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REVIEW: ‘Lucifer’ Debuts Its New Season on Netflix and It’s Devilishly Good

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Lucifer

Lucifer fans can rest easy. Season four of the popular show is finally available on Netflix!

There was an uncanny and almost primal scream heard across the internet last year when Fox announced that the show was ending, mostly due to the jaw-dropping cliffhanger at the end of season three.

Within hours #SaveLucifer was sweeping across social media and for once, the fans were heard. Netflix cut a deal with Fox and announced that the new season would be in production as soon as they could make it happen.

Fans were elated and began the patient wait to see what would happen next. The biggest question on everyone’s mind: Would it still be the same show we had all come to love?

Well, not only is the show back, making its season four debut on Netflix this week, but the spark of what made the show a fan favorite is still very much intact.

As the show closed out the third season, Detective Chloe Decker (Lauren German) finally saw for herself that Lucifer (Tom Ellis) had been telling the truth all along. He was, in fact, the Devil!

As the new season opens, she returns after a long vacation, and on the surface, she appears to want to get back to business as usual, but there’s a part of her that still wonders if Lucifer can actually be trusted.

This creates a fascinating arc through the season for Chloe as she tries to align her romantic feelings for Lucifer while struggling with the moral implications of knowing that the Devil, angels, and a whole host of other celestial beings are real.

Lucifer, meanwhile, finds himself once again torn between who the world believes him to be and who he wants to be. Tom Ellis brings so much to this role, and it’s so good to see him digging even deeper into the psych of the King of Hell.

Lucifer and Chloe

Fortunately or unfortunately for both of them, they’re in good company. It seems that the entire cast of characters is having a crisis of identity this season.

Fan favorite, Ella (Aimee Garcia), a devout believer is in the midst of a crisis of faith; Dan aka Detective Douche (Kevin Alejandro) is wondering if he can trust himself. Lucifer’s angelic brother Amenadiel (D.B. Woodside) is looking for a real and lasting home, and even demonic torturer turned bounty-hunter Mazikeen (Lesley-Ann Brandt) finds herself in search of something more meaningful.

Tying them all together is their favorite therapist Linda (Rachael Martin), but even she can’t escape the existential crises of this particular season.

All of this internal conflict makes for great television, and the entire writer’s room should be congratulated for creating intricate puzzles for each character to solve.

Moreover, all of this conflict gives the cast, who after four seasons are fully immersed in these roles, new and interesting paths to walk, which they do admirably.

As with previous seasons, the crew once again finds themselves with a Biblical character in their midst. In season three, it was Cain, the first murderer condemned to walk the earth for all eternity to pay for his crimes.

This season, they’re joined by Eve. Yes, that Eve.

Lucifer Eve

Inbar Lavi as Eve on Lucifer Season Four (Photo via IMDb)

Played by Israeli actress Inbar Lavi (The Last Witch Hunter) , it turns out Eve was seriously bored with Adam after thousands of years in Heaven together, so she hatches a plan and comes down to earth to rejoin Lucifer, the only “man” who ever made her feel special.

Again, the writers should seriously be congratulated here.

Eve could have simply been a foil for Chloe and Lucifer’s relationship. Instead, not only does she fill that role, but she also becomes a focal point in the theme of identity for the season.

Eve was created by God to be a wife, nothing more and nothing less. She doesn’t know how to be anything other than what her significant other wants her to be, and watching her come to terms with that is particularly satisfying, even when she’s at her most annoyingly clingy.

The most rewarding part of this season for fans, however, is that tonally the show stays true to what it was before the move, and in some ways, it becomes an even better version of itself.

There is, after all, a certain freedom that comes from escaping the confines of network censorship and FCC regulations, and while the showrunners embrace that freedom allowing the Devil to stretch his wings, they never push it to the point where Lucifer becomes something it’s not.

Moreover, with only ten episodes versus the usual network order of 22, the story becomes more concentrated with events moving at a quicker, more satisfying pace.

All ten of those brand new episodes as well as the first three seasons are now streaming on Netflix. It’s the perfect set up for fans of Lucifer, old and new!

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Mike Flanagan In Talks to Direct New Exorcist Movie for Blumhouse

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Mike Flanagan (The Haunting of Hill House) is a national treasure that must be protected at all costs. Not only has he created some of the best horror series to ever exist, but he also managed to make a Ouija Board movie genuinely terrifying.

A report from Deadline yesterday indicates that we may be seeing even more from this legendary storysmith. According to Deadline sources, Flanagan is in talks with Blumhouse and Universal Pictures to direct the next Exorcist film. However, Universal Pictures and Blumhouse have declined to comment on this collaboration at this time.

Mike Flanagan
Mike Flanagan

This change comes after The Exorcist: Believer failed to meet Blumhouse’s expectations. Initially, David Gordon Green (Halloween)was hired to create three Exorcist films for the production company, but he has left the project to focus on his production of The Nutcrackers.

If the deal goes through, Flanagan will take over the franchise. Looking at his track record, this could be the right move for the Exorcist franchise. Flanagan consistently delivers amazing horror media that leave audiences clamoring for more.

It would also be perfect timing for Flanagan, as he just wrapped up filming the Stephen King adaptation, The Life of Chuck. This isn’t the first time he has worked on a King product. Flanagan also adapted Doctor Strange and Gerald’s Game.

He has also created some amazing Netflix originals. These include The Haunting of Hill House, The Haunting of Bly Manor, The Midnight Club, and most recently, The Fall of the House of Usher.

If Flanagan does take over, I think the Exorcist franchise will be in good hands.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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