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Interview: Clancy Brown on ‘The Mortuary Collection’ and His Prolific Career

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The Mortuary Collection Clancy Brown

When describing the career of actor Clancy Brown, the best word to use is prolific. At the time of this writing, Brown has 298 acting credits to his name. As a voice actor, he’s provided his dulcet tones to a collection of iconic characters, from Mr. Krabs to Lex Luthor and everything in between (including Gargoyles, Mighty Ducks: The Animated Series, Rick and Morty, Star Wars: The Clone Wars, Mortal Kombat: Defenders of the Realm, and The Venture Bros). You’ll recognize Brown from The Shawshank Redemption, Starship Troopers, ER, and Billions, but for his role in The Mortuary Collection, it may take a moment to register his stoic face through all the prosthetic makeup. 

In The Mortuary Collection, Brown stars as Montgomery Dark, a mysterious and time-worn mortician who collects the stories of the recently deceased as they pass through his halls. When a young woman comes to his mortuary in search of a job, he accepts her challenge to tell a tale that will shock and awe, and what follows is a fabulous collection of storytelling shorts that come together as one cohesive anthology film. 

After reviewing the film for Fantasia Fest and interviewing writer/director Ryan Spindell, I was thrilled to have the opportunity to briefly speak with Brown about The Mortuary Collection and his epic career. 

Kelly McNeely: I understand you’ve been quoted saying, if it’s something that reaches out and grabs me, I want to do it. What grabbed you with The Mortuary Collection? What made you want to take on this project?

Clancy Brown: Oh, well, Ryan’s script, and then The Babysitter Murders. I got this script, and thought it was very good and very clever. And all the segments were strong, and the wraparound was really cool. And then I got to The Babysitter Murders segment and nothing was written, it just said, The Babysitter Murders and then went on to the conclusion of the framing story.

So I had to, you know, I liked it, but I had to find out what the joke of The Babysitter Murders was. And so I got the link for [the short film], and I watched The Babysitter Murders and just thoroughly enjoyed it. Clearly Ryan knew how to write, and after watching The Babysitter Murders, he had a really distinctive voice and a very clever sense of humor and storytelling techniques, and could obviously direct, edit, do all the things that he needs to do to be a filmmaker. And so at that point, it was like, as long as he’s not a jerk, and he doesn’t think I’m a jerk, let’s go do this. 

So we sat down, we met and talked and I really dug him from the get-go. And so we went and did it. And he’s a good man, he’s a real talent, and a great storyteller. And that’s the important thing in telling the story.

Kelly McNeely: Now, I was gonna ask as well, and you may have already answered this now with your previous comments, but you have a favorite segment in The Mortuary Collection?

Clancy Brown: I like them all. I think the one that I liked the most is Til Death Do You Part. I just think that it’s so sad. It was such a kind of a nightmare situation. There’s no winning that situation. And I thought Barak [Hardley] did such a great job acting it, and it was filmed so beautifully. And for goodness sake, it took place in an elevator. And it was funny, and it was horrific, and it was romantic, and it was heartbreaking, and it was sad, and it was — did I say funny? [laughs]. It had everything. Everything from A to Z was really good. 

Kelly McNeely: I love the visuals in the elevator, it’s just so beautifully shot. Now I understand that you were hospitalized after a reaction to prosthetics that you wore as Victor in The Bride, and you were sort of reluctant to wear them again for Highlander. Now, I’m guessing there was quite a bit of prosthetics or makeup that was involved for The Mortuary Collection, was there any sort of anxiety or hesitancy towards wearing those with what had happened previously?

Clancy Brown: Well, you know, back in The Bride and the Highlander days, that was a while ago, so they didn’t quite know everything they know now [laughs]. What happened on The Bride was that it wasn’t so much a skin reaction — I mean, I guess it’s the skin reaction anybody would have — but the glue that they used had ammonia in it that nobody knew about. So they would put in ammonia as an additive to latex when they take it out of the tree, I guess it keeps it from solidifying or something. And so they had ammonia in there, and they put it on my face and after too long, it just eats away at your skin like a diaper rash. 

But that was 25 years ago or something, and since then they’ve figured out how to do it much, much better, much quicker and much more efficiently and much safer, so it’s not a big deal now. It still takes too much time, but I didn’t really have any anxiety about it. I just had to do it. It had to be a good script, for me to do it [laughs].

Kelly McNeely: How long did the makeup take for that? 

Clancy Brown: That took about two hours to put on, and maybe an hour to take off. It gets a little quicker the more you do it, but not that much. I think probably the quickest we did it was two hours. And then it always takes too long to take off. But you got to do a lot. There’s a lot of cleanup you had to do before you got to go home.

But the makeup artist Mo Meinhart was just terrific. She did great work and took really good care of me, I can’t tell you how grateful I was to have somebody that conscientious and talented to do the makeup.

Kelly McNeely: And did you keep the teeth that you use in the film?

Clancy Brown: I did. I kept them. I snuck them out. They’re really creepy and weird, and my wife just think I’m not the man she married when I put those teeth in. She doesn’t understand why I hang on to stuff like that.

Kelly McNeely: Now you’ve had a very prolific career as a voice actor as well. And I understand some characters like Lex Luthor and Mr. Krabs you’ve obviously played for quite some time. Do you have a favorite character that you’ve returned to, that you just really really love doing the voice for?

Clancy Brown: I love doing both of those. I like doing Mr. Krabs and I like doing Lex very much. There was a thing called Heavy Gear. I think it was something like that? And the character I played in that, I can’t remember the name. It was a Sony project, there was some reason it didn’t air. I can’t remember why it didn’t air, too violent or something. 

Kelly McNeely: Now again, within voice acting, I understand you’ve done some for DC as well as for Marvel. Do you have — this is maybe a very loaded question — but do you have a preference between DC and Marvel?

Clancy Brown: When I was a kid, I preferred the Marvel characters. Mostly because I didn’t really appreciate the DC characters as much. As I’ve grown up, I like the DC characters a lot because they’re just so iconic. Marvel characters are more complex, I think, and there’s too many of them [laughs] there’s just too many of them. But I think there’s too many DC characters too. I don’t really think I have a preference of the worlds. I like both worlds. Marvel is more grounded in reality. And recently, there was Return to the Spider-Verse, I thought that was terrific. I thought that was just a wonderful realization of a new kind of Spider Man, a new kind of superhero. But then, I’m also getting a kick out of Pennyworth. I mean, that’s a cool sort of weird alternate universe DC mythology. I mean, they’re all cool, I’m not an expert enough to actually talk about it, but I enjoy them.

Kelly McNeely: Now you’ve had a very versatile career doing films like John Dies At the End — which by the way is my favorite book, so I was so happy that it got made into a movie…

Clancy Brown: What did you think of the movie?

Kelly McNeely: You know what, I love the movie, but the one thing that did disappoint me is they changed the name of the dog. I named my dog after the dog in the book, Molly, so when they changed it to Barklee I was like, agh, how could they? But I love what Don Coscarelli did with it. 

But, anyways, with films like John Dies at the End, Starship Troopers, Highlander, is there a role that will always stand out in your memory, or a role that you’ll always think back on with great fondness?

Clancy Brown: Oh, well, I mean, Montgomery Dark [The Mortuary Collection] for sure. You know, the first one that I did, Bad Boys, because that’s the first one. Buckaroo Banzai was a lot of fun. That kind of stands out, The Adventures of Buckaroo Banzai… certainly Shawshank stands out… you know, it’s probably much easier to ask me what roles have I forgotten, but then I couldn’t answer that question because I’ve forgotten them. But I’m sure there are ones that I’ve completely erased from my mind [laughs].

The Mortuary Collection is streaming now on Shudder. But if you collect physical media the way Montgomery Dark collects anecdotes from the afterlife, you’ll be happy to know that the film is seeing a Blu-ray release as of April 20th, 2021. You can read our review of the Blu-ray release here!

 

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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