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Anne Rice on Immortality, Vampires, and What’s Next for Prince Lestat

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anne rice iHorror interview

On December 11, 2021, the world of literature lost one of the great talents of the twentieth century. Anne Rice reinvented the way we thought about vampires, witches, and spirits, and was personally responsible for Gothic fashion in the mid-to late-90s.

Back in 2016, I had the honor or interviewing Rice after the release of her book, Prince Lestat and the Realms of Atlantis. It was a landmark moment in my career as a writer and one that I will cherish for the rest of my life. In honor of Ms. Rice, and her contributions to the genre, iHorror would like you to revisit our time with this incredible author.

Read on…

Anne Rice

Anne Rice.  One need only to hear or read the name and the mind is filled with visions of gothic estates, ancient chateaus, New Orleans, Egypt, and the beautiful vampires who walk their halls and stalk their streets.  In the 40 years since Interview with the Vampire was first released, she has managed to carve out her own niche in genre fiction, creating something that is horror, thriller, fantasy, and romance.  Something that fans will tell you transcends those labels in the process.

I first encountered Interview in high school shortly after the film was released and I quickly found a copy of the book and devoured it in a matter of hours.  To say that I’m an Anne Rice fanboy would be appropriate, and so you can imagine the sheer joy I experienced when she agreed to answer a few questions for me about her latest book Prince Lestat and the Realms of Atlantis.  

The latest book in her Vampire Chronicles tells a story that many of her fans have wanted to hear for a long time, delving into the backstory of the mysterious spirit Amel who actually created the first vampires when he fused his essence into the blood and bodies of King Enkil and Queen Akasha after they were betrayed by their followers.  It was a story 40 years in the making, and yet, until her recent Prince Lestat and its follow-up, the author says, she had not really considered telling his story beyond what we already knew.

“We’ve known him through many books as the spirit that animates and connects all vampires, but for centuries he was believed to have lost his individuality on all levels,” she began. “Residing in Akasha, the Queen of the Vampires, he appeared to have no will or voice of his own. Even after having been taken into a new host in Queen of the Damned, Amel still seemed an unconscious being. And all vampires knew that the death of the host would mean the death of Amel and the death of the entire tribe as if all vampires were blossoms on a vine connected to Amel.”

“Well, all this changed in Prince Lestat when Amel began to speak telepathically to and through different vulnerable vampires and eventually was taken willingly into Lestat who became the host and the prince of the tribe,” she continued.  “In Realms we discover a whole lot more about Amel, his nature, his personality, how he came to be a spirit and such a powerful spirit, etc.  I did not plan this from the beginning.  Nothing about my vampire novels was planned from the beginning.  I identified with Lestat as he moved along through the years seeking answers and encountering opportunities to have different adventures.  Each new book evolves from the book before it.  I love this process, frankly.  I love being Lestat.  I love asking the questions and imagining the answers.”

As you might conclude from the title, Amel’s story is directly tied to the lost island of Atlantis and the great mystery that has surrounded its origins and its fall since the time of Plato. It was a risky endeavor, but Rice says, it’s one that seems to have paid off.  The book has the highest rating on Amazon of any of her books from the last 20 years.  She’s delighted by that response, and she points out that the public ultimately decides if a book works or not.  She’s also not deterred by the lack of enthusiasm from some readers.

“Of course there are some who do not care for the book. This is always the case.  And there are a few who criticize its science fiction element;” Rice points out, “but for me the vampires are very much part of it, as well as the speculation about Atlantis, and Lestat is at the center with the glittering vampire court in his chateau in France, and for me it is a satisfying blend of gothic romance, science fiction elements, and the traits that for me make the Vampire Chronicles unique and unclassifiable.   If I had to classify the book, I’d call it a metaphysical thriller.  All my books are metaphysical thrillers as I see them.”

Anne Rice

Telling Amel’s story took us to new and exciting places and Rice introduces us to a brand new breed of immortal.  They are wholly different from the vampires in their biology and method of procreating, and some of the most fascinating creatures to appear in Rice’s books.  She points out, however, that really their story is just as human as the vampires, and their motivations are really the same as our own.

“Procreation is indeed a theme of the Chronicles just as immortality is a theme.   How do these immortal beings procreate? And they always feel a great need to do this.  Of course, all this is metaphorically about us, about our feeling that we are immortal, our faith that we have immortal souls, and our desperation to procreate through love.  I am obsessed with these metaphors,” she says.  “But it is always about us.  All good supernatural and fantasy novels are about us, about the human condition.   All good science fiction I ever read is about us, about the human heart and soul.”

The author made one of the boldest moves imaginable in telling Amel’s story and as her vampires came to terms with their origins.  With the stroke of a pen, the evolution and future of the vampires was completely turned on its head.  It was jarring to read and I could not imagine writing it, but once again, the author approached the subject from a different perspective and gives another glimpse into her process at the same time.

“It took nerve.  Yes, I do change things dramatically for Lestat and the tribe.  But I see this as opening more than one door for Lestat and the vampires, for more books about the adversaries and the challenges they now face,” she explained.  “It all felt quite right when I did it.  I am a person who works instinctively, trusting much to the process, putting myself into Lestat and seeing the world through his eyes… and if it doesn’t feel right, well it just doesn’t get written.  This all felt quite right.”

The change does indeed open doors for her vampires and the new immortals that grace the page.  The two are inextricably bound to each other, Rice points out, and she’s excited about the prospects of where the story may lead in the next book which she is already writing.  The focus will remain on her beloved Lestat and the vampires we have all come to love over the last four decades and focusing on the tribe as a whole rather than the single memoir books such as Pandora and Blood and Gold that we’ve seen in the past.

The new novel wasn’t the only big news that Rice revealed to the world recently.  Fans were also treated to the news that she had regained the theatrical rights to ALL of the Vampire Chornicles.  It was an announcement that was created quite a stir in her fandom with speculation to format and casting when she also announced that she would like to see an adaptation as a television series, rather than only a series of films.

“Right now, we are extremely grateful for the interest shown by many in a Vampire Chronicles television series and we are carefully weighing the offers we’ve received or the overtures that have come our way.  Tentatively, my ideal for the series would be with a production entity that orders an entire season’s worth of episodes and offers an entire season to the public at one time,” she told me. “But there are other possibilities.  I hope for very high production values, and for a commitment to telling the story of Lestat from the beginning–from his early manhood in France right up to his discoveries in the 21st century of the links connecting the vampires to the legend of the lost kingdom of Atlantis—Lestat is made a vampire in the late 18th century in Paris, and almost immediately he sets out to discover the origin of the species, and what other vampires there are in the world.  Lestat’s quest created the series.”

Fans of the novels were seriously put off by the film Queen of the Damned because so many liberties were taken with the story and so many elements were changed to create a single movie from two novels.  The author wants to assuage those fears as much as possible, though, saying she is inspired by the type of television series that have become available in the last decade.

“We are committed to fidelity to the material, and faith in it as a story that is profoundly compelling and need not be watered down in any way or distorted in any way to accommodate “contemporary concerns.  We want the sort of faith in the material that David Geffen and Neil Jordan displayed in making the film Interview with the Vampire in 1994.   And we long for the dazzling  production values and fine acting we’ve seen in  “Game of Thrones” and “The Crown.”  Television is in a golden era right now with some of the most creative storytelling we’ve ever seen on film. The art direction, the cinematography, the acting…all incredibly fine now.    I’m delighted, delighted, to be working on this.   Other series that have profoundly inspired me over the years include “The Tudors,” “Deadwood,” “Six Feet Under,” “Carnivale,” Neil Jordan’s “The Borgias,” “Hell on Wheels,” and “Penny Dreadful” which I have just begun to enjoy.  There are too many others to name.”

To stay abreast of all the latest news, you can follow Anne on her very active Facebook page and on Twitter @AnneRiceAuthor.  You might also want to check out the Facebook page for The Vampire Chronicles an adaptation set up by Anne and her son, the talented author Mr. Christopher Rice.

As we wait for the next course in the sumptuous feast that is the Vampire Chronicles, it’s never too late to catch up.  Pick up a copy of Prince Lestat and the Realms of Atlantis today!

 

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Movie Reviews

Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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“Mickey Vs. Winnie”: Iconic Childhood Characters Collide in A Terrifying Versus Slasher

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing boundaries, which horror loves to do. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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