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The Real Story Behind the “Feud” Between Bette Davis and Joan Crawford

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Written by Patti Pauley

Tonight, American Horror Story creator Ryan Murphy premieres his series Feud on FX which dabbles in the true stories behind Hollywood’s elite and the most notorious rivalries. And what better way to kick off the series with what is quite possibly, one of the greatest and most intriguing feuds between two celebrities even to this day-Joan Crawford and Bette Davis.

That’s putting it mildly…

Feud

These two ladies were at each other’s throats for years, and in the sub-genre horror film of What Ever Happened to Baby Jane?, it only seemed fitting to pit the two divas against each other. However, that really just brought it to a head, and not an end to it. Which may be why that movie is just so damn good. The hatred between the two Hollywood goddesses didn’t need a whole lot of practice for the film as the pettiness and tension behind the scenes only fueled the fire on-screen. Which in turned earned Bette Davis an Oscar nomination; but not Crawford. Oh boy….

 

 

Yeah so, the antics between the fiery-tongued Davis and the sly gerrymander that is Crawford make for an interesting tale to be told through a series, and the best part of it is, you really don’t have to add any razzle-dazzle to it. The shenanigans that clothed the pair throughout their career needs exactly zero embellishment, only a great pair of actresses to portray them, and it’s clear as day without even having seen the first episode that Davis played by Susan Sarandon, and Crawford played by AHS veteran Jessica Lange, are going to nail this no question. However, in the case maybe you aren’t up to speed on the great Hollywood battle between the glam girls of the Golden Age of cinema, here’s some fun facts highlighting the real life bitterness among the women.

 

The feud started over a man..

According to my official Joan Crawford Biography by Bob Thomas, said man was one of Crawford’s many husbands, Franchot Tone. Tone had starred with Davis in 1935’s Dangerous, and Bette took a shine towards the handsome actor. Now it has been rumored heavily though Crawford biographies that Joan was bi-sexual, and that she was in love with Bette. It has also been said that Davis turned down Crawford’s advances flat, which in turn, became revenge for Miss Crawford when she learned about the fiery love Davis had for her co-star Tone. So what did she do? Crawford married the guy. The marriage only lasted four years, but it sparked an intense rage of bitterness between the two actresses that wouldn’t end until the pair’s death. In an interview in 1987, Davis said this, “She took him from me, She did it coldly, deliberately and with complete ruthlessness. I have never forgiven her for that and never will.”

Tension in the Workplace..

Mildred Pierce is considered one of Joan Crawford’s crowning achievements in cinema. It even earned her an Oscar-much to the dismay of Bette Davis who was initially the first choice for the starring role. The role in which she turned down for another film, and Crawford had to fight tooth and nail through screen tests to nab. Said movie Bette opted to work on, grabbed zero Oscar nods. And the bitterness ensues…

The Claws Come Out on the Set..

The infamous film that brought this feud to its boiling point brought along an entire shit show behind the scenes. Whatever Happened to Baby Jane? drew a level of pettiness to epic proportions on both sides of this war. Joan loaded up her pockets with heavy rocks in scenes where Bette had to drag her across the floors in the film, causing Davis to throw her back out. However, Bette one-up’d her there. That scene where Davis’ is kicking the shit out of Joan in the film? That was real. Crawford got a swift kick in the head. Some claim she even needed stitches.

feud

 

 

 

More Oscar Drama..

As stated above, the success of Baby Jane led to Bette Davis to be nominated for an Oscar for best actress, while Joan got the snub. Crawford diabolically phoned in to the other nominated actresses bluntly asking if in the case they should win, if she could accept on their behalf. Well, as fate would have it, Davis lost to Anne Bancroft who obliged Crawford’s plea. So Bette had to watch Joan smile and slink onto that stage like the fox she is, and accept the best actress award for an actress she most likely gave zero fucks about. We all know why you did it Joan. You cheeky little devil.

The Pepsi Challenge

Why on Earth anyone thought it would be a good idea to put these two in another film again, is beyond my comprehension. But hey, it just gives us more dirt and who doesn’t love a good, juicy cat-fight, am I right? However, in Hush, Hush Sweet Charlotte, tension didn’t last long as Crawford ditched the film after only two weeks into production. It could be the coke machine that Davis had installed in the newly named Pepsi Board of Director’s dressing room, may have had something to do with it. No smile with that Coke I suppose.

Last But Not Least, the Glorious Smack-Talk

Joan on Bette- 

“She has a cult, and what the hell is a cult except a gang of rebels without a cause. I have fans. There’s a big difference.”

“Of course I had heard she was supposed to be playing me, but I didn’t believe it. Did you see the picture? It couldn’t possibly be me. Bette looked so old, and so dreadfully overweight.”

“Bette will play anything, so long as she thinks someone is watching. I’m a little more selective than that.”

“Miss Davis was always partial to covering up her face in motion pictures. She called it ‘art.’ Others might call it camouflage—a cover-up for the absence of any real beauty.”

“She may have more Oscars … She’s also made herself into something of a joke.”

 

Bette on Joan

“Why am I so good at playing bitches? I think it’s because I’m not a bitch. Maybe that’s why [Joan Crawford] always plays ladies.”

“The best time I ever had with Joan Crawford was when I pushed her down the stairs in Whatever Happened to Baby Jane?”

“She has slept with every male star at MGM except Lassie.”

“I wouldn’t piss on her if she was on fire.”——– OK, that is SAVAGE.

“You should never say bad things about the dead, you should only say good …. Joan Crawford is dead. Good!”

So now that we’ve educated you on the savagery of this feud, if you tune in tonight, let us know what you think of Murphy’s adaptation of Hollywood’s battle of the century!

 

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News

A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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News

Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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