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Movie Review: ‘Horsehead’ is Worth Your Time

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Romain Basset’s Horsehead is a solid entry to the genre with high quality acting, cinematography, and overall atmosphere.

It’s one of a seemingly growing number of sleep and/or dream-related films emerging in an era with no Nightmare on Elm Street films coming out, accompanied by titles like The Nightmare, Before I Wake, and probably others that I can’t remember off the top of my head. But make no mistake. This is no Freddy movie.

The official synopsis is as follows:

Beautiful young Jessica returns to her family’s countryside estate for her grandmother’s funeral where she is haunted by recurring nightmares of a horse-headed monster. As she attempts to semi-consciously navigate through this dream landscape, Jessica begins to discover the secrets behind this sinister apparition. Haunting and horrific, surreal and shocking, HORSEHEAD is a horror-fantasy that pay tribute to the classic European shockers of Dario Argento and Mario Bava while delivering unforgettable images that both disturb and enchant.

I completely agree that the film is haunting and has a very classic European feel to it. I was certainly reminded of some of Argento’s classic works at times, but that was mostly from specific and occasional shots more so than the film in its entirety.

On the surface, this looks like a movie about a woman being terrorized by a guy with a Horsehead in her dreams. That’s not entirely inaccurate, but it is an incredible oversimplification of what’s going on. The film is much more about a family, its hidden past, and a woman who is able to uncover that past by inducing lucid dreams. This makes for an interesting dynamic, which does not carry the Dream Master tone you might envision from that description.

The score is what truly gives Horsehead its haunting and unsettling tone. A feeling of uneasiness is set up early on because of it (The appearance of Philippe Nahon’s name in the opening credits helped too. That guy is just scary as fuck). The film’s effectiveness is all about tone. The lighting is dark and the sound design is very good contributing to an ongoing uneasiness even during otherwise mundane scenes, such as a family sitting at the table eating a meal. Because of this sensation, you get the feeling that every scene is in fact significant. You never quite know what’s going to happen or how twisted things might get. The fact that the movie constantly slips back and forth between dream and reality only build on that.

I’m not sure I entirely understand every moment that graces the screen in Horsehead, nor am I sure I’m supposed to. Either way, I get the impression that multiple viewings will only enhance one’s enjoyment of the film, which is typically a good sign for a picture’s longevity.

I wouldn’t necessarily put Horsehead in my top five of the year to date, but out of those I’ve seen so far, I definitely have it in the top ten, though that could change as the year progresses. Either way, the film offers much to appreciate and is definitely worth checking out.

This is the third new release from Artsploitation I’ve reviewed, and I’ll just say that two out of three ain’t bad with Horsehead and Der Samurai  being impressive and unique films even if I wasn’t sold on The House with 100 Eyes. I’m definitely looking forward to more of their releases.

Horsehead hits DVD and Blu-ray on June 23.

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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