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KamehameAHH! 7 Horrors From The Dragon Ball Series

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The DRAGON BALL anime/manga powerhouse franchise has seen a resurgence in popularity with the addition of the new series, DRAGON BALL SUPER. Though mostly remembered for big blonde hair, screaming fights, and battles that raged across several episodes, the series still holds a fond place in many fans hearts and featuring epic battles. Though, for many others, nightmare fuel levels over 9000! Here are 7 diabolical scenes from throughout the Dragon Ball series sure to make your hair stand on end higher than a Super Saiyan.

Goku Looks At A Full Moon

Starting in the beginning, when our hero Goku was just a pint-sized adventurer with his friends trying to find the mystical dragon balls for the first time. At the end of the first major arc, our heroes found themselves captured by the nefarious Emperor Pilaf, who wanted to use the ancient relics in order to conquer the world. When his wish is wasted, he decides to waste the gang in a terrible fashion, leaving them in a wrought iron room with a sky window that will roast them all when the sun rises! As they bemoan their fate, Goku recalls how his caregiver, Gohan warned him against looking at the full moon before he was mysteriously killed and the land destroyed. When the full moon rises through the window, the young martial artist decides to take a look anyway, and transforms into a kaiju sized great ape! For those watching the original series at the time, it came as quite a shock to see the young hero turn into a giant, rampaging monster. Only stopped when his allies are forced to cut off his tail, reducing him to normal after Pilaf attempted to fight the beast KING KONG style with a bi-plane… before being knocked down. This wasn’t the last time we would see the great ape transformation, and every time it happened, things would get horrendously seriously.

The Reign Of King Piccolo

The 2nd to last arc of the original DRAGON BALL introduced its most serious and diabolical villain to date, Demon King Piccolo. Despite being named after a woodwind instrument, he’s the DB equivalent of Satan, and damn proud of it. Long story short, he’s the evil half of Kami, the guardian of the Earth, and was sealed away in order to stop his mayhem… only to be released by Pilaf and his gang in a misguided attempt at world domination again. King Piccolo goes to work, fast. Creating a small army of demonspawn to find and hunt down every and all martial artists that may get in his way and kill them before he even makes a major move. Crushing Goku emotionally when his best friend, Krillen is killed and pushing the hero into a quest for justice… only to receive one of the most savage beatdowns in the series.The Demon King showing his pragmatism as well, checking Goku’s pulse to make absolutely sure he’s dead… though not counting on him being healed by allies. King Piccolo manages to gather the dragon balls, wish back his youth and KILL THE DRAGON so no one else can use them! On top of that, actually succeeding in taking over the world, freeing all prisoners, destroying all law and order, and making a literal hell on Earth. Despite being a villain earlier in the franchise, King Piccolo had a disturbingly high success rate of evil.

Frieza And The Planet Trade Organization

As we move up to DRAGON BALL Z, the nightmare fuel tends to get scaled up. As the series took to the stars, even more monstrous enemies were revealed. Case in point, Frieza and his Planet Trade Organization. Frieza is a megalomaniacal tyrant with unbelievable power. Capable of wiping out planets on a whim with a smile on his sinister face. Frieza is one of the heads of the PTO, which deals in the acquisition and sale of planets. Actual planets. And notice I don’t say “Buying” because it’s cheaper for Frieza and his army of super-powered henchmen to just wipe out the populations and sell what’s left. Now he has his sights on the planet of Namek for their dragon balls, so he can wish for immortality and reign eternally and invincible forever. And though the evil overlord wreaks havoc on a galactic scale, he’s sadistic and playful enough to give a personal touch to his mayhem. Enjoying front row seats to his minions slaughtering hapless villagers, or joining the ‘fun’ himself by sadistically beating people to death with his own hands, and even reducing badass characters like Vegeta to tears through sheer force and torture. Series creator Akira Toriyama based him off of real estate speculators, who he considered evil, and it shows.

The Ultimate Lifeform, Cell

The Big Bad of the Androids arc, who earns that title and then some. Unlike a lot of villains, Cell doesn’t appear with fanfare or outward destruction. In the midst of the Android crisis, our heroes hear reports of a mass disappearance in the city of Nicky Town. All the people are gone and all that remains are their clothes with massive punctures… but no blood. We are soon introduced to the terror behind this. Not so much a fighter, as a bio-mechanical monstrosity. Cell is yet another creation of the mad scientist, Dr. Gero. Spliced with the genes of all major heroes and a few villains, Cell’s potential for growth is seemingly limitless. Especially with his ability to absorb average humans as well with his horrifying stinger tail. Gaining power by absorbing countless thousands of average humans to try and boost himself up for his true targets. Android 17 and Android 18. And with his regenerative DNA, he can heal even from being dismembered or blown up. After doing so, attaining his ‘Perfect’ form and becoming a borderline physical god. And once he does become ‘Perfect’ he decides the best thing to do is to hold a final martial arts tournament. Beating everyone before he blows up the planet and goes on a galaxy wide rampage! On top of that, his Imperfect form has one of the creepiest themes of any character.

 

 

Majin Buu, Pink And Deadly

The final enemy of DRAGON BALL Z proper also proved to be the most dangerous. An ancient evil created aeons ago by an evil sorcerer… and is actually rather cuddly. When he’s not killing by the millions or transmogrifying people into candy and devouring them. The thing is, the fat ball of bubblegum isn’t even necessarily evil. Buu’s like a five year old given ungodly power along with a child-like imagination and attention span. And through magical means beyond any other villain, capable of reforming even if reduced to molecules. So, a deadly combination for the people of Earth. Fortunately, his massacre is put to a halt when he’s basically told that killing is wrong. Unfortunately, a series of events lead to his evil side being unleashed and things just get so much worse. Goku and the heroes unable to stop Buu as he literally wipes out the entire population of Earth, culminating in his devolution into his ‘Kid Buu’ form. More compact, but even more destructive. And with no ego or personality beyond destroying everything. Literally, he blows up the Earth right then and there.

A Sadistic God And The Great Destroyer

An entry from the new series, DRAGON BALL SUPER, and well deserving of attention. Though touched upon once or twice, what happens if a villain gains access to the awesome power of Goku, one of the greatest and most powerful characters in the universe? In short: genocide on a universal scale! In the future, an evil double of Goku appears, calling himself ‘Goku Black’ (go figure) and starts wiping out planet after planet, taking devilish glee in personally evaporating populations. On top of that, it turns out to be all part of a ploy by a rogue Kai, one of the divine entities of the ‘verse. Believing gods to be the ultimate lifeforms and mortals to be corrupt and weak, his entire worldview was shattered when he sparred with Goku… and lost. Going mad, he used the dragon balls to steal Goku’s body and enact his ‘Zero Mortals Plan’ in that he literally wants to murder every none god in existence. Zamasu is a an angry, and vengeful god. With a mohawk. And with serious tactical skills, teaming up with his own body switched double and preparing for confronting our heroes by wishing himself physically immortal, making the duo of gods virtually unstoppable.

The Dragon Balls, A Monkey’s Paw

Reflecting on the series as a whole, perhaps one of the most nightmarish aspects of the franchise is its very namesake. In theory, the Dragon Balls seems like a neat mechanic of this world. Just find and collect the seven magic orbs, summon the dragon, and you get a wish. Adventures ensue. But then you think about all the connotations of such a reality warping artifact, and the results can be catastrophic. As noted above, a whole lot of planet destroying villains have sought the balls for their awesome power, and have happily slaughtered their way through countless populations in order to obtain them. Even in the original series, tinpot tyrants like Emperor Pilaf and The Red Ribbon Army would happily amass their forces to get a shot at ultimate power. On top of that, the idea of resurrection seems to have made our heroes a little numb to dying. Considering several characters have been killed several times over the years, not much of surprise.

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Movie Reviews

Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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“Mickey Vs. Winnie”: Iconic Childhood Characters Collide in A Terrifying Versus Slasher

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing boundaries, which horror loves to do. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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