  Before long the crew receives a signal.  Due to company policy they must investigate.  It doesn’t take them long before things become a mess.  Landing on the planet the bottom of the ship is badly damaged due to the rocky terrain of the planet.  Two members of the crew decide to stay back and repair the ship while the other three investigate the signal.  The crew learns that the signal had been coming from another spacecraft, so they head in to investigate the spacecraft.  This is where the initial alien is found.  The alien, however, seems to have exploded from the inside.

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While investigating alien eggs aboard the ship one of the creatures attaches itself to crew member Kane’s face.  The jellyfish/squid looking alien becomes the reason that Ripley does not want the three to reenter the ship, as she claims that quarantine issues prevents it.  This is one of those moments, and there are many, where the crew should have listened to Ripley!  It’s also obvious at this point what is to become.  It’s almost a bad joke.  The crew attempt to remove the alien from Kane’s face but only find that it’s blood is highly acidic and corrosive.  The alien eventually removes itself and dies.  However, it would just be a waste if it did no harm.  So during the final meal before stasis, Kane becomes very ill and the moment we all know and love finally arrives!  The alien bursts through Kane’s chest and runs away!  The crew attempts to locate the alien using many methods, including the use of a flame thrower! Because, why not?

Image result for alien film series pics

If things weren’t ridiculous enough already another member of the crew, Brett, follows the ship’s cat into the engine room.  Why is there a cat aboard you may ask, because, again, why not?  Perhaps it was on board to chase space mice, to cuddle with the crew during stasis, or perhaps as a last minute meal if the crew had problems.  Who the hell knows?  It is in this engine room that a full sized alien attacks Brett.  Man they grow fast!  The crew eventually chases the alien through air ducts, but they soon get tired of the chase and decide to evacuate in a small shuttle.  The problem is the shuttle is too small for four people, so they argue some more and decide to keep hunting for the alien.

It is eventually revealed that the scientist on board, Ash, is a droid with one goal in mind; to return to Earth with the alien while the crew is expendable.  Sounds like a great plan; bring the nasty alien with corrosive blood back to Earth so that it could kill more people.  However, now knowing that Ash is a droid there are only three left to escape in the shuttle!  The other two crew members are killed by the alien while gathering supplies.  Seriously, no big surprise.  Ripley sets the self destruct mode on board the ship, because what ship doesn’t have a self destruct button?  Ripley narrowly escapes the exploding ship only to find that the alien is in the shuttle with her. She blasts the ugly creature into space with a grappling hook but it is still attached to the ship!  She fires the engines that eventually destroy it.  She then proceeds to put herself into stasis with the only other living creature that survived, Jones the cat!

Final Thoughts:

This movie was absolutely absurd!  Perhaps it was that it was made in 1979, but I don’t really think that was the problem.  The main problem is that the first part of the film seems to drag on and on.  When the action finally hits, it comes off as laughable and silly.  This film is a classic, however, deserves a watch even if it’s only to laugh at the silliness of it all.  A good majority of the film is quite predictable, however there are a few subtleties along the way that give intrigue, like the on board scientist being a droid.  I truly hope that the next film, which I’ll review in November, steps up its game and is less silly than the original is right out of the gate.  If you’re a fan of this film, I’d love to hear why, leave a comment and let me know.

It’s Aliens 31st Anniversary

 

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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