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A Date Night Goes Wrong in Shudder’s Disturbingly Surreal ‘A Wounded Fawn’ 

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A Wounded Fawn

A Wounded Fawn, the newest film from director Travis Stevens (Girl on the Third Floor and Jakob’s Wife) adds to the resurgence of ‘70s nostalgia filmmaking and creates something that will surely stand out from the rest. It descends into terrifying chaos steered by an impressive acting duo. 

The film premiered at Tribeca Film Festival to acclaim and also played at Fantastic Fest, and will be premiering exclusively on Shudder on December 1. 

A Wounded Fawn Poster

Meredith (Sarah Lind: Jakob’s Wife,Wolfcop) is a museum curator trying to reenter the dating pool after an abusive relationship. She runs into Bruce (Josh Ruben: Scare Me, College Humor), a sweet but offputting man who invites her on a date to his secluded cabin. Little does she realize that this man is actually a mentally ill serial killer with his eyes on her as his next victim. 

The film opens with an art auction around a recently found Greek statue depicting a man being attacked by gods for his evildoing, shaping the premise of the film. 

Effectively cut into two parts, the first half of this film focuses on what you would expect with a serial killer luring a new female victim to his cabin in the woods, bearing many similarities to a film like Fresh. The second half turns into something else, surprisingly morphing into a different film that becomes far more sinister. 

A Wounded Fawn Shudder Original
Some of the eerie cinematography of “A Wounded Fawn” – Photo Credit: Peter Mamontoff/Shudder

A Wounded Fawn was shot on 16mm film, with plot tropes and shot styles resembling ’70s cinema and using the iconic ‘70s-style bright red blood.

Style and color are a big highlight, especially since it merges the art world with Greek mythology, creating shots that could be paintings themselves and a production design that goes beyond the often drab look of modern horror films. 

A Wounded Fawn 2022
Some creature designs from “A Wounded Fawn” – Photo Credit: Shudder

The special effects work adds to the impressive look of the film. Many of them are practical and heavily featured; there’s a good amount of blood spilling in this cabin. There are also imaginative creature designs similar to Donnie Darko. The creatures didn’t always work for me, but their bold designs and uniqueness are extraordinary.

The acting in this film is a standout. The two main actors, Ruben and Lind, have a great dynamic: they have very little chemistry with each other, capturing the feeling of being stuck on a first date with someone who doesn’t click. The story is seen from both of their sides in different but sympathetic ways. 

A Wounded Fawn Josh Ruben
Josh Ruben as Bruce Ernst in “A Wounded Fawn” – Photo Credit: Peter Mamontoff/Shudder

Knowing Ruben previously, it was difficult for me to see him in the role of a psychologically-damaged, violent man; he usually plays a goofy character. But, in this film, his psycho side sometimes unsettled me.

A Wounded Fawn Sarah Lind
Sarah Lind in “A Wounded Fawn” – Photo Credit: Shudder

Lind comes off as a yearning, hopefully romantic, and also confident, surefooted woman, perhaps influenced by her love of art. In particular, her love of the famous hardcore performance artist and author Marina Abramovic.

The film also stars Malin Barr (Honeydew, The Beta Test) in a role that, while small, is impactful. 

A Wounded Fawn Malin Barr
Malin Barr as Alecto in “A Wounded Fawn” – Photo Credit: Peter Mamontoff/Shudder

The film definitely touches on aspects that some might consider feminist, although considering it was written and directed by men, it does come off as a little simplistic — but hey, I’ll take it.

As Lind is an actress around 40 (although you would never know it looking at her flawless face), the film explores the themes of how difficult it is for older women to date, and broadly how dangerous it is for women of all ages in the same situation. The film in some ways could be viewed as a female revenge flick, particularly in the Greek mythology sense. 

The dreamlike atmosphere of this film is aided by really fun camera work and editing that seems to have a lot of intention behind it, and some eerie sound design. 

A Wounded Fawn isn’t perfect, but it was highly original and engaging for its runtime. It elevates the basic premise of a psychotic male killer by using surreal, and psychological elements. I can definitely see the last half being divisive, but those who are into chaotic and trippy horror films might enjoy A Wounded Fawn, streaming on Shudder now.

Check out the trailer below.

3.5 eyes out of 5
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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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