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TADFF Review: ‘I’ll Take your Dead’ is a Strong, Hearty Genre Stew

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I'll Take Your Dead

With the release of their newest film, I’ll Take Your Dead, director Chad Archibald (Bite, The Heretics) and Black Fawn Films have delivered their strongest work to date. The film mixes elements of a suspense thriller, tragic ghost story, intense home invasion, and coming-of-age drama into an emotional journey for both the characters and the audience. It’s a genre stew that’s flavored with bitter tension and complex warmth – a combination that is perfectly suited to the harsh rural winter setting.

From a script written by Jayme Laforest, the film follows William (Aidan Devine), a humble and quiet man with a simple job – he makes dead bodies disappear. This is not a job he takes pride in, but, through circumstances out of his control, his country farm house has become a dumping ground for the casualties of the gang related murders in the city. His daughter Gloria (Ava Preston) has become used to men dropping off corpses and is even convinced that some of them are haunting their house. After a woman’s body is dumped at the house, William begins his meticulous process when he realizes she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to go finish what they started.

via Black Fawn Films

I’ll Take Your Dead is undeniably a character-driven film. The main action is not surrounding the disposal of bodies or the lost souls that haunt Gloria – it’s the shifts and balances between our three leads.

Jess Salgueiro as Jackie skillfully flips between the roles of panicked captive, wary heroine, and caring surrogate sister. The scenes between Salgueiro and Ava Preston as Gloria are rich with nuance; the audience can gain volumes of information from their physical movements and subtle reactions to one another.

via Black Fawn Films

Aidan Devine carries a stillness that William wields as a shield when acting as his efficient alter-ego. Where Devine really shines is the moments when William is caught off-guard; he slips the stony exterior and we see flashes of the worry and anger that he’s trying to hide. One particular scene – in which William mistakes puberty for injury – carries an avalanche of embarrassment and it’s incredibly endearing. As a single father who intentionally isolates his daughter for her safety, William finally recognizes that he’s far out of his depth.

Admittedly, I did find that the father-daughter bond was plagued by a repetitive, heavy-handed gesture for the sake of emotional connection. It’s meant to communicate the link between the two, but in the film’s 78-minute run time, we see this hand gesture a few times – and with increased frequency – in the third act.

It reads as a rushed attempt to remind the audience of their strong father-daughter relationship, trying to build emotional resonance, and it’s not really necessary. It’s a point that doesn’t need stressing – the actors do a wonderful job of expressing that connection on their own (or maybe it just reminded me too much of the “face waterfall” from Face/Off).

The ghost elements also feel a tad rushed, but with the brisk run time, that would be the logical place to trim the fat for a more robust development in the main plot.

via Black Fawn Films

Overall, I’ll Take Your Dead is strongest when it focuses on the themes of family, loss, and the cycle of violence. Everyone in the film is stuck in a lifestyle surrounded by violence – to the point that young Gloria has completely normalized the death that lives around her.

Every character just scrapes by, fighting to get closer to that dream of a better life. But the isolation that can be found in such a crowded lifestyle is so oppressive that any resistance seems futile, and sometimes, good people are pushed to bad things. I’ll Take Your Dead recognizes that family is more than just blood, and the family you surround yourself with will help to inform your future.

For more on I’ll Take Your Dead, click here to read my interview with the cast at Toronto After Dark Film Fest, and click here to view the first official trailer. The film is currently on the festival circuit, so keep your eye out for screenings near you.

Keep up to date on this film and where it’s playing by following their Facebook page.

via Black Fawn Films

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A24 Creating New Action Thriller “Onslaught” From ‘The Guest’ & ‘You’re Next’ Duo

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It’s always nice to see a reunion in the world of horror. Following a competitive bidding war, A24 has secured the rights to the new action thriller film Onslaught. Adam Wingard (Godzilla vs. Kong) will be directing the film. He will be joined by his longtime creative partner Simon Barret (You’re Next) as the scriptwriter.

For those unaware, Wingard and Barret made a name for themselves while working together on films such as You’re Next and The Guest. The two creatives are card carrying horror royalty. The pair have worked on films such as V/H/S, Blair Witch, The ABC’s of Death, and A Horrible Way to Die.

An exclusive article of out Deadline gives us the limited information we have on the topic. Although we don’t have much to go on, Deadline does offer the following information.

A24

“Plot details are being kept under wraps but the film is in the vein of Wingard and Barrett’s cult classics like The Guest and You’re Next. Lyrical Media and A24 will co-finance. A24 will handle worldwide releasing. Principal photography will begin in Fall 2024.”

A24 will be producing the film alongside Aaron Ryder and Andrew Swett for Ryder Picture Company, Alexander Black for Lyrical Media, Wingard and Jeremy Platt for Breakaway Civilization, and Simon Barret.

That’s all the information we have at this time. Make sure to check back here for more news and updates.

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Director Louis Leterrier Creating New Sci-Fi Horror Film “11817”

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Louis Leterrier

According to an article from Deadline, Louis Leterrier (The Dark Crystal: Age of Resistance) is about to shake things up with his new Sci-Fi horror film 11817. Leterrier is set to produce and direct the new Movie. 11817 is penned by the glorious Mathew Robinson (The Invention of Lying).

Rocket Science will be taking the film to Cannes in search of a buyer. While we don’t know much about what the film looks like, Deadline offers the following plot synopsis.

“The film watches as inexplicable forces trap a family of four inside their house indefinitely. As both modern luxuries and life or death essentials begin to run out, the family must learn how to be resourceful to survive and outsmart who — or what — is keeping them trapped…”

“Directing projects where the audience gets behind the characters has always been my focus. However complex, flawed, heroic, we identify with them as we live through their journey,” said Leterrier. “It’s what excites me about 11817‘s wholly original concept and the family at the heart of our story. This is an experience that movie audiences won’t forget.”

Leterrier has made a name for himself in the past for working on beloved franchises. His portfolio includes gems such as Now You See Me, The Incredible Hulk, Clash of The Titans, and The Transporter. He is currently attached to create the final Fast and the Furious film. However, it will be interesting to see what Leterrier can do working with some darker subject material.

That’s all the information we have for you at this time. As always, make sure to check back here for more news and updates.

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Lists

New to Netflix (U.S.) This Month [May 2024]

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atlas movie Netflix starring Jennifer Lopez

Another month means fresh additions to Netflix. Although there aren’t many new horror titles this month, there are still some notable movies well worth your time. For instance, you can watch Karen Black try to land a 747 jet in Airport 1979, or Casper Van Dien kill giant insects in Paul Verhoeven’s bloody sci-fi opus Starship Troopers.

We are looking forward to the Jennifer Lopez sci-fi action movie Atlas. But let us know what you are going to watch. And if we have missed something, put it in the comments.

May 1:

Airport

A blizzard, a bomb, and a stowaway help create the perfect storm for the manager of a Midwestern airport and a pilot with a messy personal life.

Airport ’75

Airport ’75

When a Boeing 747 loses its pilots in a midair collision, a member of the cabin crew must take control with radio help from a flight instructor.

Airport ’77

A luxury 747 packed with VIPs and priceless art goes down in the Bermuda Triangle after being hijacked by thieves — and time for a rescue is running out.

Jumanji

Two siblings discover an enchanted board game that opens a door to a magical world — and unwittingly release a man who’s been trapped inside for years.

Hellboy

Hellboy

A half-demon paranormal investigator questions his defense of humans when a dismembered sorceress rejoins the living to wreak brutal vengeance.

Starship Troopers

When fire-spitting, brain-sucking bugs attack Earth and obliterate Buenos Aires, an infantry unit heads to the aliens’ planet for a showdown.

May 9

Bodkin

Bodkin

A ragtag crew of podcasters sets out to investigate mysterious disappearances from decades earlier in a charming Irish town with dark, dreadful secrets.

May 15

The Clovehitch Killer

The Clovehitch Killer

A teenager’s picture-perfect family is torn apart when he uncovers unnerving evidence of a serial killer close to home.

May 16

Upgrade

After a violent mugging leaves him paralyzed, a man receives a computer chip implant that allows him to control his body — and get his revenge.

Monster

Monster

After being abducted and taken to a desolate house, a girl sets out to rescue her friend and escape from their malicious kidnapper.

May 24

Atlas

Atlas

A brilliant counterterrorism analyst with a deep distrust of AI discovers it might be her only hope when a mission to capture a renegade robot goes awry.

Jurassic World: Chaos Theory

The Camp Cretaceous gang come together to unravel a mystery when they discover a global conspiracy that brings danger to dinosaurs — and to themselves.

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