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Horror Movie Review: Under the Skin

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Hot off the success of such films as The Avengers and Her, Scarlett Johansson could have any role she wanted. Her choice? Under the Skin. It’s rare to see an A-list actor star in a dark, modestly-budgeted science fiction film at the height of their career, but that’s exactly what the beautiful actress did.

Under the Skin is directed by Jonathan Glazer (Sexy Beast), who shares a screenplay credit with first-time writer Walter Campbell, as based on Michel Faber’s novel of the same name. I’m unfamiliar with the source material, but the film is apparently only a loose adaptation. The plot is vague and the dialogue light; it’s largely a visual affair.

Like life, Under the Skin begins with total darkness. A white dot appears in the center of the black screen. It enlarges as the mus swells. Suddenly, it turns into a bright, white light. Shapes shift. It’s difficult to tell exactly what’s going on, but it’s vaguely cosmic; reminiscent of 2001: A Space Odyssey. Finally, an extreme close-up on an eye comes into view. The eye belongs to an unnamed alien seductress that takes the form of an attractive woman (Johansson).

The woman speaks to a handful of local Scots (their thick accents are a bit hard to decipher) on the street, asking for directions and making small talk. Like a spider, she traps men in her web of seduction. Once inside her home, she walks along the ethereal, black mirrored floor, while the men sink into the floor like quicksand, yet they remain unfazed.

It’s not until an hour into the 108-minute film that the plot thickens. The mysterious woman’s routine changes when she comes in contact with a disfigured man (Adam Pearson) whom she allows to live. Until this point, the movie was fairly redundant, although never boring. Her humanity marks a turning point in both the film and the character. Her journey of self-discovery includes trying food, befriending a gentleman on the bus and even attempting to have sex.

Glazer shows great restraint in his direction. The “action” scenes are often long, wide shots without the typical quick cuts and close-ups. In the hands of a lesser filmmaker, Under the Skin could have devolved into a schlocky mess (the plot could easily be mistaken for a Roger Corman movie), but the movie works thanks to the smart direction and script.

Several early scenes reminded me of a hidden camera reality show where only Johansson is in on the joke, so I wasn’t surprised to learn that they were, in fact, unscripted conversations with non-actors. Other scenes were shot in public places (nightclubs, malls, etc.), where real people are on display rather than extras. Under the Skin also displays the beautiful variety of the Scottish landscape, ranging from the inner city to a beach to a sprawling forest.

The film was certainly no cakewalk for Johansson, but she gives what is perhaps the best performance of her career. The brunt of the film rests on her shoulders; the narrative is told from her point of view with no real supporting cast. It’s a rather physical and intense role. It also calls for several nude scenes; like the rest of the film, they are handled tastefully.

Under the Skin began playing film festivals last year before hitting select theaters earlier this year. Now it makes its way onto Blu-ray and DVD via Lionsgate. It’s important for such a visual effort to look good, and the Blu-ray certainly succeeds in that area. The disc also includes ten brief featurettes, each focusing on a different area of production – camera, casting, editing, locations, music, poster design, production design, script, sound, and VFX; cumulatively, they add up to about 42 minutes of bonus material.

It’s refreshing to see Johansson showcasing her abilities in such a unique and artistic endeavor; a far cry from the homogenized blockbusters in which we typically see her. I can’t speak for the actress, but I suspect she appreciated the challenge and chance of pace as well. Under the Skin is not made for mass audiences, but those who do seek it out will become captivated by its unnerving visuals.

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Panic Fest 2024 Review: ‘Haunted Ulster Live’

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Everything old is new again.

On Halloween 1998, the local news of Northern Ireland decide to do a special live report from an allegedly haunted house in Belfast. Hosted by local personality Gerry Burns (Mark Claney) and popular children’s presenter Michelle Kelly (Aimee Richardson) they intend to look at the supernatural forces disturbing the current family living there. With legends and folklore abound, is there an actual spirit curse in the building or something far more insidious at work?

Presented as a series of found footage from a long forgotten broadcast, Haunted Ulster Live follows similar formats and premises as Ghostwatch and The WNUF Halloween Special with a news crew investigating the supernatural for big ratings only to get in over their heads. And while the plot has certainly been done before, director Dominic O’Neill’s 90’s set tale of local access horror manages to stand out on its own ghastly feet. The dynamic between Gerry and Michelle is most prominent, with him being an experienced broadcaster who thinks this production is beneath him and Michelle being fresh blood who is considerably annoyed at being presented as costumed eye candy. This builds as the events within and around the domicile becomes too much to ignore as anything less than the real deal.

The cast of characters is rounded out by the McKillen family who have been dealing with the haunting for some time and how it’s had an effect on them. Experts are brought in to help explain the situation including the paranormal investigator Robert (Dave Fleming) and the psychic Sarah (Antoinette Morelli) who bring their own perspectives and angles to the haunting. A long and colorful history is established about the house, with Robert discussing how it used to be the site of an ancient ceremonial stone, the center of leylines, and how it was possibly possessed by the ghost of a former owner named Mr. Newell. And local legends abound about a nefarious spirit named Blackfoot Jack that would leave trails of dark footprints in his wake. It’s a fun twist having multiple potential explanations for the site’s strange occurrences instead of one end-all be-all source. Especially as the events unfold and the investigators try to discover the truth.

At its 79 minute timelength, and the encompassing broadcast, it’s a bit of a slow burn as the characters and lore is established. Between some news interruptions and behind the scenes footage, the action is mostly focused on Gerry and Michelle and the build up to their actual encounters with forces beyond their comprehension. I will give kudos that it went places I didn’t expect, leading to a surprisingly poignant and spiritually horrifying third act.

So, while Haunted Ulster Live isn’t exactly trendsetting, it definitely follows in the footsteps of similar found footage and broadcast horror films to walk its own path. Making for an entertaining and compact piece of mockumentary. If you’re a fan of the sub-genres, Haunted Ulster Live is well worth a watch.

3 eyes out of 5
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Panic Fest 2024 Review: ‘Never Hike Alone 2’

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There are fewer icons more recognizable than the slasher. Freddy Krueger. Michael Myers. Victor Crowley. Notorious killers who always seem to come back for more no matter how many times they are slain or their franchises seemingly put to a final chapter or nightmare. And so it seems that even some legal disputes cannot stop one of the most memorable movie murderers of all: Jason Voorhees!

Following the events of the first Never Hike Alone, outdoorsman and YouTuber Kyle McLeod (Drew Leighty) has been hospitalized after his encounter with the long thought dead Jason Voorhees, saved by perhaps the hockey masked killer’s greatest adversary Tommy Jarvis (Thom Mathews) who now currently works as an EMT around Crystal Lake. Still haunted by Jason, Tommy Jarvis struggles to find a sense of stability and this latest encounter is pushing him to end the reign of Voorhees once and for all…

Never Hike Alone made a splash online as a well shot and thoughtful fan film continuation of the classic slasher franchise that was built up with the snowbound follow up Never Hike In The Snow and now climaxing with this direct sequel. It’s not only an incredible Friday The 13th love letter, but a well thought out and entertaining epilogue of sorts to the infamous ‘Tommy Jarvis Trilogy’ from within the franchise that encapsulated Friday The 13th Part IV: The Final Chapter, Friday The 13th Part V: A New Beginning, and Friday The 13th Part VI: Jason Lives. Even getting some of the original cast back as their characters to continue the tale! Thom Mathews being the most prominent as Tommy Jarvis, but with other series casting like Vincent Guastaferro returning as now Sheriff Rick Cologne and still having a bone to pick with Jarvis and the mess around Jason Voorhees. Even featuring some Friday The 13th alumni like Part III‘s Larry Zerner as the mayor of Crystal Lake!

On top of that, the movie delivers on kills and action. Taking turns that some of the previous fils never got the chance to deliver on. Most prominently, Jason Voorhees going on a rampage through Crystal Lake proper when he slices his way through a hospital! Creating a nice throughline of the mythology of Friday The 13th, Tommy Jarvis and the cast’s trauma, and Jason doing what he does best in the most cinematically gory ways possible.

The Never Hike Alone films from Womp Stomp Films and Vincente DiSanti are a testament to the fanbase of Friday The 13th and the still enduring popularity of those films and of Jason Voorhees. And while officially, no new movie in the franchise is on the horizon for the foreseeable future, at the very least there is some comfort knowing fans are willing to go to these lengths to fill the void.

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Panic Fest 2024 Review: ‘The Ceremony Is About To Begin’

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People will look for answers and belonging in the darkest places and the darkest people. The Osiris Collective is a commune predicated upon ancient Egyptian theology and was run by the mysterious Father Osiris. The group boasted dozens of members, each forgoing their old lives for one held in the Egyptian themed land owned by Osiris in Northern California. But the good times take a turn for the worst when in 2018, an upstart member of the collective named Anubis (Chad Westbrook Hinds) reports Osiris disappearing while mountain climbing and declaring himself the new leader. A schism ensued with many members leaving the cult under Anubis’ unhinged leadership. A documentary is being made by a young man named Keith (John Laird) whose fixation with The Osiris Collective stems from his girlfriend Maddy leaving him for the group several years ago. When Keith gets invited to document the commune by Anubis himself, he decides to investigate, only to get wrapped up in horrors he couldn’t even imagine…

The Ceremony Is About To Begin is the latest genre twisting horror film from Red Snow‘s Sean Nichols Lynch. This time tackling cultist horror along with a mockumentary style and the Egyptian mythology theme for the cherry on top. I was a big fan of Red Snow‘s subversiveness of the vampire romance sub-genre and was excited to see what this take would bring. While the movie has some interesting ideas and a decent tension between the meek Keith and the erratic Anubis, it just doesn’t exactly thread everything together in a succinct fashion.

The story begins with a true crime documentary style interviewing former members of The Osiris Collective and sets-up what led the cult to where it is now. This aspect of the storyline, especially Keith’s own personal interest in the cult, made it an interesting plotline. But aside from some clips later on, it doesn’t play as much a factor. The focus is largely on the dynamic between Anubis and Keith, which is toxic to put it lightly. Interestingly, Chad Westbrook Hinds and John Lairds are both credited as writers on The Ceremony Is About To Begin and definitely feel like they’re putting their all into these characters. Anubis is the very definition of a cult leader. Charismatic, philosophical, whimsical, and threateningly dangerous at the drop of a hat.

Yet strangely, the commune is deserted of all cult members. Creating a ghost town that only amps up the danger as Keith documents Anubis’ alleged utopia. A lot of the back and forth between them drags at times as they struggle for control and Anubis keeps continuing to convince Keith to stick around despite the threatening situation. This does lead to a pretty fun and bloody finale that fully leans into mummy horror.

Overall, despite meandering and having a bit of a slow pace, The ceremony Is About To Begin is a fairly entertaining cult, found footage, and mummy horror hybrid. If you want mummies, it delivers on mummies!

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