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[Sundance Review] ‘In My Mother’s Skin’ is a Horrific Fairytale

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From the opening shot of Kenneth Dagatan’s In My Mother’s Skin, viewers are warned of what they are in for. It’s a vision of starved dead bodies, but as the camera pans to the left, something is feeding on them.

This scene takes place at the end of World War II in the Philippines. A young man named Aldo and his family are held captive by a troop of Japanese invaders who hijack his mansion looking for an alleged stash of gold. 

Aldo heads out on his own in the dead of night to get help, leaving his sick wife (Beauty Gonzalez) with their two children, a daughter named Tala (Felicity Kyle Napuli), and a young son, Bayani (James Mavie Estrella). After a day, the former is certain her father has been killed, and to sway her thoughts, she and her brother set out to search for him, but encounter a strange but beautifully dressed woman in a rundown cabin.

Dagatan (Ma–2018) pulls a heavy amount from Hansel and Gretel at this point. But infuses his fairy tale with horrific images of a country at war, including its gruesome casualties, their faces frozen in terror left to decompose in the open.

In My Mother’s Skin: Epicmedia Productions

In addition, unlike the Grimm tale, the antagonist isn’t a fearsome old witch, but a beautiful woman dressed in regal finery with a holographic winged fascinator highlighting her face. The movie leans in heavily toward the Virgin Mary symbolism. It’s not quite a Guillermo del Toro creature creation, but no less unsettling. 

The director teases his audience determined to keep them curious about underdeveloped parts of the storyline. Some may call this a slow burn. For instance, the ailing mother is given a cure by her daughter — a gift she receives from the fairy —- but its effects are seemingly malevolent and she appears to become slowly possessed over a period of days. 

The film suggests that believing in something out of desperation might be comforting in the short term, but if said belief is only disguised as good, how mindlessly controlling is faith? And is it too late to undo what has already been done? This is also a metaphor for war and greed, two of the film’s other contentions. 

In My Mother’s Skin: Epicmedia Productions

Only part of the horror in In My Mother’s Skin comes from the mother’s gradual possession. The other is how young minds, like Tala’s, when left to fend for themselves often react impulsively without critical thought. This is in contrast to Disney’s homogenized world where children have the ability to lead without experience, face evil using alchemy, and survive horrific situations, emerging mentally unscathed. 

For our heroine Tala, just like Ofelia in Pan’s Labyrinth, the harsh universe in which she lives hints at a path leading to the realms of fantasy. But that world, helpful in the short-term, is just as corrupt, filled with its own deceptive beasties.

What In My Mothers Skin makes painfully clear in its own narrative is that religion, especially Catholicism, and its precepts, mirror fairy tales and are littered with blind faith. Tala’s expansive house has alters dedicated to Catholic deities but their protective power never materializes even as forces, both human and supernatural, wreak havoc upon them. Dagatan seems to be saying that evil is the only power that will show itself to humans in real-time while faith compensates later.

In My Mother’s Skin is a grandiose fairytale steeped in Guillermo del Toro’s influence. Beautifully framed landscapes are dimly lit in a gray-blue scale, befitting a world filled with dread and tragedy.

Napuli gives Tala a false sense of resilience in her teenage blind ambition. She wants to be the strength that saves her family, but she is just misguided. As a young actress, this can be hard to express in live action, maybe better suited for a Disney voiceover, but Napuli takes on the challenge with terrifying aplomb.

Dagatan (and we the viewer) know his story isn’t headed toward a Disney ending. His princess, bloodied and affected, has endured too much for that. It is in the final words of dialogue before the credits roll that this film projects its wisdom unto the audience, but like in most deceptive fairy tales endings, there really is no “Happily Ever After.”

In My Mother’s Skin is a part of the Sundance Film Festival 2023 line-up.

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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