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Queen of Scream: Janet Leigh’s Slasher Legacy

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Scream queens and horror are inseparable. Since the earliest days of horror cinema, the two have gone hand-in-hand. It seems monsters and madmen just can’t help themselves, and are drawn to the leading beauties who must face extraordinary dangers and hope to survive the grisly odds stacked against them.

When you think about it, the equation of a successful horror franchise is built on scares. Surely that should go without saying, right? Yet, what is it that makes a movie scare us? You know what I mean. The movies that stick with you long after you’ve watched them.

It’s more than “BOO! Har, har I got you,” moments. Those scares are cheap and too easy. I wouldn’t say it’s all up to gore either, although gross-out effects can twist our stomachs into knots, they end up cold at the end of the day if there’s no substance behind them.

So what is it that makes us remember a horror movie, and not just simply remember it, but discuss it, praise it, and (if we’re very lucky) lose our minds over it?

(Image courtesy iheartingrid)

Characters. It cannot be stressed enough that characters build or break a horror movie. It’s this simple: if we don’t give a damn about the characters in the movies why should we be bothered when they are in danger? It’s when we care about our leads that we suddenly find ourselves sharing their anxiety.

You remember how you felt when little Laurie Strode (Jamie Lee Curtis) saw the Shape staring at her through the window? Michael Myers (Nick Castle) was in broad daylight without a care in the world. Staring. Stalking. Waiting with hellish patience. We shared Laurie’s concern.

Or when Nancy Thompson (Heather Langenkamp) was trapped inside her own house, unable to escape or convince her own parents that Freddy Kruger had come to tear her inside out.

(Image courtesy of Static Mass Emporium)

There’s also the lone survivor of Camp Blood, Alice (Adrienne King). With all of her friends dead, we see our beautiful hero safe in a canoe out on Crystal Lake. We share a breath of relief when the police show up, thinking that she was saved. Yet, when Jason (Ari Lehman) burst out of the tranquil waters, we were as shocked as she was.

We share in both the angst and triumph of our leading ladies, and when it comes to horror we have lots of beautiful talent to applaud. However, of all our favorite Scream Queens, we cannot deny the enormity of one woman’s impact on the entire genre.

I’m talking about Golden Globe Award-winner Janet Leigh. Her career was spotlighted with award winning co-stars such as Charlton Heston, Orson Welles, Frank Sinatra and Paul Newman. An impressive resume to be sure, but we all know who we best associate her with, Alfred Hitchcock.

(Image courtesy of Vanity Fair)

In 1960 Psycho broke down the door of several taboos and introduced mainstream audiences to what would become the accepted modern guidelines of slasher films.

To be perfectly fair, when it comes to this groundbreaking movie, audiences remember two names above all others — Janet Leigh and Anthony Perkins. That’s not to say that others didn’t shine in their performances, but Leigh and Perkins couldn’t help but steal the show.

I came to see Psycho much later in life. I was in my late 20s and a local theater was showing the movie as part of an Alfred Hitchcock festival. What a platinum opportunity to finally see this classic! I sat down in a dimly lit theater and there was not one seat empty. The house was packed with energy.

I loved how unconventional the movie was. Janet Leigh, our lead hero, played a bad girl, which still to this day is kind of surprising. But she does so with such smooth class and undeniable style, we can’t help but root for her.

There is something deeply unsettling about her scene with Anthony Perkins’ Norman Bates, something darkly ethereal that we all sense happening between the two. In that humble dinner scene, we see through the eyes of a predator who is summing up his prey.

(Image courtesy of NewNowNext)

Of course these are things we all know already. Nothing new being expressed here, I admit that, but even though I knew the story and already knew what to expect, the chemistry in their shared performance still pulled me in as if I hadn’t a clue what I was in for.

We want her to get out of there. We know what’s going to happen as soon as she returns to her motel room. Sure she seems safe enough, but we all know better. The shower is turned on, she steps in and all we can hear is the steady sound of running water. We watch helplessly as a tall, thin shape invades her personal space.

When the shower curtain was pulled back and the glistening knife was raised the audience screamed. And could not stop screaming. The viewers were as helpless as Leigh’s character, and shrieked along with her as popcorn flew skyward.

As the blood washed down the drain and I looked into the eyes of Leigh’s lifeless character it struck me and struck hard. It still works, I thought. After all these years (decades) the formula of those two actors in the hands of a legendary director still worked its black magic over audiences to terrify and thrill us all.

(Image courtesy of FictionFan Book Review)

The combined talents of Perkins, Hitchcock and Leigh solidified the newly awoken slasher genre. A genre her daughter, Jamie Lee Curtis, would further impact in a little movie called Halloween.

Let’s be brutally honest here. Without Janet Leigh’s breathtaking performance in Psycho, the movie would not have worked. After all, who else could Norman Bates hack to death had she been void of the script? Sure someone else could have attempted the role, but oh my God as the remake proved, Leigh’s performance is irreplaceable.

Am I saying she carried the movie? Yes, I am. Even after her character’s shocking murder her presence is still evident throughout the rest of the film. Leigh managed to take one movie and create unparalleled horror history, a performance for which we owe her a lifetime of gratitude.

Could it be that without her role in Hitchcock’s Psycho the slasher genre would not have happened until much later, if at all? In two ways possibly yes.

Firstly, Psycho gave audiences a taste for knife-wielding madmen who stalked unknowing beauties when they were at their most vulnerable.

Secondly, Leigh literally gave birth to an idol. Years after Psycho, in John Carpenter’s Halloween, Curtis picked up her mother’s royal mantle and went on to make a horror legacy of her own. One that has impacted the life of every horror fan since.

Mother and daughter would appear together on screen in yet another horror classic – and my personal favorite ghost-related movie – The Fog. An eerie revenge tale about the horrors that lurk in the ethereal depths of the unseen.

(Image courtesy of film.org)

We would see the mother and daughter team up one more time with the twentieth anniversary of Halloween, H20. Once again Jamie Lee Curtis reprised her iconic role as Laurie Strode, but this time not as a babysitter, but as a mother fighting for the life of her own child against her murderous brother, Michael Myers.

It would seem horror ran deep in their family both on and off screen. These incredible ladies just can’t help but make us scream, and we love them for it.

Janet Leigh would have been 90 years old this year. Her contribution to horror is priceless. Sadly, she passed away at the age of 77, joining the honored ranks of such scream queens as Fay Wray, but her legacy shall outlive us all.

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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News

Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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