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iHorror Spotlight: ‘Volumes of Blood: Horror Stories’ – Segment ‘The Deathday Party’ – Interviews.

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Volumes of Blood: Horror Stories – Segment “The Deathday Party.”

Director – Justin M. Seaman

iHorror: Did you have a master plan of how you wanted everything to play out with this segment or did you just “go for it?”

Justin M. Seaman: It was a very much just “go for it” shoot. I had very little initial control over the segment as I didn’t write it, cast it or choose my locations which was something I had never dealt with before in my filmmaking endeavors. It was a challenging yet welcoming terrifying task. So my master plan was to go into this and try to do the best I could with what I was given and make it feel like my own. Luckily, the casting department did wonderful with their selections, so that made things much easier for me.

iH: Where did filming for your segment The Deathday Party occur?

JMS: In Owensboro, KY. We shot this segment back in May 2016 in the same house as a few of the other segments (Fear for Sinners Here, Bloodbath, Killer House).

iH: How many days did you shoot for? And did you face any challenges while filming?

JMS: It was about 36 hours over 2 days. There are always challenges with indie filmmaking, but one of the biggest challenges for me was that I was the only director that didn’t live within a close driving distance. I live near Pittsburgh, PA which was almost an 8-hour trip. That meant if I didn’t complete my segment by the end of the weekend more than likely someone else would have to step in to finish it. Another challenge was being constrained to just the kitchen and basement because they were both very small areas that made it hard for a lot of people to hide off camera. Another issue was the house set directly beside a really busy road that created plenty of noise pollution throughout the shoot and a neighbor just had to weed whack the yard that day and when I say weed whack the yard I mean just that- he had no lawn mower, so he literally walked across the entire yard with a weed whacker to cut his grass…thanks, guy! On the plus side, the crew members were wonderful, and they made it an enjoyable experience.

iH: The Deathday Party contains a lot of dark humor, I was disgusted yet tickled at the same time, did the cast hit their lines and scenes right on the nail or was their challenges because of the material?

JMS: I am a mega fan of ‘Tales from the Crypt’ which sometimes featured this sort of content. So when I read this particular script, it reminded me of that, and I could relate to it. That’s kind of how the actors and I decided to go with the corny/odd married couple approach because it is a very bizarre tale. I had plenty of discussions before shooting some of the scenes with the cast were I told Jay Woolston and Cindy Maples (John and Almeda) to let loose and give me some variations to pick from for the edit. So YES, they did hit the nail on the head several times and several different ways, and I enjoyed editing the segment even more because of that. The entire cast was awesome, and they gave it their all. I hope to work with some of them again on other projects.

iH: Do you prefer directing an anthology or a full-length film?

JMS: I would say I prefer doing full length features more, just because there’s a longer format to just one story as opposed to several shorter ones. I also enjoy dramas with character development with story arcs and sometimes that’s not possible to do in 10-15 mins stories. But I enjoy both for various reasons.

iH: How did you initially become involved with this project?

JMS: From my gathering, P.J. Starks was trying to assemble a team of up and coming filmmakers for this project who had films that were current. He happened to see a post on Fangoria about my film The Barn, and we got to talking about my potential involvement in the sequel. I was interested because I like to work on projects with people who have comradery towards other filmmakers and PJ seemed like that sort of guy too. Someone who knew the struggles of indie filmmaking and wouldn’t be quick to judge or criticize others work, so that drew me into VOB2. I was able to read over and select from three completed scripts Blood BathFeeding Time and The Deathday Party. I chose ‘Deathday’ because it seemed the most challenging to take on in a two day period plus it had the most action, disturbing gore and also would require a cast of seasoned actors.

iH: What are your top five favorite horror films?

JWS: (1) The Monster Squad, (2) Night of the Demons, (3) The Return of the Living Dead, (4) Fright Night, (5) A Nightmare On Elm Street.

iH: What future projects are in the pipeline for you?

JWS: I am a producer/director alongside The Barn’s Director of Photography Zane Hershberger on a new creature feature horror anthology called Cryptids.  I will also be directing a segment for Rocky Gray’s 10/31/16. Both should be out by the end of 2017.

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‘Evil Dead’ Film Franchise Getting TWO New Installments

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It was a risk for Fede Alvarez to reboot Sam Raimi’s horror classic The Evil Dead in 2013, but that risk paid off and so did its spiritual sequel Evil Dead Rise in 2023. Now Deadline is reporting that the series is getting, not one, but two fresh entries.

We already knew about the Sébastien Vaniček upcoming film that delves into the Deadite universe and should be a proper sequel to the latest film, but we are broadsided that Francis Galluppi and Ghost House Pictures are doing a one-off project set in Raimi’s universe based off of an idea that Galluppi pitched to Raimi himself. That concept is being kept under wraps.

Evil Dead Rise

“Francis Galluppi is a storyteller who knows when to keep us waiting in simmering tension and when to hit us with explosive violence,” Raimi told Deadline. “He is a director that shows uncommon control in his feature debut.”

That feature is titled The Last Stop In Yuma County which will release theatrically in the United States on May 4. It follows a traveling salesman, “stranded at a rural Arizona rest stop,” and “is thrust into a dire hostage situation by the arrival of two bank robbers with no qualms about using cruelty-or cold, hard steel-to protect their bloodstained fortune.”

Galluppi is an award-winning sci-fi/horror shorts director whose acclaimed works include High Desert Hell and The Gemini Project. You can view the full edit of High Desert Hell and the teaser for Gemini below:

High Desert Hell
The Gemini Project

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‘Invisible Man 2’ Is “Closer Than Its Ever Been” to Happening

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Elisabeth Moss in a very well-thought-out statement said in an interview for Happy Sad Confused that even though there have been some logistical issues for doing Invisible Man 2 there is hope on the horizon.

Podcast host Josh Horowitz asked about the follow-up and if Moss and director Leigh Whannell were any closer to cracking a solution to getting it made. “We are closer than we have ever been to cracking it,” said Moss with a huge grin. You can see her reaction at the 35:52 mark in the below video.

Happy Sad Confused

Whannell is currently in New Zealand filming another monster movie for Universal, Wolf Man, which might be the spark that ignites Universal’s troubled Dark Universe concept which hasn’t gained any momentum since Tom Cruise’s failed attempt at resurrecting The Mummy.

Also, in the podcast video, Moss says she is not in the Wolf Man film so any speculation that it’s a crossover project is left in the air.

Meanwhile, Universal Studios is in the middle of constructing a year-round haunt house in Las Vegas which will showcase some of their classic cinematic monsters. Depending on attendance, this could be the boost the studio needs to get audiences interested in their creature IPs once more and to get more films made based on them.

The Las Vegas project is set to open in 2025, coinciding with their new proper theme park in Orlando called Epic Universe.

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Jake Gyllenhaal’s Thriller ‘Presumed Innocent’ Series Gets Early Release Date

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Jake gyllenhaal presumed innocent

Jake Gyllenhaal’s limited series Presumed Innocent is dropping on AppleTV+ on June 12 instead of June 14 as originally planned. The star, whose Road House reboot has brought mixed reviews on Amazon Prime, is embracing the small screen for the first time since his appearance on Homicide: Life on the Street in 1994.

Jake Gyllenhaal’s in ‘Presumed Innocent’

Presumed Innocent is being produced by David E. Kelley, J.J. Abrams’ Bad Robot, and Warner Bros. It is an adaptation of Scott Turow’s 1990 film in which Harrison Ford plays a lawyer doing double duty as an investigator looking for the murderer of his colleague.

These types of sexy thrillers were popular in the ’90s and usually contained twist endings. Here’s the trailer for the original:

According to Deadline, Presumed Innocent doesn’t stray far from the source material: “…the Presumed Innocent series will explore obsession, sex, politics and the power and limits of love as the accused fights to hold his family and marriage together.”

Up next for Gyllenhaal is the Guy Ritchie action movie titled In the Grey scheduled for release in January 2025.

Presumed Innocent is an eight-episode limited series set to stream on AppleTV+ starting June 12.

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