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SXSW Review ‘The Feast’: Quiet, Dread-Inducing Folk Horror

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The Feast

The Feast, a Welsh-language horror film from director Lee Haven Jones and writer Roger Williams, took center stage at SXSW 2021 virtual edition this evening.

The film centers on a wealthy family preparing for a quiet dinner party at their modern, minimalist home in the Welsh countryside. The woman who normally helps the family for such gatherings is unavailable and sends her assistant Cadi (Annes Elwy) in her place. The young woman is unnaturally quiet and awkward from the first moment she arrives at the home, and as the evening progresses, it becomes clear she is much more than she seems to be.

The Feast exists in that sweet spot of folk horror where modernity forgets to respect the land and history of a region for the sake of wealth accumulation. Specifically here, there is an area of land the locals call the Rise. It is said that “she” sleeps there and to wake “her” from her slumber is to face her wrath.

In one of the most clever moves in Williams’s script, it is never explained exactly who or what this “she” is, leaving the audience to fill in the blanks for themselves. It adds a level of mystery to the piece, but also underscores the tale with an air of the ancient and powerful. In order to fully understand something, there must be a name. Denying us that, removes our power to defeat it.

The director assembled a talented cast for The Feast.

Julian Lewis Jones and Nia Roberts fill the roles of parents Gwyn and Glenda quite well. They are exactly what we expect them to be: polished, classy, and slightly out of touch with “common” things though Glenda, at least, admits to being raised on a farm.

Steffan Cennydd gives a believable performance as their son, Guto, who is trying and failing to overcome addiction. There is a palpable cloud of anger and rebellion around him at all times. He tests his parents and their rules constantly. They appear to put up with him because, despite his attitude and problems, he is by far the least troublesome of their sons.

That honor goes to Sion Alun Davies in the role of Gweirydd, a dangerous narcissist with the stare and behaviors of a predator.

Sadly, there is very little character development to be found here. They are all painted rather thin save for Glenda whose past is at least illuminated from time to time when she is skinning a rabbit for dinner or singing songs from her childhood.

This lack of development puts space between the film and its audience. We have very little reason to connect with them and thus we care very little when terrible things happen to them. It could be this was intentional. Williams could simply want us to believe that this wealthy family is nothing more than what we see from the outside and the cursory glimpses we get into their lives.

For her part, Elwy embodies Cadi well. She radiates an otherness in her silence and stillness that makes the moments when she actually speaks or suddenly becomes animated all the more powerful.

Where Williams wins, in my books, is telling this story in Welsh. It might sound strange to foreign ears at first, but watching and listening for an entire hour and a half underlines just how beautiful the language truly is.  There is a depth and warmth to its consonants and vowels that makes one thing of fantastical stories in beautiful landscapes which is ultimately what The Feast is.

With moments of body horror, revenge horror, folk horror, and more, there is something altogether fairy tale-like about the film. I’m not talking about the cleaned-up, Disney-fied versions of those tales. I’m talking about stories collected by Grimm and Perrault. Dark stories whispered to children by firelight to remind them of the importance of honoring the land and the spirits that inhabit it.

Mark my words, The Feast is a film that we’ll be hearing more about in the months to come as more audiences have the opportunity to take in this interesting film.

For more folk horror goodness from SXSW, check out our review of Woodlands Dark and Days Bewitched.

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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