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Extended Fear: 7 Horror Features that Began Life as Short Films

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short films

I love a good short horror film. It’s like reading a great short story. All the chills, thrills, and scares of a feature at less than a quarter of the time. Then there are those magic moments when, through the fear, you realize you’re seeing something that would make a fantastic feature film and wonder if it will ever happen.

Luckily for us, that’s exactly how some feature films are born. In fact, no few hits of the last five decades began their life as short films. The trick is finding the film that is more than a gimmick that can carry the feature length. With the breaking news of Mr. Thisforthat getting the feature treatment, I thought it was a good time to take a look at some of my favorites and share them with you!

Take a look below–where possible I’ve included links to the short films–and let us know which short films that became features are on your favorites list.

Short film title/Feature Film Title

The Sitter/When a Stranger Calls

When a Stranger Calls is almost synonymous with the urban legend of the babysitter tormented by phone calls late into the night only to discover they’re coming from inside the house. The feature made its debut in 1979 to mixed reviews with some critics panning it for its meandering plot.

Still, it set a benchmark for that particular type of film. Not since Black Christmas had strange phone calls felt so menacing.

What many people don’t know is that the movie began its life as a short film called The Sitter. It was made two years before the feature’s release in theaters, and is basically comprised of what would become the first 20 minutes of the feature. The film’s director, Fred Walton, after reportedly seeing Halloween and its success, decided to expand his film into something more.

Though the acting in the original short film leaves something to be desired, it still carries some of the trademark tension that Carol Kane would later take to a whole new level as the babysitter, Jill.

https://www.youtube.com/watch?v=–BSM6J6tGI

Lights Out/Lights Out

This, I think, was one of those shorts that feels like a one-trick pony. Don’t get me wrong, that trick is spectacular and I had no end of delight in making my friends watch it after I discovered David Sandberg’s short film Lights Out on YouTube.

Still, when a feature was announced, I was skeptical, and in some ways I was right. While they managed to create an interesting backstory, there were still elements that, for me, did not work in the feature.

Nothing that happened could take away the glory of that short film however.

Saw 0.5/Saw

When Leigh Whannell and James Wan were trying to get their first film off the ground, they decided the best way to sell Saw was to show Saw, not in its entirety, but in some way that would get the point across to studios what they intended to do.

So, they chose a short excerpt from their script and filmed it as a standalone proof-of-concept film. The scene involved the famed jaw trap aka the “reverse beartrap,” and as you know, it did its job very well. Saw was soon picked up and it debuted in October 2004.

I searched for an official link to the concept film. Sadly, it has only been uploaded to YouTube by channels who don’t actually own the rights to the material. Still, if you’ve seen that first film, you’ll remember the scene with Amanda and the famous trap. In the short film version, Whannell, who would star in the feature film, is the one who wakes up to find himself at Jigsaw’s mercy.

Mama/Mama

Siblings Andy and Barbara Muschietti have become quite the pair in horror circles in recent years, but some won’t remember they were responsible for one of the creepiest supernatural/ghost films of the early 2010s. It was called Mama, and it was based on a short film they’d previously produced by the same name.

Comprised of basically one scene, the short film was absolutely terrifying. and gave us a glimpse of what was to come in the feature. The tension is real in just under three minutes as two little girls do their very best to hide from Mama.

Take a look at the short with an introduction by the film’s producer Guillermo Del Toro.

Monster/The Babadook

Jennifer Kent’s short film Monster was made almost a decade before The Babadook was released, yet some of the elements of the latter film are most definitely there. The beginning of the creature design, the mother/son relationship, and even a creepy pop-up book all make appearances in a short film Kent has come to call “Baby Babadook” in the years since its release.

That original short is most definitely worth a watch and the if you haven’t seen The Babadook, I just don’t know what to tell you except, “Do it! Now. Watch that movie.”

This is a perfect example, however, of how a concept can grow, evolve, and elevate given time.

Oculus Chapter 3: The Man with the Plan/Oculus

Before it made its way to the big screen as Oculus, Mike Flanagan’s film about an evil/haunted mirror and its most basic concepts were presented in the half-hour long short film titled Oculus Chapter 3: The Man with the Plan.

The short beautifully told the story of a man and a mirror without a lot of bells and whistles in a way that was still bone-chilling in its simplicity.

It’s one that I’ve watched numerous times. I love even the lack of color for the most part in the film. It’s so starkly “real” looking from start to finish and it’s no wonder that it was picked up for expansion.

Season’s Greetings/Trick ‘R Treat

A decade before Trick ‘R Treat, the ultimate Halloween anthology film was released, writer/director Michael Dougherty crafted an animated short film that introduced the world to Sam, the masked trick or treater who is far more dangerous than he looks.

Season’s Greetings is a gorgeous film with amazing hand-drawn and colored animation and a soundscape that evokes a spooky Halloween night perfectly.

Of course, Sam is only one part of Trick ‘R Treat, but it is very cool to see where he started.

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‘The Carpenter’s Son’: New Horror Film About The Childhood Of Jesus Starring Nicolas Cage

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This is one unexpected and unique horror film that will cause controversy. According to Deadline, a new horror film titled The Carpenter’s Son will be directed by Lotfy Nathan and star Nicolas Cage as the carpenter. It is set to start filming this summer; no official release date has been given. Check out the official synopsis and more about the film below.

Nicolas Cage in Longlegs (2024)

The film’s synopsis states: “The Carpenter’s Son tells the dark story of a family hiding out in Roman Egypt. The son, known only as ‘the Boy’, is driven to doubt by another mysterious child and rebels against his guardian, the Carpenter, revealing inherent powers and a fate beyond his comprehension. As he exercises his own power, the Boy and his family become the target of horrors, natural and divine.”

The movie is directed by Lotfy Nathan. Julie Viez is producing under the Cinenovo banner with Alex Hughes and Riccardo Maddalosso at Spacemaker and Cage on behalf of Saturn Films.  It stars Nicolas Cage as the carpenter, FKA Twigs as the mother, young Noah Jupe as the boy, and Souheila Yacoub in an unknown role.

FKA Twigs in The Crow (2024)

The story is inspired by the apocryphal Infancy Gospel of Thomas which dates to the 2nd century AD and recounts the childhood of Jesus. The author is thought to be Judas Thomas aka “Thomas the Israelite” who wrote these teachings. These teachings are regarded as inauthentic and heretical by Christian Scholars and are not followed in the New Testament.

Noah Jupe in A Quite Place: Part 2 (2020)
Souheila Yacoub in Dune: Part 2 (2024)

This horror film was unexpected and will cause tons of controversy. Are you excited about this new film, and do you think it will do well at the box office? Let us know in the comments below. Also, check out the latest trailer for Longlegs starring Nicolas Cage below.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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