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[Fantastic Fest] The Black Phone: An Instant Horror Classic Rooted in All-Too Real Terror

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The Black Phone

Scott Derrickson’s latest film, The Black Phone is a pure petrifying frightfest that lives in the hearts and minds of 70’s and 80’s latchkey kids to this day. A well-made and well-represented period piece set in the 70’s that comes with a very real Richard Linklater Dazed and Confused approach to its method.

This entire era was filled with a very palpable fear that was passed from parents to their children. If you recall the kidnapping of Adam Walsh and the fallout of fear that came after, then you know exactly the sort of picture that Derrickson builds. It’s filled with that uneasy fear soaked atmosphere constantly. I have to say, the film would have been good with its 70’s set world. The kids, Mason Thames and Madeline Mcgraw, do masterful work before the horror kicks in. The believable broken family that they live in is almost too well done.

There is also a very real approach to the use of violence in the film that is entirely true to its time. If you grew up in the 70’s and 80’s in a small town. Bully’s and brutal fistfights were just as normal as asking for butter on your toast. Derrickson and co-writer C. Robert Cargill both intimately understand the world. Showing, warts, bruises, cuts and all.

As you can see, The Black Phone is a good film even before the horror arrives. But when it does, it becomes an instant horror classic that I would put above Cargill and Derrickson’s Sinister. And, I loved that movie to death.

The Black Phone follows brother and sister Finney and his sister as they navigate their lives with a drunk father and small-town bullies. Right from the get-go of the film, you are made aware of the small town’s creeping threat known as The Grabber. A kidnapper going around snatching up kids. It isn’t long before Finney himself ends up in the clutches of the truly disturbed Grabber (Ethan Hawke).

Hawke is not in his usual territory with this film. It isn’t every day you see Hawke play the bad guy… but hopefully, this film changes that. Because the dude adds a menace to the role that is a challenging balance of the Hawke we love and the new Tom Savini designed mask wearing maniac. Hawke’s role requires finesse which he delivers in huge helpings. There is a carefully constructed sensibility he creates that keeps making you believe he has a reason for the kidnapping or that he is doing it for the greater good. He doesn’t come out swinging with the menace and that in itself is the terror.

Savini’s mask is an incredible work that entirely matches Hawke’s approach to his character and its ever-changing moods. Savini achieved this by creating a mask that is made up of an interchangeable lower and upper half. These mask segments are used to illustrate the mood of Hawke’s character. Hawke completely disappears into his role, barely showing his face outside of the mask. The fact that Hawke’s character hides behind the masterful mask makes the entire time he is on screen even more sinister and creepy.

The Black Phone was a story written by Joe Hill in which a clown kidnaps a young boy in a small town. Derrickson beats the hell out of that with much-needed additions and changes to the short story. This is easily the best adaptation of Hill’s work and a reworking that somehow makes the terror even more in your face.

Once Finney is captured, the film plays out in The Grabber’s basement. When Finney discovers a black phone on the wall, that rings despite being disconnected he ends up with a possible lifeline and his best chance at getting out of the kidnapper’s basement.

Hawke and Thames chemistry is incredible. Hawke’s menace and Thames’ take-no-shit attitude, is an incredible dynamic that I can’t remember seeing before in any films in recent memory. Total testament to how great the two actors are.

The world that Derrickson creates feels very real and very lived-in part of the 70’s. The small town and the little details of that town and the kids’ lives are all expertly achieved.

It’s tough to steal the spotlight from Hawke and Thames, but the young sister played by the amazing and larger-than-life Mcgraw manages to outshine them. Mcgraw’s constantly, charming, tough as nails, take-no-shit, and totally awesome in every scene that she is in.

Derrickson and Cargill have created a horror classic. It is filled with a very real and palpable two-fisted approach to terror that is entirely almost too familiar. It lives in parental and childhood’s deepest most core fears. The film could have existed without the horror and been great all on its own but the addition of the menacing magician with his black van and demonic mask makes for an incredible horror experience. The Black Phone constantly pushes the terror and big scares but constantly in a fuckin’ blast of a direction. The Black Phone is an instant horror classic that you need in your eyeballs immediately.

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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