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You’re Not Mentally Prepared For These 10 Controversial Horror Movies

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The Cambridge Dictionary’s definition of the word controversial is, “causing disagreement or discussion.” The films below are definitely an example of that. Whether they sparked outrage among conservatives, left audiences in a state of nausea, or just pissed people off, the following films have definitely caused a buzz. They generated reactions that permeated the mainstream and caused uneasiness within the hive.

A Serbian Film (2010)

This movie is banned in 46 countries. Four minutes had to be cut for UK viewers and the U.S. asked that over one minute be cut just to get an NC-17 rating. The themes and depictions portrayed in this film are unnerving. If there were such a thing as thought police, they would have certainly interfered with director Srdjan Spasojevic’s impetus which on the surface is unthinkably horrific, but equally provoking when it comes to what humans will do when faced with dire circumstances and lack of money. It also says something about how those in power will take advantage of the downtrodden for the sake of profit.

Martyrs (2008)

Are you religious? Do you believe in the afterlife? What really happens after you die? If these questions are intriguing to you (don’t) watch Martyrs (the 2008 original, not the 2015 remake). Exploring the intricacies of the human spirit in both its corporeal form and transcendence, Martyrs plays out like a visual roadmap through depression. Nihilistic by design, this movie is filled with torture, the literal decimation of the human spirit, and an incredibly heavy unresolved denouement. The crisis hotline number should be superimposed over every frame. In this film, it definitely does not “get better.”

Faces of Death (1978)

It’s been long debated whether or not the content in Faces of Death is real. iHorror answered that question back in 2014. But in 1978 the answer wasn’t so clear. Even today where everything is viewable on the internet, Faces of Death remains an uncomfortable watch even for the most desensitized critic.

Mother! (2017)

Mother! may be the most divisive on the list. It has big-name stars, a big-name studio, and a big-name director. Still, it sits nearly in the middle of people who like it and people who hate it. For example, it concurrently received both boos and a standing ovation at the Venice Film Festival. There are so many theories on what this film is actually about. The director Darren Aronofsky has stated that it is a metaphor for the current state of the world. Given that prompt and what you can imagine the visuals to be, you’re halfway there to understanding it.

Last House on the Left (1972)

Wes Craven had his forefinger on the pulse of what scares people. But he also had a penchant for redemption, meaning his protagonists always got their revenge. Although Last House on the Left skews that formula bit, it still holds up as one of the best forceful sexual abuse revenge movies ever made. Raw and unflinching, Craven’s masterwork just goes for it, so much so that the MPAA board made him remove some footage for an X-rating. He did, but even that wasn’t enough and they asked him to edit it again. For sensitive 1970s theatergoers at the time, the intense brutality contained in the movie was too much. One person is reported to have had a heart attack during one viewing.

Cannibal Holocaust (1980)

The mother of all found footage movies. This movie, other than A Serbian Film, might be the most visually disturbing than any other on this list. All of the kills are extremely realistic, it was enough to cause Italian authorities to insist director Ruggero Deodato prove his cast was still. If he didn’t, he would face murder charges. Deodato probably should have had the forethought to not have his cast sign contracts that stated they had to disappear for three years after the movie’s release to give the illusion that he killed them on film. Of course, they showed up alive and the charges were dropped, but that only goes to show you how cruelly deceptive this movie really is. Unfortunately, the cast of animals brutalized in the movie were really killed on-screen.

The Exorcist (1973)

The Exorcist hype was real: people passing out in the theater, instant panic attacks, vomiting and nausea in the lobby, and triggering faith-based existentialism, The Exorcist had people understandably traumatized back in 1973. Still, curious moviegoers wanted to experience it for themselves, lining up for blocks to get in to see it, if by chance they were able to get a ticket.

Halloween Ends (2022)

This movie isn’t as disturbing as some of the others on this list. What makes it controversial is the dissatisfaction of the fanbase. The Halloween franchise is beloved by many, and Michael Myers is a certified horror icon. But the last film in the David Gordon Green trilogy threw people for a loop because it strayed so far off of the well-traveled path. One point of criticism was the lack of kills, something that is synonymous with a slasher. The other was that Michael Myers isn’t predominantly featured in the movie until about the last 15 minutes, even though the poster and all promotional materials show him front and center.

Silent Night, Deadly Night (1984)

Back in the 80’s America was having an identity crisis. It was the age of the “concerned parent.” For every cultural step forward, there was a court of judgey moms who acted as gatekeepers to Hollywood’s key masters. So when filmmakers created a film about an ax-wielding Santa Claus, besmirching Christianity’s holiest of days, there was a problem. A big problem. The film itself is tame even by 80s slasher standards, even though that was the crux of the conservative argument. Mostly parents were unsettled by the one sheet which depicted Santa carrying an ax down a chimney.

Thankfully, the movie wasn’t at the mercy of free-thinking video store owners (except Blockbuster) and tape rentals were through the roof, sparking the cult movie rental craze and inspiring independent filmmakers who, rather than face the disdain of the pulpit, opted to make movies straight-to-video. Enter the UK and their own hit list called the “video nasty.”

Terrifier 2 (2022)

Arguably, the first Terrifier film wasn’t a great success, still, it did have its fanbase. However, it couldn’t hold a clown horn to the sequel which came out this year. Terrifier 2 also has the distinction of being one of the most successful MPAA unrated (nee NC-17) films of all time (we didn’t adjust for inflation). For the most part, it follows the standard slasher formula, but what makes it controversial is the gore. The practical effects are extreme and seemingly unedited (138 mins. movie runtime). Like so many of the movies listed above, theatergoers got sick. Those who watched the film’s antagonist, Art the Clown, hack and slash his victims was too much to bear. Vomiting and fainting were reported as well as calls to the paramedics.

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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