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Sundance 2022: ‘FRESH’ is Unsettling Body Horror with a Dark Sense of Humor

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FRESH

Update: FRESH is now streaming on HULU!


Sundance 2022 continues with an interesting and surprising group of horror films with the inclusion of FRESH, the feature directorial debut of Mimi Cave, and writer Lauryn Kahn.

Noa (Daisy Edgar-Jones, War of the Worlds) has had it with all the dating apps and the mindless, boring, insulting men she’s met there when a chance encounter with Steve (Sebastian StanCaptain America: The Winter Soldier) in a grocery story catches her off guard. He is handsome, charming, and actually knows how to flirt without being insulting. She gives him her number, a connection made, and her luck seems to be changing.

Of course, that’s when everything goes wrong. Steve is a man with a lot of secrets, some of them horrifying, others tantalizing. All of them spell trouble for Noa, however.

Daisy Edgar-Jones finds love, or does she, in the produce section.

Cave takes her time with FRESH, the “opening credits” don’t appear until 40 minutes into the film. She allows her audience to sink into the world she created, get comfortable, and actually begin rooting for Noa before she completely rips the rug out from under us. The result is genuine empathy for our heroine, our hope for her love life morphing into our hope for her survival. She and Kahn subvert the damsel-in-distress trope by making Noa smart and capable of defending herself.

Oddly, parts of the film are reminiscent of 1997’s Kiss the Girls. Noa may seem mousy and weak, but she’s so much more.

All of this, of course, hinges on Edgar-Jones’s performance, and the actress proves herself up to the task. In a way, she’s a woman in search of herself, defining who she is. We see her in an exercise class using a punching bag, but it’s clear she’s never been in a real fight in her life. The actress uses all of this to her advantage. She pivots from vulnerability to brutality while never betraying the core of the character. She is guarded, even when seemingly trusting Steve, and peppers in little moments of agency to clue us into her potential.

As her foil, Stan gives a chilling performance. When his intentions are revealed, they almost seem a natural progression. There’s a moment right before, “what the hell” where you think, “Oh, well, of course. That makes sense.” His detachment is telling, but his charisma and charm keep you guessing. It’s the kind of role Stan was born to play. Anyone who has ever doubted his acting chops will want to check out FRESH.

Daisy Edgar-Jones is a revelation in FRESH, giving an incredibly nuanced performance.

Kudos must also be given to Jojo T. Gibbs (Twenties) who plays Noa’s best friend, Mollie. She is relentless once she decides something has happened to her friend. She will do anything and everything to find her. She does all of this without giving into stereotypes. She is a tough, complex character and earns recognition for her work in the film.

What I loved most about Kahn’s script is that she never shies away from her subject matter. She gives over to and owns it. She knows that, to an extent, it’s off the wall, and she leans into the dark, gallows humor beautifully. In fact, there were moments when I caught myself wondering if I was okay for laughing at what was happening.

That’s when you know it’s a winner.

I’ll admit that I was hesitant about FRESH. I’m not generally a big body horror fan. What was so great about the film is that it gives you just enough to let you know what’s happening without putting every piece of viscera under your nose. It captures your imagination as a viewer in the most unexpected ways, and makes the stomach turn, not by the gore itself, but rather with the aftermath.

Check out filmmaker Mimi Cave’s own thoughts on FRESH below, and keep your eyes peeled for the film when it’s released to a wider audience. You will not be disappointed.

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Editorial

Yay or Nay: What’s Good and Bad in Horror This Week

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Horror Movies

Welcome to Yay or Nay a weekly mini post about what I think is good and bad news in the horror community written in bite-sized chunks. 

Yay:

Mike Flanagan talking about directing the next chapter in the Exorcist trilogy. That might mean he saw the last one and realized there were two left and if he does anything well it’s draw out a story. 

Yay:

To the announcement of a new IP-based film Mickey Vs Winnie. It’s fun to read comical hot takes from people who haven’t even seen the movie yet.

Nay:

The new Faces of Death reboot gets an R rating. It’s not really fair — Gen-Z should get an unrated version like past generations so they can question their mortality the same as the rest of us did. 

Yay:

Russell Crowe is doing another possession movie. He’s quickly becoming another Nic Cage by saying yes to every script, bringing the magic back to B-movies, and more money into VOD. 

Nay:

Putting The Crow back in theaters for its 30th anniversary. Re-releasing classic movies at the cinema to celebrate a milestone is perfectly fine, but doing so when the lead actor in that film was killed on set due to neglect is a cash grab of the worst kind. 

The Crow
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Lists

The Top-Searched Free Horror/Action Movies on Tubi This Week

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The free streaming service Tubi is a great place to scroll when you’re unsure what to watch. They are not sponsored or affiliated with iHorror. Still, we really appreciate their library because it’s so robust and has many obscure horror movies so rare you can’t find them anywhere in the wild except, if you’re lucky, in a moist cardboard box at a yard sale. Other than Tubi, where else are you going to find Nightwish (1990), Spookies (1986), or The Power (1984)?

We take a look at the most searched horror titles on the platform this week, hopefully, to save you some time in your endeavor to find something free to watch on Tubi.

Interestingly at the top of the list is one of the most polarizing sequels ever made, the female-led Ghostbusters reboot from 2016. Perhaps viewers have seen the latest sequel Frozen Empire and are curious about this franchise anomaly. They will be happy to know it’s not as bad as some think and is genuinely funny in spots.

So take a look at the list below and tell us if you are interested in any of them this weekend.

1. Ghostbusters (2016)

Ghostbusters (2016)

An otherworldly invasion of New York City assembles a pair of proton-packed paranormal enthusiasts, a nuclear engineer and a subway worker for battle.An otherworldly invasion of New York City assembles a pair of proton-packed paranormal enthusiasts, a nuclear engineer and a subway worker for battle.

2. Rampage

When a group of animals becomes vicious after a genetic experiment goes awry, a primatologist must find an antidote to avert a global catastrophe.

3. The Conjuring The Devil Made Me Do It

Paranormal investigators Ed and Lorraine Warren uncover an occult conspiracy as they help a defendant argue that a demon forced him to commit murder.

4. Terrifier 2

After being resurrected by a sinister entity, Art the Clown returns to Miles County, where his next victims, a teenage girl and her brother, await.

5. Don’t Breathe

A group of teens breaks into a blind man’s home, thinking they’ll get away with the perfect crime but get more than they bargained for once inside.

6. The Conjuring 2

In one of their most terrifying paranormal investigations, Lorraine and Ed Warren help a single mother of four in a house plagued by sinister spirits.

7. Child’s Play (1988)

A dying serial killer uses voodoo to transfer his soul into a Chucky doll which winds up in the hands of a boy who may be the doll’s next victim.

8. Jeepers Creepers 2

When their bus breaks down on a deserted road, a team of high school athletes discovers an opponent they cannot defeat and may not survive.

9. Jeepers Creepers

After making a horrific discovery in the basement of an old church, a pair of siblings find themselves the chosen prey of an indestructible force.

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Movie Reviews

Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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