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A Return To 112 Ocean Avenue – An Interview With Diane Franklin.

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Returning to 112 Ocean Avenue I am sure was a dream for Diane Franklin but one that most never thought would come true. Interesting enough for those of you that are not aware, Diane played the eldest daughter in Amityville II: The Possession and now she plays the mother character (Louise DeFeo) in this new film, The Amityville Murders.

I was recently granted the opportunity speak to Diane about her role as Louise Defeo, which she does a remarkable job I must add, bringing her own taste to the character on how she believed Louise lived her life right before she met her demise on November 13th, 1974. This role is not only the most important role for Diane herself but her fans will also realize how important and instrumental Diane is to Amityville. I still cannot express how privileged I am to have had the opportunity to speak with her.

The Amityville Murders is now in theaters and available on VOD Streaming platforms.

Diane Franklin at the Red Carpet Premiere
 of The Amityville Murdersat the Screamfest film festival – October 2018.

Diane Franklin Interview

Ryan T. Cusick: Hi Diane.

Diane Franklin: Hi Ryan, how are you?

RTC: I’m good, how are you doing today?

DF: I am doing great, it has been a busy day.

RTC: Thank you so much for taking time out of your day to speak with me. This is really a treat.

DF: Aww, thank you. Do you know any of the stuff I have done?

RTC: Umm.. yes. But Amityville II is the top of the list.

DF: Well you know who else loves it? Quinton Tarantino. He is a big fan of that film. This is a very cool story, I have a cool story to tell you. Quinton Tarantino has a theatre called the Beverly… ummm…ummm…oh gosh, the Beverly, oh how could my mind escape me? Well he has a theatre and basic what happened was that he played Amityville II at the theatre and I went to do a Q&A and Daniel Farrands came in and saw the film. He was the writer and director of The Amityville Murders, that’s how we got the idea of having me perform in the movie. I didn’t know, I found out later, isn’t that amazing? Quinton was a fan and I was like “oh my goodness.”

RTC: Wow, yes that is amazing! Who made the decision to bring Burt Young back?

DF: Here is the great thing. We are starting to cast so I was probably the second person, they cast John Robinson who did an amazing job on the film, first. They were casting down the line and when they came to the grandparents it was a little later. Originally I didn’t say anything but the production company Skyline and Daniel came to me and said “what about Burt?” I said, “that is wonderful, I would love that!” I also suggested to get Rutanya [Alda] also who would have love to have done it but there was a complicated group of things and unfortunately couldn’t do it. I think that they couldn’t get her and she couldn’t do it, they couldn’t bring her. But we did get Burt and then we got Lainie [Kazan]. But oh my goodness, let me just tell you something. Have you seen the film?

From Left To Right – Steve Trzaska, Diane Franklin, for the Q&A for ‘The Amityville Murders’ at the Screamfest film festival – October 2018. Photo – Ryan T. Cusick of ihorror.com

RTC: Yes I did, I was very fortunate I got to see it at ScreamFest.

DF: Oh, nice. So that moment with Burt and I, it is so real, so heartfelt. And I am just so glad that I got it on screen because there is such a love for each other in the film like remembering the old times and I am just really grateful that was a really nice thing for them to want Burt to come in.

RTC: And then to have that birthday scene all over again and having the roles reversed was just amazing.

DF: [Excitingly] Yesss! Right? That was crazy having the birthday scene again. I am so glad that you said this, I am not sure if the audience knows this but for me to play the daughter Patricia Montelli which is essentially Dawn Defeo just the name was changed I guess for legal reasons, whatever. It really was the same story and for me to experience that from a daughter perspective and then a mother’s perspective was mind blowing. It was such a wonderful…you know, it was just crazy.

RTC: What a wonderful opportunity, amazing.

DF: I don’t really think that any other actress has done that, play the mother and then the daughter in the same story. I don’t think that’s ever happened.

RTC: This part was just made for you. I could tell watching you that this is the best work I have seen you in, I mean…I know it meant a lot to you.

DF: Yes, and thank you so much! I really think that it is worth people seeing. First off just being so happy to do it. A lot of times when an actor gets hired it is like, “okay now I am playing the mom” and your sort of filling in a hole and maybe adults don’t get some good juicy roles but I was very into it, I think the audience are going to be happy about it. For people now to see Amityville II and then see this, I think that they are going to be really happy.

From Left To Right – Steve Trzaska, Diane Franklin, Lucas Jarach, Daniel Farrands, at the Q&A for ‘The Amityville Murders’ at the Screamfest film festival – October 2018. Photo – Ryan T. Cusick of ihorror.com

RTC: Hopefully it makes people go back and revisit that movie or see it for the first time.

DF: Yeah. I want to say what is very interesting for me is that I teach kids and I was thinking, let’s say kids are older, teenagers they can watch the Amityville movie, they can watch them both. They can watch the one that just came out because it is not as graphic and I am happy about that because they can see my work and that is real nice. You can act as an older actress and to me that was one of the greatest things as well, I started so young, I started acting at ten years old. One of my dreams was that I love this career because you can act until you’re eighty, you an act your whole life. This is one of the thoughts I had, “oh this is great to be a role model for women to act in good juicy roles as you get older.”

RTC: What a great example of this, The Amityville Murders, you have come in for a complete circle.

DF: You know I will say another thing too. What is interesting is that I decided that I wanted to do horror and it is because I said to myself, “where are the good roles for women? Where are the juicy big parts?” Horror, that’s where those dramatic roles are. I went to horror to be able to do drama and it just fell into my lap, I just opened my mind to it and there it was, very interesting.

RTC: Yeah, and they go hand-in-hand. Did you find any challenges playing Louise DeFeo?

DF: Umm, yes. Well first of all it is sooo interesting that you say, “the role was fit for me” because when I got the script in the description it said “a big Italian mama” and I am like “oh my gosh I am not that person”, I mean that is not me physically, I am not tall, I am not big, how am I going to play this? When I went to the audition I had to say to myself, don’t…I mean in my head I was like I am not what they are looking for. Like in the back of my mind I thought, this is my one chance to be this character so I have to let that go and I’m just going to be it in the room and because of that I gave the best audition of my life. And it was. They clapped, everyone in that room – the casting director, the producers, the director, Daniel the director, he stood up and hugged me for a minute even crying saying, “you are my Louise, you are my Louise.” Oh, and I was crying – it was intense. So, I think what is exciting is when you’re an actress you can have those magic moments, it is just a question of how much you give in the room, you gotta give in the room. And you have to be right for the part, again here I am and I did not think I was right for the part and that was even more surprising. [Laughs]

RTC: I mean the way they did you up, especially with the hair, it looks a lot like her – if you look at the portrait.

Diane Franklin as Louise DeFeo in the ͞THE AMITYVILLE MURDERS͟ a horror film by Skyline Entertainment. Photo courtesy of Skyline Entertainment.

DF: [Excitingly] Yeah, that was another thing too I looked at it and I thought, “do I look like this woman?” There’s that great portrait of Louise Defeo and I really tried to get into the emotion where she was caring about her kids, I mean she was a well todo woman from Long Island. She had nice clothes, good nice jewelry, she was one of those people that I think being respectable, was very important to her. I at least played as if she loved her kids because I think to a certain extent…I mean she tried to keep that family together. I think in portraying her role I tried to embody her not with just looks but with emotion, where she was at in her head. I also did hear something quite interesting someone once said to me, a fan actually that Louise is actually related to Lady GaGa, which I thought was interesting.

RTC: Really?

DF: Distantly, there is some sort of connection which I thought was amazing. I found this out later but I was like that is even more interesting that this incident that happened in Long Island, in Amityville, has sooo much effect on the world in ways we don’t know.

RTC: And what a small world it is. Wow, very interesting.

DF: This story…that’s another thing. These people, you go to see movies that is one thing for entertainment and then there are movies that are like this – so rich and so deep in story, in acting, in the people who are in it and there is just so much of a nice background about this and everything comes from a place of love. The director loved the script and he worked so hard on it, it was the first film he directed and has so much respect for the entire family. He just took it to heart, Daniel Farrands.

RTC: And he knows so much about it. When I talked to him yesterday you’re the Wikipedia of Amityville.

DF: Yeah, he did the documentaries. Out of all the Amityville he’s the one that would know more than anything. I was just so excited to be a part of it – in full. Before I did this Amityville. I found out that originally Jennifer Jason Leigh did an Amityville and I knew someone that did sound on that and they said, “oh, I just did an Amityville with Jennifer Jason Leigh.” And that was years ago and I went, [sadly] ohhhhh, why didn’t they call me?”

Both: [Giggle]

DF: [Sadly] “oh they should have called I’m around the same age.” [Laughs] I remember thinking, “oh, oh well it is not going to happen.” It is so funny, years later that I play Louise.”

Diane Franklin as Louise DeFeo in the ͞THE AMITYVILLE MURDERS͟ a horror film by Skyline Entertainment. Photo courtesy of Skyline Entertainment

RTC: If Dan had another project lined up later on would you be interested in being a part of it?

DF: Oh my goodness, yes. I also love how he directs. I get so connected. He is, like, he is..I am trying to find the right words. He’s got a vision, he is very specific, and he is clear about his directing. His idea and vision I trust and I love how accurate…he wants everything to be just right and i love that in a director and we worked really well together. If he needs something I can bring it, you know…it was really really great. I would love to.

RTC: While during filming were there any spooky moments that you experienced or anything funny that happened on set?

DF: Yesss. Yesss, horrible, a really creepy thing happened. I am sitting at lunch under a tarp and as I am eating all of a sudden a handful of these pods come from out of the sky, which I don’t even know how they got in because we are covered, it is Craft Services you’re covered, and they fall into my lap. Out of these pods come these bright green beetles and they are crawling over me and they and it was disgusting and I am sitting there in my costume going, “what is going on here?” By the way this has never happened and a whole bunch of them. And these beetles come out of the pod and slide off like slow motion. I can’t even begin…like the size of walnuts. This is creepy and just one of the things. It was the most creepy thing to me because of the bugs and the whole Amityville thing.

RTC: Yeah with the flies.

DF: Yeah and the flies, they were giant beetles and it was shocking and I scared everyone, it was just me, it fell right into my lap and I looked up there was nothing, you know, just a tarp for us. I don’t know how it go there it gave me the creeps, the bugs, the whole thing – And that was only one thing but there were other things. So there ya go. [laughs]

RTC: Thank you so much for that! And again congratulations it was great speaking with you.

DF: Thank you and my pleasure as well.

Check Out ‘The Amityville Murders’ Q&A From The ScreamFest Film Festival & The Trailer Below!

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Movie Reviews

Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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“Mickey Vs. Winnie”: Iconic Childhood Characters Collide in A Terrifying Versus Slasher

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iHorror is diving deep into film production with a chilling new project that’s sure to redefine your childhood memories. We’re thrilled to introduce ‘Mickey vs. Winnie,’ a groundbreaking horror slasher directed by Glenn Douglas Packard. This isn’t just any horror slasher; it’s a visceral showdown between twisted versions of childhood favorites Mickey Mouse and Winnie-the-Pooh. ‘Mickey vs. Winnie’ brings together the now-public-domain characters from A. A. Milne’s ‘Winnie-the-Pooh’ books and Mickey Mouse from the 1920s ‘Steamboat Willie’ cartoon in a VS battle like never before seen.

Mickey VS Winnie
Mickey VS Winnie Poster

Set in the 1920s, the plot kicks off with a disturbing narrative about two convicts who escape into a cursed forest, only to be swallowed by its dark essence. Fast forward a hundred years, and the story picks up with a group of thrill-seeking friends whose nature getaway goes horribly wrong. They accidentally venture into the same cursed woods, finding themselves face-to-face with the now monstrous versions of Mickey and Winnie. What follows is a night filled with terror, as these beloved characters mutate into horrifying adversaries, unleashing a frenzy of violence and bloodshed.

Glenn Douglas Packard, an Emmy-nominated choreographer turned filmmaker known for his work on “Pitchfork,” brings a unique creative vision to this film. Packard describes “Mickey vs. Winnie” as a tribute to horror fans’ love for iconic crossovers, which often remain just a fantasy due to licensing restrictions. “Our film celebrates the thrill of combining legendary characters in unexpected ways, serving up a nightmarish yet exhilarating cinematic experience,” says Packard.

Produced by Packard and his creative partner Rachel Carter under the Untouchables Entertainment banner, and our very own Anthony Pernicka, founder of iHorror, “Mickey vs. Winnie” promises to deliver an entirely new take on these iconic figures. “Forget what you know about Mickey and Winnie,” Pernicka enthuses. “Our film portrays these characters not as mere masked figures but as transformed, live-action horrors that merge innocence with malevolence. The intense scenes crafted for this movie will change how you see these characters forever.”

Currently underway in Michigan, the production of “Mickey vs. Winnie” is a testament to pushing boundaries, which horror loves to do. As iHorror ventures into producing our own films, we’re excited to share this thrilling, terrifying journey with you, our loyal audience. Stay tuned for more updates as we continue to transform the familiar into the frightful in ways you’ve never imagined.

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Mike Flanagan Comes Aboard To Assist in Completion of ‘Shelby Oaks’

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shelby oaks

If you have been following Chris Stuckmann on YouTube you are aware of the struggles he has had getting his horror movie Shelby Oaks finished. But there’s good news about the project today. Director Mike Flanagan (Ouija: Origin Of Evil, Doctor Sleep and The Haunting) is backing the film as a co-executive producer which might bring it much closer to being released. Flanagan is a part of the collective Intrepid Pictures which also includes Trevor Macy and Melinda Nishioka.

Shelby Oaks
Shelby Oaks

Stuckmann is a YouTube movie critic who’s been on the platform for over a decade. He came under some scrutiny for announcing on his channel two years ago that he would no longer be reviewing films negatively. However contrary to that statement, he did a non-review essay of the panned Madame Web recently saying, that studios strong-arm directors to make films just for the sake of keeping failing franchises alive. It seemed like a critique disguised as a discussion video.

But Stuckmann has his own movie to worry about. In one of Kickstarter’s most successful campaigns, he managed to raise over $1 million for his debut feature film Shelby Oaks which now sits in post-production. 

Hopefully, with Flanagan and Intrepid’s help, the road to Shelby Oak’s completion is reaching its end. 

“It’s been inspiring to watch Chris working toward his dreams over the past few years, and the tenacity and DIY spirit he displayed while bringing Shelby Oaks to life reminded me so much of my own journey over a decade ago,” Flanagan told Deadline. “It’s been an honor to walk a few steps with him on his path, and to offer support for Chris’ vision for his ambitious, unique movie. I can’t wait to see where he goes from here.”

Stuckmann says Intrepid Pictures has inspired him for years and, “it’s a dream come true to work with Mike and Trevor on my first feature.”

Producer Aaron B. Koontz of Paper Street Pictures has been working with Stuckmann since the beginning is also excited about the collaboration.

“For a film that had such a hard time getting going, it’s remarkable the doors that then opened to us,” said Koontz. “The success of our Kickstarter followed by the on-going leadership and guidance from Mike, Trevor, and Melinda is beyond anything I could have hoped for.”

Deadline describes the plot of Shelby Oaks as follows:

“A combination of documentary, found footage, and traditional film footage styles, Shelby Oaks centers on Mia’s (Camille Sullivan) frantic search for her sister, Riley, (Sarah Durn) who ominously disappeared in the last tape of her “Paranormal Paranoids” investigative series. As Mia’s obsession grows, she begins to suspect that the imaginary demon from Riley’s childhood may have been real.”

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