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Horror in Black and White: The Old Dark House (1932)

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The year was 1932; the Hays Code and all its restrictions had not yet come to be, and James Whale, hot off his success with Frankenstein, gave us the gift of The Old Dark House.

This film was so many things!

For starters, Whale brought along his friend Boris Karloff to the production, making it the actor’s first credited starring role. His name was left off the publicity materials for Frankensein, and was only briefly mentioned in the end credits.

Karloff, again playing mute, is possibly more menacing that in the previous role giving a full-body performance that few could match.

Karloff wasn’t the only star-power in the film, however. Charles Laughton, Raymond Massey, Melvyn Douglas, Lilian Bond, Ernest Thesiger, and Gloria “I threw a big ass diamond into the ocean at the end of Titanic” Stuart round out this cast.

Now check out the film’s synopsis.

Seeking shelter from a pounding rainstorm in a remote region of Wales, several travelers are admitted to a gloomy, foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it, the guests must deal with their sepulchral host, Horace Femm and his obsessive, malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk, runs amuck and releases the long pent-up brother Saul, a psychotic pyromaniac who gleefully tries to destroy the residence by setting it on fire.”

It doesn’t take a die hard horror fan to realize that the film laid the groundwork for a tried and true genre trope. Oh sure, the details get changed around but I bet you can name five films off the top of your head where motorists stranded in a rainstorm find themselves in a creepy old house full of even creepier residents.

Image result for The Old Dark House

There’s something suspicious going on in The Old Dark House.

What’s particularly interesting, however, is how progressive the film was, for its time.

Let me repeat that. The film was progressive for its time.

If you go in for a first time watch expecting what we’d call progressive today, you’re going to be upset.

What the film does is turn the rules of gender and sexuality on their head in ways that audiences of 1932 were not expecting.

In the Femm household, for example, it is Rebecca Femm (Eva Moore) and not her brother Horace (Thesiger) who runs the house, sets the rules for guests, etc. It might not seem like much, now, but that was really something to talk about then.

And then there’s Horace, himself. Fastidious, slightly effeminate, soft spoken Horace…

Whale, an out gay man, was clearly letting his own self shine through Horace, and the fact that he alone, of all the men in the household, shows no real interest in the ladies seems to support this. Add to that, Horace’s acidic wit, and I’m sure that more than a few queer audience members at the time cast knowing sidelong glances to their companions in the theater.

It’s sad that Horace was coded, but even in the pre-code film era, there were some things that you just could not say aloud on film in 1932.

And then there’s the surname of the family in question: Femm…that’s a whole different article to tackle, however.

The Old Dark House is entertaining on multiple levels with almost as many laughs as there are chills to be found in its 71 minute run time.

My favorite scene in the film happens when Rebecca takes Margaret Waverton (Stuart) upstairs to change out of her wet clothes.

Rather than leaving her to change in private, Rebecca insists upon staying in the room and goes on quite the melodramatic monologue about her sinful brothers and her even more sinful sister–who died previously–and the way they flaunted their lustful natures while she was forced, by their father, to remain in her room and pray.

During the entire speech, Whale intentionally distorts Rebecca’s image by filming her reflection in various almost funhouse style mirrors showing the ugliness of the woman’s jealousy over Margaret’s fine, satiny, sinfully sheer, clothing.

Perhaps that is why Rebecca cannot help but reach out to touch Rebecca’s smooth skin and then, before finally leaving the room takes a moment to check her own reflection, still slightly distorted, and smooth out her own hair before casting one glance back at the younger woman as she storms out of the door.

The Old Dark House is the perfect movie for a dark and stormy night on the couch, and it’s available to rent and/or purchase on several streaming apps including Amazon and Vudu for only $2.99!

For more Horror in Black and White coverage, check out last week’s entry on Val Lewton’s Cat People, and be sure to join us next week for another monochromatic horror gem.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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