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40 Years Later, ‘Suspiria’ is Still a Horrific and Beautiful Work of Art

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Today marks the 40th Anniversary of the American release of Dario Argento’s seminal film, Suspiria. While a remake is in the works, many feel that the original is a sacred piece of art that could not be recreated. The saturated colors, cavernous sets, hair-raising score, and off-putting tone of the film make it truly iconic.

So today, let’s take a minute to revisit the immeasurable beauty of Dario Argento’s Suspiria.

via Giphy

First off, the visual tone of the film is incredible. The vibrant hues are a far cry from the usual dark and gritty scenes we’re used to in horror films. Each set is lush and bright, but the colors used are mostly unsettling shades of the primary colors – deep reds, dark yellows and rich blues.

By containing only primary colors, the bold palette overwhelms the senses. The use of secondary colors would create a feeling of balance, so by only providing us with shades of red, blue, yellow, black and white, we feel overpowered. It’s a subtle way to create a reaction from your audience, but it’s effective.

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Scenes shot in this color scheme are usually set in tight hallways or enclosed spaces. As a result, each room, each scene, feels like the walls are closing in on you. When lighter shades are used, the rooms are open, but shot from afar. The subject seems small and insignificant, showing signs of distress in a room that would normally seem bright and calm.

The architecture is stunning and dreamlike. Patterns and accents are used liberally to create a busy scene, even when the camera is stationary.

via Amino

The sets themselves are gorgeous and I really could go on and on about the design, because it’s one of the elements that really sets this film apart. The way the colors and the pressured tone of the film communicate together is beautiful.

Now, let’s add in the music.

Goblin’s persistent score teases us with gravelly, barely audible whispers over top of a repetitive, simple tune. The effect is maddening and creates tension in a way that many modern filmmakers cannot.

As doe-eyed Suzy (in an untouchable performance by Jessica Harper) explores the school through the climax of the film, the music steadily pounds. It’s unrelenting. Sometimes less is more, but in Suspiria, Argento layers more and more on top until you’re stifling under all the pressure.

Speaking of the climax, let there be no mistake – the film is a work of art, but it’s not just a pretty picture. Brutal horror is part of this whole gore-geous package. The blood is vibrant, and the deaths are cruel and creative. Each kill is shocking, but they all fit in with the unnerving yet beautiful aesthetic.

via Giphy

The tone itself is one of dreamy confusion. Because some of the actors were speaking English, others Italian or German, all of the lines were dubbed over in English. When watching the film – if you weren’t aware of the language barrier – you feel like you’re going a bit mad trying to figure out why some of the actresses lips don’t line up with the dialogue.

In Suspiria, young Suzy is trapped in a mystery, traipsing through her memories to try and piece the puzzle together. When she comes to the school, she is thrown into the middle of a strange environment. The audience understands her struggle as we work to comprehend the situation ourselves.

The tension creeps through the film as students are killed in vicious and violent ways. It grows to a climax and explodes – literally – across the screen.

Through the credits, we hear the dying screams of those trapped inside the school. The horror stays with you through to the very end – there is no release until the film is truly over.

via Tumblr

Suspiria proves that horror is not just revving chainsaws, dark spaces, and torture porn. It is a finely crafted work of art. All elements of the film come together to create an incomparable classic that still holds up 40 years later.

Are you dying to know more about Suspiria? Check out this list of 10 Fun Facts about the film!

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Director of ‘The Loved Ones’ Next Film is a Shark/Serial Killer Movie

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The director of The Loved Ones and The Devil’s Candy is going nautical for his next horror film. Variety is reporting that Sean Byrne is gearing up to make a shark movie but with a twist.

This film titled Dangerous Animals, takes place on a boat where a woman named Zephyr (Hassie Harrison), according to Variety, is “Held captive on his boat, she must figure out how to escape before he carries out a ritualistic feeding to the sharks below. The only person who realizes she is missing is new love interest Moses (Hueston), who goes looking for Zephyr, only to be caught by the deranged murderer as well.”

Nick Lepard writes it, and filming will begin on the Australian Gold Coast on May 7.

Dangerous Animals will get a spot at Cannes according to David Garrett from Mister Smith Entertainment. He says, “‘Dangerous Animals’ is a super-intense and gripping story of survival, in the face of an unimaginably malevolent predator. In a clever melding of the serial killer and shark movie genres, it makes the shark look like the nice guy,”

Shark movies will probably always be a mainstay in the horror genre. None have ever really succeeded in the level of scariness reached by Jaws, but since Byrne uses a lot of body horror and intriguing images in his works Dangerous Animals might be an exception.

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PG-13 Rated ‘Tarot’ Underperforms at the Box Office

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Tarot starts off the summer horror box office season with a whimper. Scary movies like these are usually a fall offering so why Sony decided to make Tarot a summer contender is questionable. Since Sony uses Netflix as their VOD platform now maybe people are waiting to stream it for free even though both critic and audience scores were very low, a death sentence to a theatrical release. 

Although it was a fast death — the movie brought in $6.5 million domestically and an additional $3.7 million globally, enough to recoup its budget — word of mouth might have been enough to convince moviegoers to make their popcorn at home for this one. 

Tarot

Another factor in its demise might be its MPAA rating; PG-13. Moderate fans of horror can handle fare that falls under this rating, but hardcore viewers who fuel the box office in this genre, prefer an R. Anything less rarely does well unless James Wan is at the helm or that infrequent occurrence like The Ring. It might be because the PG-13 viewer will wait for streaming while an R generates enough interest to open a weekend.

And let’s not forget that Tarot might just be bad. Nothing offends a horror fan quicker than a shopworn trope unless it’s a new take. But some genre YouTube critics say Tarot suffers from boilerplate syndrome; taking a basic premise and recycling it hoping people won’t notice.

But all is not lost, 2024 has a lot more horror movie offerings coming this summer. In the coming months, we will get Cuckoo (April 8), Longlegs (July 12), A Quiet Place: Part One (June 28), and the new M. Night Shyamalan thriller Trap (August 9).

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‘Abigail’ Dances Her Way To Digital This Week

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Abigail is sinking her teeth into digital rental this week. Starting on May 7, you can own this, the latest movie from Radio Silence. Directors Bettinelli-Olpin & Tyler Gillet elevate the vampire genre challenging expectations at every blood-stained corner.

The film stars Melissa Barrera (Scream VIIn The Heights), Kathryn Newton (Ant-Man and the Wasp: QuantumaniaFreakyLisa Frankenstein), and Alisha Weir as the titular character.

The film currently sits at number nine at the domestic box office and has an audience score of 85%. Many have compared the film thematically to Radio Silence’s 2019 home invasion movie Ready or Not: A heist team is hired by a mysterious fixer to kidnap the daughter of a powerful underworld figure. They must guard the 12-year-old ballerina for one night to net a $50 million ransom. As the captors start to dwindle one by one, they discover to their mounting terror that they’re locked inside an isolated mansion with no ordinary little girl.”

Radio Silence is said to be switching gears from horror to comedy in their next project. Deadline reports that the team will be helming an Andy Samberg comedy about robots.

Abigail will be available to rent or own on digital starting May 7.

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