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Stuck On VHS: The Book Your Nostalgic Heart Needs

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When I was growing up, there was so much more to visiting our local mom & pop video store beyond renting movies. Those cavernous repositories of cinematic wonders were often chock full of sensory stimulators. In a matter of moments, one might hear the clinking of quarters being dropped into the Teenage Mutant Ninja Turtles arcade game in the corner or smell the freshly popped popcorn which sat next to the counter by the register in an old-fashioned kettle popcorn trolley.

There was also the signage. Each aisle would have a unique, handwritten sign for the various film genres in it: the comedy aisle would usually have a drawing of those chattering teeth—you know, those novelty toy teeth that you could wind up and annoy your friends with–and you could almost always count on the horror section having the word “H-O-R-R-O-R” written alongside drawings of skeletons, Jack-o-lanterns, and vampires. Blood dripping off the lettering was a plus.

 

And then there were the stickers. Lots and lots of stickers.

By stickers, I’m not talking about the kind you might have traded with your kiddie friends at summer camp. No, I’m talking about movie store stickers—the kind that littered video stores and the myriad tapes they rented and sold to media hungry customers, like the author of this article. Video store stickers, like the ones warning you to rewind your tape (or else!) and those highlighting a particular tape that might be too scary for people under 18 years of age, were integral parts of the video rental ecosystem.

Stickers applied to the VHS box art (or the tape itself) was also a way for that establishment to mark its inventory. These stickers were important for communicating all kinds of information to the renter or seller and served as another colorful way of curating movie collections. Peanut butter is to jelly what stickers are to VHS tapes.

Which brings me to Stuck On VHS: A Visual History of Video Store Stickers, a glorious new book by Josh Schafer, VHS enthusiast, collector, and advocate, and designer, Jacky Lawrence. Through Josh’s LunchmeatVHS brand, he’s been an important fixture in the larger VHS community for years, so, it can hardly be a surprise that he channeled his passion into a book that is less an oral history of VHS as it is a historical touchstone documenting VHS ephemera.

These VHS stickers are tiny portals into a bygone era. But this book isn’t just quirk for quirks sake. Rather, Stuck On VHS is an important, visual time capsule that seeks to remind (or educate for first-timers) readers that ephemera from the golden years of VHS is important and can tell us a lot about those communities. These stickers—each one of them—has a story to tell. Thanks to Schafer and Stuck On VHS, those stories are now being told.

 

I caught up with Josh Schafer recently to find out a little bit more about the genesis of this project. Here’s what he had to say: “These stickers were something that we didn’t see getting a ton of attention, but really just capture so much history, aesthetic, and culture from the video era. We wanted to create a document and curation that took you right back to being between those video store aisles; these stickers, however small or ephemeral, really help illustrate and define that time and expand the scope and rear view of that era.

They have a life all their own, and we wanted to preserve that inherent element of video store culture for people to revisit and enjoy – and hopefully, inspire them to take a closer look at those little stickers that live on all those former rentals.”

 

To be honest, I love all the stickers in this book, though I do have my favorites: the handwritten labels like the one that reads, “Mac + Me #2” presumably referring to their 2nd copy of the film in stock and those iconic green horror stickers we all remember (with my favorite being a green sticker from a copy of CREEPSHOW which sported a chubby vampire wearing glasses).

Then, of course, there are the individual video store stickers themselves, with some truly fantastic names like Ganges Video Ranch, Savage Video, Pick-A-Flick Video, and DJ’s Video & Snacks. There’s no shortage of interesting and rare videotape ephemera to marvel over on each and every page of this book. Trust me.

 

So, what are you doing reading this article? Go grab a copy of Stuck On VHS before they sell out again! Published by Birth.Movies.Death.. Hard Cover, 160 pages (plus three sticker pages). Available Here

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Morticia & Wednesday Addams Join Monster High Skullector Series

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Believe it or not, Mattel’s Monster High doll brand has an immense following with both young and not-so-young collectors. 

In that same vein, the fan base for The Addams Family is also very large. Now, the two are collaborating to create a line of collectible dolls that celebrate both worlds and what they have created is a combination of fashion dolls and goth fantasy. Forget Barbie, these ladies know who they are.

The dolls are based on Morticia and Wednesday Addams from the 2019 Addams Family animated movie. 

As with any niche collectibles these aren’t cheap they bring with them a $90 price tag, but it’s an investment as a lot of these toys become more valuable over time. 

“There goes the neighborhood. Meet the Addams Family’s ghoulishly glamorous mother-daughter duo with a Monster High twist. Inspired by the animated movie and clad in spiderweb lace and skull prints, the Morticia and Wednesday Addams Skullector doll two-pack makes for a gift that’s so macabre, it’s downright pathological.”

If you want to pre-purchase this set check out The Monster High website.

Wednesday Addams Skullector doll
Wednesday Addams Skullector doll
Footwear for Wednesday Addams Skullector doll
Morticia Addams Skullector doll
Morticia Addams doll shoes
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1994’s ‘The Crow’ Coming Back to Theaters for A New Special Engagement

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The Crow

Cinemark recently announced that they will be bringing The Crow back from the dead once again. This announcement comes just in time for the film’s 30th anniversary. Cinemark will be playing The Crow in select theaters on May 29th and 30th.

For those unaware, The Crow is a fantastic film based on the gritty graphic novel by James O’Barr. Widely considered one of the best films of the 90s, The Crow’s lifespan was cut short when Brandon Lee died of an accidental on set shooting.

The official synapsis of the film is as follows. “The modern-gothic original that entranced audiences and critics alike, The Crow tells the tale of a young musician brutally murdered alongside his beloved fiancée, only to be risen from the grave by a mysterious crow. Seeking revenge, he battles a criminal underground that must answer for its crimes. Adapted from the comic book saga of the same name, this action-packed thriller from director Alex Proyas (Dark City) features hypnotic style, dazzling visuals, and a soulful performance by the late Brandon Lee.”

The Crow

The timing of this release couldn’t be better. As a new generation of fans eagerly awaits the release of The Crow remake, they can now see the classic film in all of its glory. As much as we love Bill Skarsgard (IT), there is something timeless in Brandon Lee’s performance in the film.

This theatrical release is part of the Scream Greats series. This is a collaboration between Paramount Scares and Fangoria to bring audiences some of the best classic horror films. So far, they are doing a fantastic job.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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Hugh Jackman & Jodie Comer Team Up for a New Dark Robin Hood Adaptation

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A report from Deadline details director Michal Sarnoski’s (A Quiet Place: Day One) newest project, The Death of Robin Hood. The film is set to feature Hugh Jackman (Logan) and Jodie Comer (The End We Start From).

Michael Sarnoski will write and direct the new Robin Hood adaptation. Jackman will be reunited with Aaron Ryder (The Prestige), who is producing the film. The Death of Robin Hood is expected to be a hot item at the upcoming Cannes film market.

Hugh Jackman, The Death of Robin Hood
Hugh Jackman

Deadline describes the films as the following. “The film is a darker reimagining of the classic Robin Hood tale. Set of its time, the film will see the title character grappling with his past after a life of crime and murder, a battleworn loner who finds himself gravely injured and in the hands of a mysterious woman, who offers him a chance at salvation.”

Lyrical Media will be financing the film. Alexander Black will produce the film alongside Ryder and Andrew Sweet. Black gave Deadline the following information about the project. “We are thrilled to be part of this very special project and to be working with a visionary director in Michael, a phenomenal cast in Hugh and Jodie, and producing with our frequent collaborators, Ryder and Swett at RPC.”

“This is not the story of Robin Hood we’ve all come to know,” Ryder and Swett stated to Deadline “Instead, Michael has crafted something far more grounded and visceral. Thanks to Alexander Black and our friends at Lyrical along with Rama and Michael, the world is going to love seeing Hugh and Jodie together in this epic.”

Jodie Comer

Sarnoski seems to be excited by the project as well. He offered Deadline the following information about the film.

“It has been an incredible opportunity to reinvent and freshly innovate the story we all know of Robin Hood. Securing the perfect cast to transform the script to screen was essential. I could not be more thrilled and trusting in Hugh and Jodie to bring this story to life in a powerful and meaningful way.”

We are still a long way away from seeing this Robin Hood tale. Production is expected to begin in February of 2025. However, it does sound like it will be a fun entry into the Robin Hood canon.

That’s all the information we have at this time.

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