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‘Butt Boy’ Might Be The Craziest Movie Since ‘The Human Centipede’

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For those of you who have clicked on this article because you’re interested in what a movie titled “Butt Boy” could possibly be about, believe it or not, this isn’t clickbait.

The film is currently in a festival holding pattern and we could try to describe it, but we won’t. We’ll leave that to director Tyler Cornack in a syndicated press interview.

Director Tyler Cornack

Is it true that BUTT BOY started life as a sketch on your Tiny Cinema comedy channel?

Yes, it started out as a very simple sketch about a man who goes to the doctor to get a prostate exam, and begins to get addicted to the feeling. It was always one of our favorite sketches because we found an interesting horror-esque tone. We also realized eluding objects with just a blank stare is just a joke where the punchline can grow through visuals. The first twelve minutes of the film is a very similar rhythm and tone to the original sketch.

For those who have yet to see it, how would you describe the film?

I understood from the beginning of writing the screenplay with Ryan that the movie was going to be very hard to explain to people. But I feel that I am getting better at it. Here goes nothing:

It’s a classic cat and mouse thriller but centered around a joke. The entire film takes one little joke and then plays it as straight as an arrow. It never apologizes or backs out of the bit.  A man is stuck in a redundant and stale lifestyle, he goes to get a rectal exam and his whole life changes. He becomes addicted to putting things up his butt. Objects turn into animals, and animals turn into children, children turn into adults. As the things get bigger his Butt gets stronger. A detective who is also dealing with his own addiction comes along and begins to put the pieces together.  It’s sort of our weird messed up version of a comic book movie. A Fincher- esque cat and mouse game, with a little Pinch of Butt

You play the title role of the Chip, who takes anal retentivenessto a whole new level. Was that a tough decision to make, given the challenges you faced?

 I acted in the original comedy sketch so I think it was organic for us to write it around that. I don’t love acting nearly as much as directing. However, I really enjoy making people laugh and the choice came very organically. To be honest I barely remember acting in the film. I was thinking so much about the edit in my head and getting everything right logistically. I think it actually worked well though because he’s sort of this guy stuck in his own head.  I don’t think I will ever write a large role for myself ever again, but I’m really glad I got to do it in this movie.

The tone of the film is very interesting.  The central premise feels like a playful joke but everyone plays it dead straight. How did you achieve that fine balance between satire and gritty realism?

As I said before, the original sketch really made tone easy to build upon. But we wanted to make something new that you haven’t seen. Something you will walk away from and kind of be like what the hell did I just experience?  But also have pulpy movie tropes and homages you have seen before. As far as the balance goes  with the comedy, we cut many scenes out because they felt too funny. It took you out of the story. I always say it’s like the opposite of “Airplane”. In Airplane the characters are in a very serious situation of a plane going down but the movie is filled with jokes. In Butt Boy, the situation is the joke, but it’s played very seriously. It’s like listening to a good Norm Macdonald joke, and I truly think we deliver with the punch line in the end.

Tyler Rice is magnificent as the investigating police officer. How did you cast him?

He is one of my favorite actors in Los Angeles. Since the moment I met him I have been trying to write things for him. We met years ago when I was casting for a short film. He’s a pretty serious actor that I love to see in comedy stuff. It cracks me up how into it he gets if that makes sense? I love seeing him on screen. He’s got one of those faces that belongs in movies. He’s a super hard worker and puts 110 percent into everything he does, and what director wouldn’t want that from an actor?

Addiction is at the heart of the story. Were there any real-like experiences that you drew upon?

Not to sound like a pretentious nightmare, but I think we all have addictions. Luckily, I personally haven’t had any that are toxic enough to ruin my life. But I have had and continue to have people in my life that struggle with substance and stuff. You take things from personal experience and from others around you I think

Where did you shoot the ‘Colon Cave’ and why did you decide to go down a fantastical route?

 We shot that over near Beachwood Canyon at the Bronson Bat Caves. I spent years hiking and brain storming up there. It was the cave from the old Batman series with Adam West. Shooting there was the most grueling but by far my favorite part of the shoot. It was 115 degrees in the dead of summer. We would shoot until five am. All the sweat you see is real. It was super intense and exhausting but I think it was the best time of my life. It felt so magical to me. We knew from the beginning we had to take it there in the story. It’s a slow build into this huge thing. I always love third acts that take it there… 

Were you ever tempted, or put under pressure to change the title?

 Many people definitely told us too, but it was always the kind of people that love to hear the sound of their own voice. They give opinions based on zero experience or fear of something being different or out they’re comfort zone.  It’s been nothing but good for us so far and has created nothing but attention and discussion for the film. We love it. 

What do you hope audiences will take away from the film – apart from inspiration for some new Butt jokes!

 We hope that people walk away feeling that they saw something that they have never seen before. We never set out to make something predictable. We wanted to hit new territory and we hope viewers can see that. We want people to think it’s ridiculous because it is. We want you to laugh, and enjoy our little weird ride.

 Finally, what’s next for you?

 I am currently finishing up two more screenplays and we are about to shoot a TV pilot based on our comedy channel ‘Tiny Cinema’ on Instagram. It’s sort of little extensions of what we did with the movie but with different jokes.

BUTT BOY is showing at the Glasgow Film Theatre on Saturday 7 March, 6.30 pm, as part of Arrow Video FrightFest Glasgow 2020

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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News

Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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