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‘Vincent Must Die’ Movie Review [Fantasia Film Festival]

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Vincent Must Die

Have you ever felt like the whole world is out to get you? Well, in Stéphan Castang’s “Vincent Doit Mourir” (“Vincent Must Die”), which made its North American premiere at Fantasia Festival, it literally is the case; and they want blood.

Vincent (Karim Leklou) works a typical and uneventful office job, surrounded by coworkers whom he gets along with. One day, after a lame joke from Vincent, the new intern walks up to his desk, silent and emotionless, and proceeds to clobber him violently in the face with his laptop. Shocked, he believes that maybe it was his faint attempt at humor that set the young man off.

However, the next day, another colleague of his ruthlessly stabs at his hand with a pen in a fit of rage. Something is not right, and Vincent has realized it. Random strangers, as well as people who have always known and respected him, are relentlessly assaulting him in bizarre fashion, as if they were in a trance and won’t stop until he’s dead. He needs to make a run for it, but who can he trust? Why are they after him, specifically? Where can he go to be safe? Is there a way to stop this “curse”?

Vincent Must Die

Written by Mathieu Naert and directed by Stéphan Castang (working on their first feature film), they both do a phenomenal job in ensuring that the audience’s eyebrows bounce up within the first few minutes of the film and intertwining numerous genres under the same title. You’ll find drama, horror, comedy, and even romance in “Vincent Must Die” and they all flow together in perfect harmony.

The audience will undeniably feel sorry for poor Vincent as he gets viciously attacked for no reason at all. He’ll learn to adapt his lifestyle and habits to avoid being murdered… only to have things escalate so much more. In the midst of all this chaos surrounding him, he’ll find a love interest, which, oddly enough, works incredibly well within the storyline. Margaux (Vimala Pons) leads a tumultuous lifestyle and falls upon his newly anti-social path to the greatest of his delight. It’s not because half of the population is out to slay you that you can’t stumble upon someone who makes your heart flutter, right?

Vincent Doit Mourir (Vincent Must Die)

Karim Leklou interprets the lead character to perfection in his introverted way of interacting with others before all Hell breaks loose and he truly does need to live as a hermit to avoid all social interactions that could prove to be fatal for him. The actor succeeds in demonstrating anxiety, fear, confusion, romance, desperation, and so much more authenticity that oozes through the screen. Vimala Pons, who interprets Margaux, shows much determination and emotional strength, while, at the same time, she has a hidden vulnerability to her character that only Vincent can help soothe and overcome when he is around. Together, onscreen, they just make it work.

As wild as the first half of the film is, the second portion continues to escalate the brutal violence and sheer carnage, not to mention a merciless and revolting altercation involving an overflowing septic tank. At times, die-hard horror fans will perceive an atmosphere similar to Quebec’s “Les Affamés” (“Ravenous”; 2017), injected with a dose of “The Crazies”, brewing together with a sprinkle of romantic comedy that just seems to flow beautifully. It’ll feel like a zombie movie without actually being one.

Vincent Must Die

Vincent Must Die” might not please everyone, as some passages may seem like they are restlessly stretching on for too long, but they are essential in demonstrating how the main character is secluding himself voluntarily from society and learning to deal with his shocking new reality. It is a conscious decision from its director, Castang, to change the pace of the film only before the drama and intensity skyrocket beyond the audience’s expectations.

Vincent Must Die

During the film’s Q&A session at Fantasia, Stéphan Castang admitted that he sometimes told the two lead actors to not learn their lines for a scene and have them improvise what their characters would say when faced with certain situations, only to highlight the genuineness of their performances onscreen; and it works. With a blend of emotions, genres and rapid tempo changes, “Vincent Must Die” is a rollercoaster of a ride that will have viewers laughing, gripping their seat, and even biting their lip in emotional distress. With their first feature film, the writer/director team of Naert/Castang exceed expectations as their brilliant work is rewarded with 4 eyeballs out of 5.

4 eyes out of 5
Clip from the movie “Vincent Must Die”

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Movie Reviews

Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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