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‘The Exorcist: Believer’ Trailer Is Finally Here

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The world of horror cinema is set to be electrified once again with the upcoming sequel to the legendary film “The Exorcist.” Titled “The Exorcist: Believer,” the film is being brought to life by the creative team behind the recent Halloween trilogy. This new chapter in the Exorcist saga promises to be a direct continuation of the original 1973 movie, bypassing all the sequels that followed.

The original “Exorcist,” directed by William Friedkin and based on William Peter Blatty’s 1971 novel, sent shivers down the spines of audiences worldwide. Its chilling tale of a young girl possessed by a demon and her mother’s desperate attempts to save her through an exorcism conducted by two Catholic priests has been hailed as one of the greatest horror movies of all time. The film’s legacy is such that it remains one of the few horror movies to have been recognized with Academy Award nominations upon its release.

Exorcist

“The Exorcist: Believer” is directed by David Gordon Green, known for his work on the Halloween series. The screenplay, co-written by Green and Peter Sattler, follows the harrowing journey of a father whose child is possessed. In his desperation, he seeks help from Chris MacNeil, the mother from the original film, who has had eerily similar experiences.

The film boasts an impressive cast, including Leslie Odom Jr., Ann Dowd, Lidya Jewett, Olivia Marcum, Raphael Sbarge, Jennifer Nettles, and Okwui Okpokwasili. The legacy sequel will also see the return of Ellen Burstyn, reprising her role as Chris MacNeil, adding a touch of authenticity and nostalgia to the project.

The Exorcist: Believer

When news first emerged about a project based on “The Exorcist,” it was met with skepticism from fans, many of whom feared it would be a mere reboot of the 70s classic. However, the decision to create a legacy sequel has been received more positively, offering a fresh take on the iconic story while respecting its original roots.

Despite the positive reception, Jason Blum, the producer and CEO of Blumhouse Productions, acknowledges the inherent risk involved in revisiting such an iconic franchise. The high production costs add to the pressure of delivering a film that lives up to the expectations set by the original.

The Exorcist: Believer” is a high-stakes gamble, but one that could pay off handsomely if it manages to recapture the haunting allure of the original. The film is slated for release by Universal Pictures on October 13, 2023, offering a new generation of viewers a chance to experience the chilling world of “The Exorcist“.

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Shelter in Place, New ‘A Quiet Place: Day One’ Trailer Drops

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The third installment of the A Quiet Place franchise is set to release only in theaters on June 28. Even though this one is minus John Krasinski and Emily Blunt, it still looks terrifyingly magnificent.

This entry is said to be a spin-off and not a sequel to the series, although it’s technically more a prequel. The wonderful Lupita Nyong’o takes center stage in this movie, along with Joseph Quinn as they navigate through New York City under siege by bloodthirsty aliens.

The official synopsis, as if we need one, is “Experience the day the world went quiet.” This, of course, refers to the quick-moving aliens who are blind but have an enhanced sense of hearing.

Under the direction of Michael Sarnoski (Pig) this apocalyptic suspense thriller will be released the same day as the first chapter in Kevin Costner’s three-part epic western Horizon: An American Saga.

Which one will you see first?

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New Windswept Action Trailer for ‘Twisters’ Will Blow You Away

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The summer movie blockbuster game came in soft with The Fall Guy, but the new trailer for Twisters is bringing back the magic with an intense trailer full of action and suspense. Steven Spielberg’s production company, Amblin, is behind this newest disaster film just like its 1996 predecessor.

This time Daisy Edgar-Jones plays the female lead named Kate Cooper, “a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Glen Powell), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better. As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.”

Twisters cast includes Nope’s Brandon Perea, Sasha Lane (American Honey), Daryl McCormack (Peaky Blinders), Kiernan Shipka (Chilling Adventures of Sabrina), Nik Dodani (Atypical) and Golden Globe winner Maura Tierney (Beautiful Boy).

Twisters is directed by Lee Isaac Chung and hits theaters on July 19.

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Unbelievably Cool ‘Scream’ Trailer But Re-Imagined As A 50s Horror Flick

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Ever wonder what your favorite horror movies would look like if they had been made in the 50s? Thanks to We Hate Popcorn But Eat It Anyway and their use of modern technology now you can!

The YouTube channel reimagines modern movie trailers as mid-century pulp flicks using AI software.

What is really neat about these bite-sized offerings is that some of them, mostly the slashers go against what cinemas had to offer over 70 years ago. Horror movies back then involved atomic monsters, scary aliens, or some sort of physical science gone awry. This was the era of the B-movie where actresses would put their hands against their faces and let out over-dramatic screams reacting to their monstrous pursuer.

With the advent of new color systems such as DeLuxe and Technicolor, movies were vibrant and saturated in the 50s enhancing primary colors that electrified the action happening on screen, bringing a whole new dimension to films using a process called Panavision.

“Scream” reimagined as a 50s horror movie.

Arguably, Alfred Hitchcock upended the creature feature trope by making his monster a human in Psycho (1960). He used black and white film to create shadows and contrast which added suspense and drama to every setting. The final reveal in the basement would probably not have been if he had used color.

Jump to the 80s and beyond, actresses were less histrionic, and the only emphasized primary color was blood red.

What is also unique about these trailers is the narration. The We Hate Popcorn But Eat It Anyway team has captured the monotone narration of 50s movie trailer voiceovers; those over-dramatic faux news anchor cadences that emphasized buzz words with a sense of urgency.

That mechanic died out long ago, but luckily, you can see what some of your favorite modern horror movies would look like when Eisenhower was in office, developing suburbs were replacing farmland and cars were made with steel and glass.

Here are some other noteworthy trailers brought to you by We Hate Popcorn But Eat It Anyway:

“Hellraiser” reimagined as a 50s horror movie.

“It” reimagined as a 50s horror movie.
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