Connect with us

Movies

‘Horror in the High Desert’ Delivers Exactly That in Faux Doc Style

Published

on

Horror in the High Desert

Horror in the High Desert recently made its debut on Tubi after a short festival run. It’s a film that fans of found footage and faux doc style horror films will not want to miss.

The film’s official synopsis reads:

In July 2017, an experienced outdoor enthusiast vanished in Northern Nevada while on an outdoor excursion. After an extensive search, he was never located. On the three-year anniversary of his disappearance, friends and loved ones recall the events leading up to his vanishing, and for the first time, speak about the horrifying conclusion of his fate.

Writer/director Dutch Marich was featured in our Horror Pride series last year during the month of June. The series honors the contributions of the LGBTQ+ community to the horror genre. In that interview, he had this to say:

“There’s two things that I love in horror. One is the fear of the unknown which to me is just the best. It’s hard to top that sort of unsolved mysteries thing. I love the things that push your brain to work.  The second would have to be a straight up, visceral human monster, slasher, or serial killer.”

Horror in the High Desert blends these two things together beautifully. In fact, I would say the film is the promise Marich made to his viewers when he first began making films fulfilled.

In order for a faux documentary to really work, you have to be able to believe the people on screen are not actors at all. You have to lose yourself in the illusion that they are reporters, concerned siblings, police officers, etc. It’s the tripping point for most who attempt the style. Someone’s performance is almost always too much of a performance to sell the film’s reality.

Fortunately for us, Marich excels at this, and though I cannot be entirely sure, I think its largely down to his not hiring “actors” for his films. They are, almost always, a family affair. I can hear some of you groaning when I say this, but what I have to add is that Marich seems to have a particularly talented family who is natural on camera.

Take, for instance, Tonya Williams Ogden. In the film she plays Beverly Hinge, sister to the film’s missing protagonist who we only see in recovered footage. In real life, she’s Marich’s cousin. Now, I’ve seen a lot of low-budget films where the filmmaker employs their family to fill out the cast and it…doesn’t work out so well. The exact opposite happens here.

I don’t remember the last time I saw someone look this natural on camera or who, so adeptly, became the heart of a film. There wasn’t a hint of acting to what she was doing. She was simply a sister who desperately wanted to know what happened to her brother, and she breaks the viewer’s heart more than once during the film.

Likewise, Marich’s husband, David Morales, rises to the occasion as private investigator William “Bill” Salerno, again, giving an understated performance that underlines the “reality” of the film.

There is a moment in every found footage film where reality takes a turn to the terrifying. That moment exists in Horror in the High Desert, but it doesn’t come with a big punch the way it often does in similar films. Instead, Marich carefully crafts a story that becomes more unsettling by the moment. He chooses dread over jump scares and character over inflated plot.

Does this make certain sections of the film seem longer than they actually are? Yes, and the pacing of the film is the only real issue I have. There are times where the stories and anecdotes are perhaps a minute or two longer than they necessarily need to be, but the film never grinds to a complete halt.

What’s more when Gary’s final video from his adventures in the desert is revealed, the terror is all the more palpable because the director took the time to really flesh out the character so that we feel like we know him. Viewers feel for this young man who was cyberbullied into returning to a location that he did not want to see again, and what follows is all the more effective because of it.

Further, Marich answers just enough questions to feel satisfying while leaving a few more open for a sequel, which, has already been promised.

You can see Horror in the High Desert for free on Tubi. Check out the film’s trailer below!

'Civil War' Review: Is It Worth Watching?

Click to comment

You must be logged in to post a comment Login

Leave a Reply

Movies

‘Evil Dead’ Film Franchise Getting TWO New Installments

Published

on

It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

Fede Alvarez Teases ‘Alien: Romulus’ With RC Facehugger

Published

on

Alien Romulus

Happy Alien Day! To celebrate director Fede Alvarez who is helming the latest sequel in the Alien franchise Alien: Romulus, got out his toy Facehugger in the SFX workshop. He posted his antics on Instagram with the following message:

“Playing with my favorite toy on set of #AlienRomulus last summer. RC Facehugger created by the amazing team from @wetaworkshop Happy #AlienDay everybody!”

To commemorate the 45th anniversary of Ridley Scott’s original Alien movie, April 26 2024 has been designated as Alien Day, with a re-release of the film hitting theaters for a limited time.

Alien: Romulus is the seventh film in the franchise and is currently in post-production with a scheduled theatrical release date of August 16, 2024.

In other news from the Alien universe, James Cameron has been pitching fans the boxed set of Aliens: Expanded a new documentary film, and a collection of merch associated with the movie with pre-sales ending on May 5.

'Civil War' Review: Is It Worth Watching?

Continue Reading

Movies

‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

Published

on

Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

'Civil War' Review: Is It Worth Watching?

Continue Reading