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Review: ‘His House’ Explores the Horror of the Refugee Crisis

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His House

Horror fans know that most horror movies recycle tropes constantly, so it’s really a nice surprise when a movie brings something new and interesting to the genre. This was my experience watching Netflix’s new horror film His House as the debut feature of Remi Weekes.

As the title suggests, this is a haunted house movie, but it doesn’t play out like you’d expect. Bol, played by Sope Dirisu (The Huntsman: Winter’s War) and Rial, played by Wunmi Mosaku (Lovecraft County, Fantastic Beasts and Where to Find Them) are a couple escaping the civil war of South Sudan to seek refuge in Britain. While traveling in a small, overcrowded boat across the ocean, the couple lose their daughter in the middle of a storm. After this, follows an exploration of grief from losing their daughter as well as their home, similar to films like Hereditary, but still distinct in style.

The film starts out with the couple in a detention center in Britain for three months, not knowing if the country will allow them to stay or send them back to their deaths. Luckily, the board overseeing them allows the couple to stay in a rundown house where they have little to no freedoms. They are assigned a case worker, Matt Smith (Doctor Who, Pride and Prejudice and Zombies), who, while trying to help them, mostly stands as a threat that at any moment, if they step out of line, they can be kicked out of the country.

This lack of freedom and constant threat of being returned to Sudan, along with grieving over their daughter is the start of the horror of this story. Bol starts being haunted by the memory of his daughter, which he thinks is a ghost but Rial has a more intricate reading of it. Rial warns Bol that he may have summoned an Apeth, a night witch that lives in the houses of thieves, although we don’t find out until later what exactly that means.

His House Netflix

This film has similar beats to other scary haunted house movies, so the scares start with the feeling that something is “off” about the house and some ghost encounters that haunt Bol. The ghostly visits are one aspect where this movie excels, as the Apeth, which first takes on the appearance of the couple’s daughter, is designed not supernaturally, but with the daughter dressed up in Sudanese clothes and wearing a horrifying African mask. The effect is both new and surprisingly scary.

The look of the film is excellent, often using deep, warm colors that contrast with the coldness of Britain. The house is horrific in many ways, but the production design that went into the house is impressively disgusting with slabs of the wallpaper falling off moldy walls as the characters watch it, and moldy food, trash, and bugs everywhere. This movie is not for clean freaks.

The film effectively weaves the horrors of the refugee crisis with a more traditional horror movie story, and does not simply use the situation to move along the plot. The couple’s story unfolds revealing levels of grief that affect them over time from their horrifying time staying at the detention center to their time living in a war zone seeing their friends and family killed as well as the guilt about the people they left behind.

This leads to tension between Bol and Rial. HIs solution is to completely forget about their old life, move on and assimilate into British life, while she wants to honor their heritage and work through their trauma together.

The film also deals with the horror of “being in a place where you don’t belong.” While the couple is thankful that they are away from the war, they have a litany of problems rising from their refugee status including neighbors threatening them and the fear that their case worker will throw them out because of the haunting and for not “being one of the good ones,” which is repeated to the couple multiple times throughout the film.

The acting between the two main characters, Dirisu and Mosaku, is both deep and affecting. Their love for each other can always be felt, even when they are also irritated with each other.  They also accurately depict their shared trauma, grieving in different ways, from denial to catatonia.

I have absolutely no complaints about this movie. It will appeal to those who just want a spooky haunted house film and those looking for something a bit deeper and more focused on human grief. Overall, His House is an effectively scary tale of feeling like you don’t belong in the place you live with a sense of uniqueness to it.  It will be exciting to see where Weekes goes next as a director. Check out the trailer below!

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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