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Christmas Slay: The Holiday Slasher Film That Never Was!

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Every horror site across the web has been talking about holiday horror films over the course of the past few weeks, with the most noteworthy of them being Silent Night, Deadly Night, Black Christmas and Christmas Evil.

But there’s one that I haven’t yet seen anyone mention, which could have a little something to do with the fact that it was never completed…

Christmas Slay

The story of this unmade horror film begins back in 1988, when a down-on-his-luck children’s TV show host named Joe Carruthers (above) was convinced by slimy agent Marty Brock to consider playing the lead in a Christmas film – though the specifics were intentionally kept under wraps. Out of work at the time, Joe agreed to meet with the director, who instantly offered him the part.

Shooting began in December of 1988, Joe under the false impression that the title of the film was Christmas Sleigh. In reality, it was a holiday slasher titled Christmas Slay, centered on a Creature from the Black Lagoon-like monster who terrorized and devoured children on Christmas Eve. Given his kid-friendly image, Joe was none too happy about the reality of the project, and tensions were an immediate part of the on-set experience.

Already disgruntled, Carruthers’ anger reached a boiling point during the filming of the movie’s climax, wherein he was to shoot the monster and then hack him up with an axe. Not much is known about the director of the film, other than that his name was Carl, but story goes that he allegedly instructed Joe to call the monster a ‘son of a bitch’ before dispatching him, which was to be the straw that broke the camel’s back.

joe3

After refusing to speak the line, especially considering the fact that children were on set, Carruthers unceremoniously departed the film, which spelled the end of the project. With the departure of its star, production on Christmas Slay was immediately shut down, and a replacement star was never found.

The oddest part of this story is that nobody really knows what became of Joe Carruthers. While some reports indicate that he slipped into a depression and simply vanished from the spotlight, much more ludicrous ones suggest that he became none other than Santa Claus. Obviously, the latter explanation is quite silly, though many members of the Christmas Slay crew reported that a man who looked much like Santa was hanging around the set, and some even swear by the fact that they overheard ‘Santa’ pass the proverbial torch to the actor.

Whatever truly became of Carruthers may forever remain a mystery, though all we know for sure is that Christmas Slay simply wasn’t meant to be. To this day, the script still sits on a shelf somewhere, likely to never find its way in front of cameras again. A shame, since it sounded like a fun little monster movie.

*Many thanks to a tipster by the name of Ernest P. Worrell, for providing iHorror with this exclusive information.*

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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